Title: E. Jack Neuman Papers
Inclusive Dates: 1935-1982

Creator:

• Neuman, E. Jack

Call Number: U.S. Mss 80AN; Tape 450A; Micro 1025

Quantity: 38.8 c.f. (97 archives boxes), 23 tape recordings, and 1 reel of microfilm (35mm)

Repository:

Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Wisconsin Historical Society (Map)

Abstract:

Papers of E. Jack Neuman, a television and motion picture writer-producer, primarily comprised of files on motion pictures, television series, and made-for-TV movies which Neuman wrote and/or produced. Made up of scripts and drafts, correspondence, production reports, and schedules, the collection demonstrates well the background research and social content for which Neuman is known. This is particularly true of files on his television adaptation of Albert Speer's memoirs, Inside the Third Reich, and of the files on Mr. Novak (NBC) and Sam Benedict (NBC), both of which are also useful for studying network censorship, program concept development and sales, and ratings. The collection also includes extensive files on made-for-TV movies -- a genre for which Neuman is partially responsible. Present are files on The Blue Knight (NBC), Kate McShane (CBS), Night Games (NBC), and Police Story (NBC), all of which eventually became series. Files on the latter three series are included in the collection. Of Neuman's other television work, the collection contains files on Dr. Kildare (NBC), Philip Marlowe (ABC), Petrocelli (NBC), The Richard Boone Show (NBC), The Twilight Zone (CBS), and The Untouchables (ABC). Production files and scripts relate to seven produced and eight unproduced motion pictures. There are also three boxes of general correspondence, appointment books, schedules, financial records, and miscellany.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0080an

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E. Jack Neuman, television and screen writer-producer, was born in Toledo, Ohio, on February 27, 1921, and raised in Denver, Colorado. In Denver he attended Regis Jesuit High School and it was as a student there that he gained his first experience with professional writing; he served for a short time as a sportswriter for the Denver Post. Neuman graduated from the University of Missouri in 1942, majoring in English and Journalism. He served with the Marine Corps from 1942 to 1946, and then attended law school at U.C.L.A. In 1951, he was a member of the first graduating class of that law school.

Before he completed his law degree, Neuman joined the writing staff of CBS Radio in Hollywood. Beginning in 1946, he wrote for Suspense, Sam Spade and Lux Radio Theater, among others. At this same time he was also writing feature films for MGM, Universal, and Sol Lessor Productions.

Neuman entered the field of television in the 1950s. He was associate producer of The Lineup (1954-1955), and he wrote the first 28 programs for that series. He has written for Twilight Zone, The Westerner, Gunsmoke, Wagon Train, The Untouchables, Bonanza, Climax, Wire Service, Matinee, The Asphalt Jungle, Dr. Kildare (more than 20 teleplays), Cain's Hundred, and You Are There.

In 1960, Neuman joined the staff at Metro-Goldwyn-Mayer. There he wrote and developed the pilot for Dr. Kildare. The next year he created Sam Benedict, for which he served as executive producer. In 1963, he created the Mr. Novak series, serving as producer during the first year of the series and as executive producer the second year. He wrote the pilot show for Shenandoah, but was not connected with the series. He also created the pilot for The Mayor, which was not made into a series.

Neuman wrote the screenplay and produced the movie The Venetian Affair in 1967, while he was still associated with MGM. Then he moved to Universal Studios where he helped create the 1968 television series The Name of the Game.

E. Jack Neuman received an Emmy nomination for his teleplay, “The Long Goodbye,” an episode of Climax. He was awarded the Mystery Writers of America Award in 1955 for “The Shot,” a segment of Matinee. In 1956 he was nominated for writing achievement by the Writer's Guild of America for his film, Mojave; and President Eisenhower nominated Neuman for a Freedom Award for “The Scott Machine,” an episode of Asphalt Jungle, in 1961. In addition, Neuman won more than fifteen commendations, citations, and awards for his writing and production of the Mr. Novak series.

Neuman's later television and motion picture work includes such television programs as The Blue Knight, Kate McShane, Petrocelli, and Police Story. In addition he has been involved in several made-for-TV movies, a concept that he helped create. Among these are The Cable Car Murder, Kate McShane, Night Games, and Police Story, the latter three films eventually becoming series. Added to his motion picture credits were A Company of Killers (1970) and The Guardians (1972).

On May 9 and 10, 1982, the American Broadcasting Company (ABC) televised E. Jack Neuman's five-hour dramatic adaptation of Albert Speer's best-selling memoirs, Inside the Third Reich. Albert Speer served as Hitler's chief architect and later as his confidant and Reich Minister for War Production. Neuman obtained the film rights to Speer's autobiography only after it had been optioned three times. Originally, the National Broadcasting Company (NBC) had the rights to the book, but because of corporate changes and difficulties with NBC president Fred Silverman, Neuman was able to acquire the film rights and sell them to the ABC Film Division. Most of Inside the Third Reich was filmed on location in Munich. Neuman assembled an international cast to star in the production: Rutger Hauer as Speer; Derek Jacobi as Hitler; Blythe Danner as Margarete, Albert Speer's wife; Robert Vaughn as Field Marshal Erhard Milch; and Sir John Gielgud as Speer's father. Neuman also obtained the services of top-rated director Marvin Chomsky, a two-time Emmy award winner for his direction of “Holocaust” and “Attica.”

Mr. Neuman married the former Irene Booth in 1946. He and his wife had four children.

This E. Jack Neuman collection is organized in three parts. Part 1, the Original Collection, dates 1961-1965 and includes information on Neuman's television series and on the motion picture The Venetian Affair. Part 2, the 1978 Additions, was received in the Archives in 1972 and 1977 and was organized in 1978. These additional papers date 1945-1976 and include information on his work in Television, Motion Pictures, and Radio. Part 3, the 1982 Additions, dates 1932-1982 and completely concerns Neuman's production of Inside the Third Reich.

Part 1, Original Collection, 1961-1965

Part 1 contains much material on the research and preparation necessary in creating a pilot for a television series (laying, thereby, the format for the entire series). Included are pilots for Dr. Kildare, Sam Benedict, Mr. Novak, and The Mayor. The work E. Jack Neuman did for these pilots and series earned him a reputation for accurate and well-researched productions.

Neuman is also known for the importance he places on a show's social content and relevance. This is especially evident in the Mr. Novak show, which dealt responsibly with such topics as teenage pregnancy, teenage drug addiction, high school dropouts, and racism. There is considerable and very informative material concerning the show “The Rich Who Are Poor,” a two-part show on venereal disease; this show, written by Neuman, was to have begun on Mr. Novak and concluded on Dr. Kildare. The show was cancelled just before the beginning of production, creating a furor and making the show one of the most publicized cases of disputed network censorship. The collection contains a tape of a health clinic interview with a venereal disease patient, as well as a great volume of material collected for research, showing how Neuman gained a thorough knowledge of his subject before he wrote on it.

The bulk of this part of the collection deals with the weekly, show-by-show production of two seasons of Mr. Novak, and one season of Sam Benedict. For Mr. Novak, Neuman began as executive producer and then during the first season, also took over as producer. For the second season, Neuman was the executive producer. He was also the executive producer of the Sam Benedict series. This series material has been left in the original studio folders; and the order in which it was kept by Neuman's secretary, Mrs. Mary Jane Middleton, has been preserved, with correspondence, communications, and memos together chronologically. The folders also contain scripts, photographs, credits, schedules, and contracts.

The Sam Benedict material contains research Neuman did on Jake Ehrlich, the famous trial lawyer on whose life the show is based. The Mr. Novak material contains tapes (many of which have been transcribed) of interviews Neuman held with high school teachers and administrators when researching background for the show, as well as the written reports of the special panel of teachers who reviewed every script and commented on its realism and authenticity. The entire series was created and produced with the cooperation of the National Education Association. The Mr. Novak material also contains the fan mail received by Neuman's office concerning the show, many of its awards, and a scrapbook of news clippings, now on microfilm.

There is in the collection considerable evidence of Neuman's skill as a writer, since he contributed many scripts to the shows as well as producing them. In some cases, the script transitions and revisions show the progression from the earliest draft to the final script.

The collection contains scripts and related material by the following people who have donated collections to the Wisconsin Center for Theater Research: Art Wallace, Emmet Lavery, David Harmon, and Alvin Boretz.

Part 1 also contains material on the feature length film, The Venetian Affair. Neuman wrote the screenplay and produced the movie. Included are communications, correspondence, memos, scripts, production reports, photographs, and preview comments.

Part 2, 1978 Additions, 1945-1976

Part 2 of the E. Jack Neuman papers provides additional documentation of his career as a writer-producer for television and motion pictures. In addition to revealing the production techniques and procedures in both industries, Part 2 also contains information on the development of television programs, their sale to networks, and the research and programming used to maximize ratings. Part 2 has been arranged in three sub-series reflecting the medium for which Neuman wrote: Motion Pictures, Television, and Radio. The two largest sub-series, Motion Pictures and Television, have been further divided into produced and unproduced works. Those writings which did not fall into one of these categories have been organized as Other Writings. A General Subject File serves as a catchall series for those files which were either general in nature or not specifically related to one production.

The GENERAL SUBJECT FILE contains correspondence, appointment books, schedules, financial records, lists, surveys, and miscellany. Appointment schedules document Neuman's contacts with teachers and various educational associations during his involvement with Mr. Novak. Letters discussing the purchase of rights to Sam Spade, story ideas and script submissions for potential series, New York Arbitron and Nielsen national ratings for several MGM programs, and trends in programming and production for the 1965-1966 season are included. Charts of accounts list various financial accounts used in the production of films, television programs, cartoons, and commercials and also lists specific production titles and their producers. Miscellany includes an interview with Neuman and a speech (April 5, 1965) he delivered before the Association of National Advertisers in which he discusses the effects that censorship, ratings, and time constraints have on quality television programming. The File also contains popularity polls, prepared by the MGM Research Department and based on audience questionnaires, which ranked hundreds of actors and actresses; a Neuman memorandum (April 8, 1963) which proposed that MGM do a two-hour feature for television that would exclude the traditional, expensive host--a concept now popularized as made-for-TV movies; production data and file guides that provide information and credits for several episodes of Sam Benedict and Mr. Novak; and lists of Neuman's radio and television credits. The file is arranged alphabetically by folder title and thereunder chronologically.

MOTION PICTURES-PRODUCED is composed of production files which contain information on casting, financing, writing, and technical production. Included are correspondence, research materials, budgets, outlines, variant scripts, and production reports. Files are most extensive for A Company of Killers, The Guardians, and The Most Dangerous Game. A small file on The Singing Nun includes script revisions by Neuman, who did not receive screen credit, plus two letters from the film's religious advisor, in which she offers script suggestions and expresses her disappointment with the final work. The majority of the MOTION PICTURES-UNPRODUCED files are small and consist of individual scripts or miscellaneous correspondence. Included in this series is the script for “Ready for Tiger” written by Sam Peckinpah.

Playscripts, story synopses, and typescripts authored by Neuman comprise OTHER WRITINGS. Among these are “The Gopher Man” and “Whittier County.”

TELEVISION-PRODUCED is the largest file in the collection and is composed of production files for both made-for-TV movies and regular television series. Included are The Blue Knight, The Cable Car Murder, Dr. Kildare, Kate McShane, Law and Order, The Mayor, Mr. Novak, The Name of the Game, Petrocelli, Police Story, The Richard Boone Show, Sam Benedict, The Twilight Zone, and The Untouchables. Materials on Kate McShane, Petrocelli, and Police Story include both the initial made-for-TV movie, which served as a pilot, and the later series which resulted from it. Of particular interest in this section are Blue Knight files, which contain several scripts authored by Rod Serling plus a letter and notes by Joseph Wambaugh, in which he discusses his book The Centurians and Serling's scripts; a file on broadcast standards in Law and Order, which notes the removal of objectionable words and racial and ethnic stereotypes from the script; correspondence that documents the active support that teachers and the National Education Association gave Mr. Novak; a letter from Raymond Chandler (December 13, 1957), in which he praises Neuman's Philip Marlowe script for capturing the essence of his characters; and Sam Benedict files, which include research on audience reaction to the program and discuss efforts to schedule strong and weak shows to obtain the best ratings.

TELEVISION-UNPRODUCED contains scripts for episodes of Kate McShane and Richard Diamond, Private Detective.

Two scripts for episodes of Jeff Regan, Investigator comprise the RADIO series and complete Part 2.

Part 3, 1982 Additions, 1932-1982

The 1982 additions document the preparation and production of Inside the Third Reich. The collection is arranged under the following three headings: Research, Production Files, and Scripts.

Concerned with authenticity and historical accuracy, Neuman conducted extensive RESEARCH into Speer's rise to power in Nazi Germany. Neuman spent many hours in Heidelberg and Rettenberg interviewing Speer before the former Nazi died in September 1981. Included are transcripts of the Speer-Neuman conversations; interrogations of Speer at Glucksburg (May 19 and 22, 1945) regarding his thoughts on total war mobilization, German reconstruction, and the effectiveness of Allied air attacks upon German industry; and Speer's personal letters written to his wife and parents while imprisoned at Cransberg and Nuremberg. An assortment of newspaper clippings and magazine articles document the Nazi era and Hitler's rise to power. Additional research materials used by Neuman and contained in the collection are copies of interviews with Speer printed in Playboy and Quadrant, and a chapter from Joachim C. Fest's biography entitled Hitler. A bibliographical listing of books consulted for the film, general research notes, maps of Germany, and a short chronological file of the feature films and hit tunes for the years 1932-1945 are also included.

PRODUCTION FILES are arranged in five subcategories: Agreements, Operations, General Correspondence, Broadcast Response, and Miscellany. Agreements consist of contractual arrangements made with Albert Speer regarding the acquisition of rights to his memoirs; with Karlin Enterprises, Inc. for the musical score for the film; and with Hungarofilm relating to the filming of portions of Inside the Third Reich in Hungary.

Operations comprise cue sheets, call sheets, cast lists, location lists, staff and crew lists, shooting schedules, musical scores, production reports, budgetary information, work orders, editorial revisions and remarks concerning Neuman's scripts, as well as information regarding the use of stock footage and film titles and credits. Also included is information on ABC standards and practices, outlining the network standards for nonfiction programming.

Neuman's difficulties with NBC are documented in General Correspondence. Also included is correspondence relating to all facets of the eventual ABC televised docu-drama: costumes, shooting schedules, contracts, tax matters, etc.; and Neuman's correspondence with such noted authorities on the Nazi era as Stefant Lorrant, John Toland, William Shirer, H. R. Trevor-Roper, and Simon Wiesenthal.

Broadcast Response includes fan mail and critical reviews of the mini-series.

Miscellany comprises air freight shipment forms, production insurance questionnaires, and a newspaper article about the restoration of Herman Goering's automobile--a Horch 853 convertible built in 1935. Herman Goering served as commander of Nazi Germany's Luftwaffe.

The bulk of these additions consists of SCRIPTS. Neuman reworked his script many times in an effort to lend the production authenticity. Although he spent long hours interviewing Speer, Neuman found him an exceedingly enigmatic man. “I realized that these enigmatic qualities had to be put on the screen,” said Neuman. “I rewrote my script a dozen times to capture that experience.”

Acquisition Information

Portions presented by E. Jack Neuman, Universal City, California, 1963, and portions placed on deposit by Neuman, 1972-1982. Accession Number: MCHC67-064, MCHC72-014, MCHC72-045, MCHC77-17, MCHC82-036

Processing Information

Original collection processed by Jed Dannenbaum, September 1965; additions processed by Alice Siemering and Chris Rongone, October 1978, and by Joanne Hohler and Bruce Montgomery, May 1983.

	Series: Part 1, Original Collection, 1961-1965
U.S. Mss 80AN	Dr. Kildare
Box   1 Folder   1	Research
Box   1 Folder   2	Series format and writers instructions
Box   1 Folder   3	“What's Different about the New Hollywood Produced-on-Film Network Programs,” Telefilm, July - August, 1961, p. 18
	Pilot, production #6501, “Twenty-four Hours,” by E. J. Neuman
Box   1 Folder   4	Scripts, Dec. 5, 1960, Jan. 11, 1961
Box   1 Folder   5	Scripts, Feb. 3, 1961
Box   1 Folder   6	Memos, schedules, miscellaneous
Box   1 Folder   7	Production #6504, “Admitting Service”, by E. Jack Neuman
Box   1 Folder   8	Production #6518, “Miss Primips”, by E. Jack Neuman
	Sam Benedict Note: See Appendix A for the order in which shows were put on the air.
	Show #l, pilot, “Hannigan”, by E. Jack Neuman, Sept. 15, 1962
Box   2 Folder   1	Correspondence, contracts, miscellaneous
Box   2 Folder   2	Legal clearances, script comments and footage, script notes and research, shooting script
Box   2 Folder   3	Scripts, Sept. 20, 1961
	Location photographs
Box   2 Folder   4	Set dressing
Box   2 Folder   5	Stock
Box   2 Folder   6	Fairmont Hotel
Box   2 Folder   7	City Hall
Box   2 Folder   8	Civic Youth Center
Box   2 Folder   9	Francesca Apartment
Box   2 Folder   10	Hall of Justice
Box   2 Folder   11	Miscellaneous shots
Box   3 Folder   1	Show #2, “Nor Practices Make Perfect”, by William Froug, Sept. 29, 1962
Box   3 Folder   2	Show #3, “Tears for a Nobody Doll”, by Ellis Marcus, Oct. 13, 1962
Box   3 Folder   3	Show #4, “A Split Week in San Quentin”, by Joseph Calvelli, Sept. 22, 1962
Box   3 Folder   4	Show #5, “Life Is a Lie, Love Is a Cheat”, by George Eckstein, Nov. 10, 1962
Box   3 Folder   5	Show #6, “Nothing Equals Nothing”, by John W. Bloch, Oct. 6, 1962
Box   4 Folder   1	Show #7, “Twenty Aching Years”, by John Kneubuhl and Ellis Marcus, Oct. 20, 1962
Box   4 Folder   2	Show #8, “Run Softly, Oh Softly”, by Ed Waters and Leonard Heideman, Jan. 26, 1963
Box   4 Folder   3	Show #9, “Image of a Toad”, by Ellis Marcus, Feb. 23, 1963
Box   4 Folder   4	Show #10, “The View from an Ivory Tower”, by Frederick C. Houghton, Jr., Nov. 24, 1962
Box   5 Folder   1	Show #11, “Maddon's Folly”, by E. Jack Neuman, Oct. 27, 1962
Box   5 Folder   2	Show #12, “Hear the Mellow Wedding Bells”, by Joseph Petracca, Nov. 3, 1962
Box   5 Folder   3	Show #13, “The Bird of Warning”, by Barry Trivers, Leonard Heideman, and Paul Mason, Nov. 17, 1962
Box   5 Folder   4	Show #14, “Too Many Strangers”, by Ellis Marcus, Dec. 8, 1962
Box   6 Folder   1	Show #15, “Everybody's Playing Polo”, by Joseph Calvelli, Dec. l, 1962
Box   6 Folder   2	Show #16, “Where There's a Will”, by Art Wallace, Dec. 22, 1962
Box   6 Folder   3	Show #17, “So Various, So Beautiful”, by Arthur Orloff, Dec. 15, 1962
Box   6 Folder   4	Show #18, “The Target Over the Hill”, by Leonard Heideman and E. Jack Neuman, Dec. 27, 1962
Box   6 Folder   5	Show #19, “Not Even the Gulls Shall Weep”, by Sidney Marshall and John Hawkins, Jan. 5, 1963
Box   7 Folder   1	Show #20, “Green Room, Grey Morning”, by Carey Wilber and E. Jack Neuman, Jan. 19, 1963
Box   7 Folder   2	Show #21, “The Boiling Point”, by Paul Mason and S. Bar-David, Jan. 12, 1963
Box   7 Folder   3	Show #22, “Sugar and Spice and Everything...”, by Sidney Marshall, Feb. 2, 1963
Box   7 Folder   4	Show #23, “Some Fires Die Slowly”, by Art Wallace, Feb. 16, 1963
Box   8 Folder   1	Show #24, “Seventeen Gypsies and a Sinner Named Charlie”, by Joseph Calvelli, March 2, 1963
Box   8 Folder   2	Show #25, “Accomplice”, by Larry Cohen, March 9, 1963
Box   8 Folder   3	Show #26, “Read No Evil”, by Robert Bloomfield, March 16, 1963
Box   8 Folder   4	Show #27, “Of Rusted Canons and Fallen Sparrows”, by John T. Dugan, March 23, 1963
Box   8 Folder   5	Show #28, “Season for Vengeance”, by Franklin Barton, March 30, 1963
Box   9 Folder   1-2	Research: J. W. Ehrlich
Box   9 Folder   3	Writers, directors, production numbers
Box   9 Folder   4	Story lines
Box   9 Folder   5	Unused story lines
Box   9 Folder   6	“New Network Programs Premiere...How They Differ as Explained by Their Producers,” Telefilm, July - August, 1962, p. 5; “Who's Who Among Producers,” p. 20
	Publicity
Box   9 Folder   7	Promotional booklets
Box   9 Folder   8	Releases, photographs
Box   9 Folder   9	Miscellaneous
	Mr. Novak Note: See Appendix B for the order in which shows were put on the air.
Box   10 Folder   1	Show #l, First Run, “First Year, First Day”, pilot, by Joseph Stephano, Sept. 24, 1963
Box   10 Folder   2-6	Show #l, photographs
Box   11 Folder   1	Show #2, “Hello, Miss Phipps”, by John T. Dugan, Nov. 5, 1963
Box   11 Folder   2	Show #3, “My Name Is Not Legion”, by Robert E. Thompson, Dec. 24, 1963
Box   11 Folder   3	Show #4, “The Private Life of Douglas Morgan, Jr.”, by Paul and Margaret Schneider, Jan. 28, 1964
Box   11 Folder   4	Show #5, “I Don't Even Live Here”, by Milton Rosen, Oct. 8, 1963
Box   12 Folder   1	Show #6, “To Lodge and Dislodge”, by E. Jack Neuman, Oct. l, 1963
Box   12 Folder   2	Show #7, “Love in the Wrong Season”, by Richard De Roy, Dec. 3, 1963
Box   12 Folder   3	Show #8, “He Who Can, Does”, by Roland Wolpert, Dec. 31, 1963
Box   12 Folder   4	Show #9, “X Is the Unknown Factor”, by Milton Gelman and Preston Wood, Oct. 15, 1963
Box   13 Folder   1	Show #10, “The Risk”, by Theodore Apstein and E. Jack Neuman, Oct. 29, 1963
Box   13 Folder   2	Show #11, “A Single Isolated Incident”, by E. Jack Neuman, Oct. 22, 1963
Box   13 Folder   3	Show #12, “To Break a Camel's Back”, by Mike Adams and E. Jack Neuman, Nov. 12, 1963
Box   13 Folder   4	Show #13, “A Feeling for Friday”, by E. Jack Neuman, Nov. 19, 1963
Box   14 Folder   1	Show #14, “Pay the Two Dollars”, by Milton Rosen, Nov. 26, 1963
Box   14 Folder   2	Show #15, “A Thousand Voices”, by Anthony Wilson, Dec. 17, 1963
Box   14 Folder   3	Show #16, “Boy Without a Country”, by Richard De Roy and E. Jack Neuman, Dec. 10, 1963
Box   14 Folder   4	Show #17, “Song of Songs”, by Emmet Lavery, E. Jack Neuman, and James Menzies, Jan. 7, 1964
Box   15 Folder   1	Show #18, “The Exile”, by E. Jack Neuman, Jan 14, 1964
Box   15 Folder   2	Show #19, “I'm on the Outside”, by Preston Wood, Feb. 11, 1964
Box   15 Folder   3	Show #20, “Sparrow on the Wire”, by Lionel E. Siegel and E. Jack Neuman, Jan. 21, 1964
Box   15 Folder   4	Show #21, “Death of a Teacher”, by E. Jack Neuman, Feb. 4, 1964
Box   16 Folder   1	Show #22, “Chin Up, Mr. Novak”, by Joseph Calvelli, Feb. 18, 1964
Box   16 Folder   2	Show #23, “Fear Is a Handful of Dust”, by Carol O'Brien
Box   16 Folder   3	Show #24, “How Does Your Garden Grow?”, by Joseph Calvelli, March 3, 1964
Box   16 Folder   4	Show #25, “One Way to Say Goodbye”, by E. Jack Neuman, March 17, 1964
Box   17 Folder   1	Show #26, “The Tower”, by James Menzies, March 10, 1964
Box   17 Folder   2	Show #27, “Day in the Year”, by Sidney Marshall, March 24, 1964
Box   17 Folder   3	Show #28, “Moment Without Armour”, by Margaret Armen, March 31, 1964
Box   17 Folder   4	Show #29, “Fare Thee Well”, by Carol O'Brien, April 7, 1964
Box   17 Folder   5	Show #30, “The Senior Prom”, by Sidney Marshall, April 14, 1964
Box   18 Folder   1	Show #l, Second Run, “The People Doll: You Wind It Up and It Makes Mistakes”, by John D. F. Black, Nov. 17, 1964
Box   18 Folder   2	Show #2, “Born of Kings and Angels”, by George Clayton Johnson, Dec. l, 1964
Box   18 Folder   3	Show #3, “Moonlighting”, by John Ryan and Meyer Dolinsky, Sept. 22, 1964
Box   18 Folder   4	Show #4, “Visions of Sugar Plums”, by Joseph Calvelli, Oct. 6, 1964
Box   19 Folder   1	Show #5, “Beyond a Reasonable Doubt”, by Martha Wilkerson, Dec. 22, 1964
Box   19 Folder   2	Show #6, “...With a Hammer in His Hand, Lord, Lord!”, by John D. F. Black, Sept. 29, 1964
Box   19 Folder   3	Show #7, “Little Girl Lost”, by Betty Ulius, Oct. 20, 1964
Box   19 Folder   4	Show #8, “Love Among the Grownups”, by Harold Gast, Dec. 29, 1964
Box   20 Folder   1	Show #9, “One Monday Afternoon”, by Herman Groves and Mel Goldberg, Oct. 27, 1964
Box   20 Folder   2	Show #10, “'A' Is for Anxiety”, by Carol O'Brien and Betty Ulius, Dec. 8, 1964
Box   20 Folder   3	Show #11, “Let's Dig a Little Grammar”, by Mel Goldberg, Nov. 10, 1964
Box   20 Folder   4	Show #12, “Mountains to Climb”, by Roland Wolpert and John D. F. Black, Feb. 23, 1965
Box   21 Folder   1	Show #13, “Boy Under Glass”, by Robert Stambler and Mel Goldberg, Nov. 24, 1964
Box   21 Folder   2	Show #14, “Johnny Ride the Pony - One, Two, Three”, by David Harmon, Dec. 15, 1964
Box   21 Folder   3	Show #15, “The Silent Dissuaders”, by Betty Ulius, Feb. 16, 1965
Box   21 Folder   4	Show #16, “An Elephant Is Like a Tree”, by John D. F. Black, Jan. 12, 1965
Box   21 Folder   5	Show #17, “From the Brow of Zeus”, by Mel Goldberg, Jan. 5, 1965
Box   22 Folder   1	Show #18, “Enter a Strange Animal”, by Alvin Sargent, Jan. 19, 1965
Box   22 Folder   2	Show #19, “Faculty Follies”, Part One, by Meyer Dolinsky, Feb. 2, 1965
Box   22 Folder   3	Show #20, “Faculty Follies”, Part Two, by Meyer Dolinsky, Feb. 9, 1965
Box   22 Folder   4	Show #21, “Beat the Plowshare; Edge the Sword”, by Gilbert Ralston, Jan. 26, 1965
Box   22 Folder   5	Show #22, “Where Is There to Go, Billie, But Up?”, by Herman Groves and Mel Goldberg
Box   23 Folder   1	Show #23, “The Tender Twigs”, by Robert Presnell, Jr. and Mel Goldberg, March 16, 1965
Box   23 Folder   2	Show #24, “May Day”, by John D. F. Black and Donald Michael Platt, March 2, 1965
Box   23 Folder   3	Show #25, “Honor--And All That”, by Jerry McNeely, March 23, 1965
Box   23 Folder   4	Show #26, “Once a Clown”, by Mel Goldberg, John Ryan, and Tommy Overton, April 27, 1965
Box   24 Folder   1	Show #27, “The Student Who Never Was”, by Meyer Dolinsky, March 30, 1965
Box   24 Folder   2	Show #28, “There's a Penguin in My Garden”, by John D. F. Black, April 6, 1965
Box   24 Folder   3	Show #29, “The Firebrand”, by Harold Gast, April 13, 1965
Box   24 Folder   4	Show #30, “And Then I Wrote....”, by Joseph Calvelli and Mel Goldberg, April 20, 1965
	Plot synopses and related material for unproduced shows
Box   25 Folder   1	Prod. #7204-l, “There Are All Kinds of Wars”, by Franklin Barton
Box   25 Folder   2	Prod. #7204-2, “The Short Cut”, by Franklin Barton
Box   25 Folder   3	Prod. #7208, “Marry Me, Marry Me, Marry Me”, by Les Pine
Box   25 Folder   4	Prod. #7215, “I've Been There”, by Anthony Wilson
Box   25 Folder   5	Prod. #7219, “Girl on a Couch”
Box   25 Folder   6	Prod. #7224, “Lorelei By Night”, by John Dugan, including a script
Box   25 Folder   7	Prod. #7226, “Which Way Is Up”, by Jo Pagano
Box   25 Folder   8	Prod. #7230-l, “I'd Marry the King of Siam”, by Milt Rosen
Box   25 Folder   9	Prod. #7235, “The One That Got Away”, by Roland Wolpert and Robert Caveney
Box   25 Folder   10	Prod. #7238, “Maybe We Need Each Other”, by Louis J. Cagan
Box   25 Folder   11	Prod. #7243, “A Helping Hand”, by Robert Stanley
Box   25 Folder   12	Prod. #7244, “The Faculty Show”, by Jim Leighton, including a script
Box   25 Folder   13	Prod. #7247, “The Road to the Wall”, by John W. Block, including a script
Box   25 Folder   14	Prod. #7249, “They Also Serve”, by William Morwood, including a script
Box   26 Folder   1	Prod. #7253, “The Challenge”, by Joe Madison, including a script
Box   26 Folder   2	Prod. #7256, “Red Letter Day for a Saint”, by William Blinn and Michael Gleason
Box   26 Folder   3	Prod. #7261, “Moment of Truth”, by Paul Franklin
Box   26 Folder   4	Prod. #7265, “See the Officer”, by Barbara and Milton Merlin
Box   26 Folder   5	Prod. #7268, “You Can Find Me in the Funnies”, by Alvin Boretz
Box   26 Folder   6	Prod. #7270, “Love Me, Love My Beard”, by Walter Doniger
Box   26 Folder   7	Prod. #7271, “A Lock on Every Door”, by Dick Linkroum
Box   26 Folder   8	Prod. #7285, “A Cry From the Wilderness”, by Jack Paritz, including a script
Box   26 Folder   9	Prod. #7511, “He Grabs a Train and Rides”, by Sterling Silliphant, including a script
Box   26 Folder   10	Prod. #7516, “The Young Ambassadors”, by Mort Thau
Box   26 Folder   11	Prod. #7518, “Something the Cat Dragged In”, by Jerry De Bono
Box   26 Folder   12	Prod. #7527, “Clifton Fadiman Called It True Genius”, by David Chandler
Box   26 Folder   13	Prod. #7532, “The Nineteen Year Old”, by E. Jack Neuman
Box   26 Folder   14	No prod. number, “From the Diary of Elizabeth King”
Box   27 Folder   1	Plot synopses, First and Second Runs
Box   27 Folder   2	Title clearances, First and Second Runs
Box   27 Folder   3	Writers' reports, deadlines, cutoffs
Box   27 Folder   4	National Education Association promotional film; March - October, 1964; memos, correspondence, scripts
Box   27 Folder   5	Non-theatrical distribution
	Printed articles
Box   27 Folder   6	Educational publication
Box   27 Folder   7	Reviews, correspondence
Box   27 Folder   8	E. Jack Neuman, author
Box   27 Folder   9	Miscellaneous
Box   27 Folder   10	Miscellaneous
	Awards
Box   28 Folder   1	Listing of Awards
	Awards to E. Jack Neuman
Box   28 Folder   2	John Swett Award
Box   28 Folder   3	National Association of Secondary School Principals
Box   28 Folder   4	California Teachers Association
Box   28 Folder   5	Minnesota Teacher of the Year
Box   28 Folder   6	Kansas City Education Association
Box   28 Folder   7	Illinois Future Teachers of America
Box   28 Folder   8	California Federation of Women's Clubs
Box   28 Folder   9	Washington Education Association
Box   28 Folder   10	Iowa State Education Association
Box   28 Folder   11	Central California Teachers of English
Box   28 Folder   12	St. Louis Suburban Teachers Association
Box   28 Folder   13	Citizenship Committee; N. E. A.
	Awards to James Franciscus
Box   28 Folder   14	Los Angeles Association of Secondary School Administrators
	Awards to Mr. Novak
Box   28 Folder   15	Peabody Award
Box   28 Folder   16	T.V. Guide Poll - nomination
Box   28 Folder   17	Emmy Award - nomination
Box   28 Folder   18	National School Bell Award; N.E.A., M.G.M.
Box   28 Folder   19	Christian College
Box   28 Folder   20	NBC
Box   28 Folder   21	Miscellaneous
	Fan Mail
Box   29 Folder   1	April 1963 - September 1963
Box   29 Folder   2	October, 1963
Box   29 Folder   3	November, 1963
Box   29 Folder   4	December, 1963
Box   29 Folder   5	January, 1964
Box   29 Folder   6	February, 1964
Box   30 Folder   1	March, 1964
Box   30 Folder   2	April, 1964
Box   30 Folder   3	May, 1964
Box   30 Folder   4	June - August, 1964
Box   30 Folder   5	September, 1964
Box   30 Folder   6	October, 1964
Box   30 Folder   7	November, 1964
Box   30 Folder   8	December, 1964
Box   30 Folder   9	January, 1965
Box   30 Folder   10	February, 1965
Box   30 Folder   11	March, 1965
Box   30 Folder   12	April, 1965
Box   30 Folder   13	May, 1965
Box   30 Folder   14	June - October, 1965
Box   31 Folder   3-5	General photographs
Box   31 Folder   6	Photographs: E. Jack Neuman
Box   32 Folder   1-4	Unused photographs
Micro 1025 Reel   1	Scrapbook
Tape 450A	Tape Recordings
	Mr. Novak Research
No.   1-2	March 18, 1963 Physical Description: Speed: l-⅞
U.S. Mss 80AN Box   31 Folder   1	Transcription
Tape 450A No.   3-4	March 19, 1963 Physical Description: Speed: l-⅞
U.S. Mss 80AN Box   31 Folder   1	Transcription
Tape 450A No.   5	March 19-20, 1963 Physical Description: Speed: l-⅞
U.S. Mss 80AN Box   31 Folder   1	Transcription
Tape 450A No.   6-8	March 21, 1963 Physical Description: Speed: l-⅞
U.S. Mss 80AN Box   31 Folder   2	Transcription
Tape 450A No.   9	April 4, 1963 Physical Description: Speed: l-⅞
U.S. Mss 80AN Box   31 Folder   2	Transcription
Tape 450A No.   10	April 7, 1963 Physical Description: Speed: Side 1 - l-⅞; Side 2 - 3-¾
No.   11	April 17, 1963 Physical Description: Speed: l-⅞
	Mr. Novak Discussion
No.   12	November 1, 1963; men Physical Description: Speed: 3-¾
No.   13	November 1, 1963; women Physical Description: Speed: 3-¾
No.   14	November 2, 1963; men Physical Description: Speed: 3-¾
No.   15	November 2, 1963; women Physical Description: Speed: 3-¾
No.   16-17	E. Jack Neuman about Mr. Novak; March 18, 1963 Physical Description: Speed: 3-¾
No.   18	E. Jack Neuman about interns Physical Description: Speed: l-⅞
No.   19	E. Jack Neuman being interviewed Physical Description: Speed: l-⅞
No.   20	Venereal Disease Clinic Interview Physical Description: Speed: 3-¾
No.   21	Denver police calls Physical Description: Speed: 7-½
No.   22	Los Angeles State College: E. Jack Neuman and James Franciscus on Mr. Novak Physical Description: Speed: 3-¾
No.   23	Mr. Novak Discussion, March 12, 1963 Physical Description: Speed: 3-¾
U.S. Mss 80AN	Mr. Novak (#7517) and Dr. Kildare (#6978): “The Rich Who Are Poor” Note: Unproduced show on venereal disease
Box   33 Folder   1	Correspondence: February, 1964 - May, 1966
Box   33 Folder   2	Research
Box   33 Folder   3	News articles
Box   33 Folder   4	Plot Outline, typed June 10 and 11, 1964; revised
Box   33 Folder   5	Plot Outline, June 25, 1964
Box   33 Folder   6	Part One script revisions
Box   34 Folder   1	Part One scripts: July 31, 1964; September 3, 1964
Box   34 Folder   2-3	Part Two script revisions
Box   34 Folder   4	Part Two script: Sept. 9, 1964
Box   34 Folder   5	Miscellaneous script revisions
Box   34 Folder   6	Jessica Mitford, “The Disease That Dr. Kildare Couldn't Cure,” McCall's, September 1965
	A Man Called Shenandoah pilot - “Survival”
Box   35 Folder   1	Scripts, correspondence, miscellaneous
Box   35 Folder   2	Production reports, contracts, photographs
	The Mayor pilot - “Inauguration”
Box   36 Folder   1	Research and notes
Box   36 Folder   2-3	Scripts
Box   36 Folder   4	Contracts
Box   36 Folder   5	Schedules
Box   36 Folder   6	Production reports, work orders
Box   36 Folder   7	Presentation
Box   36 Folder   8	Departmental memos
Box   36 Folder   9	Miscellaneous
	The Venetian Affair
Box   37 Folder   1	Communications, memos, and correspondence, transitional scripts
Box   37 Folder   2	Jan. 5, 1966, Jan. 6, 1966, Jan 11, 1966 starts
Box   37 Folder   3	Jan. 17, 1966 start
Box   37 Folder   4	Jan. 28, 1966 start
Box   37 Folder   5	Feb. 24, 1966 start
Box   37 Folder   6	Feb. 24/25, 1966 final script
Box   37 Folder   7	March 4, 1966 script
Box   37 Folder   8	March 4, 1966 script - blue copy
Box   37 Folder   9	March 18, 1966 start
	Transitional Scripts
Box   38 Folder   1	March 21, 1966 script - yellow copy
Box   38 Folder   2	March 21, 1966 script - yellow copy
Box   38 Folder   3	March 21, 1966 script
Box   38 Folder   4	Script translations
Box   38 Folder   5-7	Script revisions: miscellaneous
Box   39 Folder   1	Schedule and cast
Box   39 Folder   2	Shooting schedule, production reports, work orders
Box   39 Folder   3	Call sheets
Box   39 Folder   4	Continuity reports, exposure reports
Box   39 Folder   5	Photographs
Box   39 Folder   6	Preview comments and correspondence
	Series: Part 2, 1978 Additions, 1945-1976	⇧
	Subseries: General Subject File
Box   40 Folder   1	Appointment Books, 1963-1964
Box   40 Folder   2	Appointment Schedules, October 2, 1963-May 19, 1967
	Correspondence
Box   40 Folder   3	General, October 10, 1961-March 12, 1968
Box   40 Folder   4	Literary Story Ideas, January 6, 1961-June 21, 1967, undated
Box   40 Folder   5	Network Rating Performance, April 15-August 16, 1965
	Script Submissions
Box   40 Folder   6	1962, January 26-1964, November 5
Box   40 Folder   7	1964, November 9-1967, October 21, undated
	Metro-Goldwyn-Mayer Financial Records
Box   40 Folder   8	Chart of Accounts, October 19, 1964-April 8, 1966
	Manual of Costs and Charges
Box   40 Folder   9	1965, February 1-1967, May 8
Box   41 Folder   1	Miscellaneous Pages, September 16, 1964-February 6, 1967
Box   41 Folder   2	Miscellany, March 19, 1958-April 5, 1965, undated
Box   41 Folder   3	Popularity Polls of Actors and Actresses, January, 1963-August, 1966
Box   41 Folder   4	Production Data and File Guide, undated
Box   41 Folder   5	Proposal regarding made-for-TV movies, April 8-June 12, 1963, undated
	Telephone Messages
Box   42 Folder   1	1968, August 23-1970, June 9
Box   42 Folder   2	1970, June 10-1972, January 4
	Writing Credits
Box   42 Folder   3	List, circa 1946-1960
Box   43 Folder   1	Notebook, circa 1960-1967
Box   43 Folder   2	Subject Index, circa 1959-1965
	Subseries: Motion Pictures-Produced	⇧
	A Company of Killers Note: Universal Pictures, 1970. Working title: “The Protectors”
Box   43 Folder   3	Budget, October 17-December 4, 1968, undated
Box   43 Folder   4	Casting, August, 1968-June, 1969, undated
Box   43 Folder   5	Correspondence, June 30, 1967-March 31, 1970, undated
	Story Outline, “The Protectors,” circa 1968-1969
Box   43 Folder   6	“The Incident at Founder's Gate,” by Carl Barth
Box   43 Folder   6	“The Might of Henry Houston,” by Robert L. Goodwin
Box   43 Folder   6	“Region of Gray,” by Jack Hawn
Box   43 Folder   6	“Somebody Stole His Doll,” by Lou Shaw
Box   43 Folder   6	“The Split Level Crime Wave,” by Daniel Mainwaring
Box   43 Folder   6	“This Side of the Angels,” by Sam Ross
Box   43 Folder   6	“To Still a Serpent's Tongue,” by Marianne Mosner and Elizabeth B. Anderson
Box   43 Folder   6	“The Trojan Horseman,” by Robert Lewin, February 3, 1969
Box   43 Folder   6	“With His Own Rope,” by Mark Rodgers
Box   43 Folder   6	“Sam Cahill,” no author listed
Box   43 Folder   6	“The War Horse,” by Charles A. McDaniel
Box   43 Folder   7	Miscellany, September 7-December 15, 1968
Box   43 Folder   8	Shooting Schedule, November 4-December 2, 1968
Box   43 Folder   9	Production File, January 22, 1968-April 4, 1969, undated
Box   43 Folder   10	Production Reports, October 10, 1968-April 4, 1969
	Revisions
Box   43 Folder   11	1967, July 26-September 21
Box   44 Folder   1	1967, October 20-December 18
Box   44 Folder   2	1968, January 9-July 17
Box   44 Folder   3	1968, August 21-November 11
Box   44 Folder   4	1968, November 12-30, undated
Box   44 Folder   5	Denver Revisions, November 3-December 3, 1968
	Script, “The Protectors,”
Box   44 Folder   6	December 11, 1967
Box   44 Folder   7	Revised, annotated, December 28, 1967
Box   44 Folder   8	December 28, 1967
Box   45 Folder   1	Revised, annotated, March 21, 1968
Box   45 Folder   2	Revised, annotated, June 28, 1968
Box   45 Folder   3-4	Incomplete, July 10, 1968
Box   45 Folder   5	Revised, annotated, September 10, 1968
Box   45 Folder   6	Revised, September 10, 1968
Box   45 Folder   7	Revised, annotated, October 31, 1968
Box   45 Folder   8	Revised, October 31, 1968
Box   46 Folder   1	Revised, November 11, 1968
Box   46 Folder   2	Revised, November 30, 1968
Box   46 Folder   3	Undated
	The Guardians Note: David Gerber Productions in association with Twentieth Century Fox, 1972, Twentieth Century Fox
Box   46 Folder   4	Daily Production Reports, January 5-February 4, 1972
Box   47 Folder   1	Production File, September, 1971-January, 1973
Box   47 Folder   2	Revisions, October 26-December 19, 1971, undated
	Script
	First Draft, “The Young Prosecutors”
Box   47 Folder   3	1971, November 1
Box   47 Folder   4	1971, November 4
Box   47 Folder   5	Revised, 1971, November 17
Box   47 Folder   6	Revised, 1971, November 18
	Final Draft, “The Young Prosecutors”
Box   47 Folder   7	1971, November 18
Box   48 Folder   1	1971, December 1
Box   48 Folder   2	Revised, 1971, December 13
Box   48 Folder   3	Second Revised Final, December 27, 1971
	The Most Dangerous Game (Production information unknown)
Box   48 Folder   4	Miscellany, July 22, 1966-May 4, 1967
Box   49 Folder   1	Research, circa 1947-1967
	Revisions
Box   49 Folder   2	1966, November 8-17
Box   49 Folder   3-5	1966, November 18-December 8
Box   50 Folder   1-6	1966, December 8-1967, May 24
Box   51 Folder   1-4	1967, May 25-June 14, undated
	Scripts
Box   51 Folder   5	1966, November 16
Box   51 Folder   6	1966, November 21
Box   51 Folder   7	1966, November 26
Box   51 Folder   8	Annotated, 1966, December 12
Box   52 Folder   1	1966, December 12
Box   52 Folder   2	1966, December 14
Box   52 Folder   3	1967, June 13
Box   52 Folder   4	1967, June 15
	The Singing Nun Note: MGM, 1965
Box   53 Folder   1	Correspondence and Revisions, by E. Jack Neuman, September 13, 1965 -September 28, 1966, undated
	Trial Note: MGM, 1955
Box   53 Folder   2	Script, by Don Mankiewicz, March 4, 1955
	The Venetian Affair Note: Jerry Thorpe Productions, 1967, MGM
Box   53 Folder   3-4	Production File, March 22, 1966-March 30, 1971
Box   87 Folder   1	Scene Breakdown, April 27-June 3, 1966
Box   54 Folder   1	Script, Revised, March 21-27, 1966
	The Walls Came Tumbling Down Note: Columbia, 1946
Box   54 Folder   2	Script, Revised Final, by Wilfrid Pettitt, December 4, 1945
	Subseries: Motion Pictures-Unproduced	⇧
	“The Brink's Bank Robbery”
Box   54 Folder   3	Script, First Draft, July 23, 1958
	“The Menyama”
Box   54 Folder   4	Script, First Draft, March 27, 1970
Box   54 Folder   5	Script, First Draft, April 23, 1970
	“The Outlander”
Box   54 Folder   6	Scripts, co-authored by Bruce Manning, September 16, 1957, undated
	“Ready for the Tiger”
Box   55 Folder   1	Script, by Sam Peckinpah, March 15, 1965
	“Until Proven Guilty”
Box   55 Folder   2	Correspondence, February 18, 1948
	“Valley of Power”
Box   55 Folder   3	Revisions, January 18-March 28, 1956, undated
Box   55 Folder   4	Script, First Draft, co-authored by Bruce Manning, March 29, 1956
	“Vasquez the Fox”
Box   55 Folder   5	Script and Miscellany, January 21, 1952-February, 1953
	“The Widow”
Box   55 Folder   6	Correspondence, November 7, 1969-March 8, 1971
	Subseries: Other Writings	⇧
	“The Gopher Man”
Box   55 Folder   7	Playscript, undated
	“The Last Day of Joe Duddy”
Box   55 Folder   8	Story Synopsis for Play, undated
	“Lord Sweeney” (novel?)
Box   55 Folder   9	Typescript, undated
	“Whittier County” (novel?)
Box   55 Folder   10	Story Synopsis, undated
	Typescripts
Box   55 Folder   11	Annotated, September 15-22, 1965
Box   56 Folder   1	Annotated, October 1-4, 1965
Box   56 Folder   2	“The Kingsmeade,” October 12, 1965
Box   56 Folder   3	November 2-5, 1965
	“The Richards of Maryland”
Box   56 Folder   4	Story Snyopsis, author not listed, July 26, 1962
	“Time of the Sparrow”
Box   56 Folder   5	Typescript, annotated, undated
	Subseries: Television-Produced	⇧
	The Asphalt Jungle Note: MGM-TV, 1961, Original telecast on ABC
	“The McMasters Story”
Box   56 Folder   6	Script, February 22, 1961
	The Berlin Affair Note: Universal Studio, 1971, Original telecast network unknown. A made-for-TV movie.
Box   56 Folder   7	Correspondence, March, 1968-January, 1970, undated
Box   56 Folder   8	Looping, August 14-December 26, 1969, undated
Box   56 Folder   9	Notebook regarding looping lines, July 11-December 25, 1969, undated
Box   57 Folder   1	Miscellany, January 1, 1968-December 10, 1969, undated
Box   57 Folder   2	Music Timing, December 2, 1969
Box   57 Folder   3	Production Reports, July 14-August 22, 1969
Box   57 Folder   4	Revisions, July 9-August 25, 1969, undated
Box   58 Folder   1	Shooting Schedules, July 14-August 21, 1969
Box   58 Folder   2	Story, “A Dossier,” by Elliot West, undated
	Script, by Richard Alan Simmons
Box   58 Folder   3	“The Dossier,” March 14, 1968
Box   58 Folder   4	“The Dossier,” April 19, 1968
Box   58 Folder   5	June 20, 1968
Box   58 Folder   6	“Info-C-Three” and “The Dossier,” annotated, May 5, 1969
Box   58 Folder   7	“Info-C-Three” and “The Dossier,” May 8, 1969
Box   58 Folder   8	Revised, “Info Three” and “The Dossier,” annotated, June 17, 1969
Box   58 Folder   9	“Info-Three” and “The Dossier,” June 30, 1969
Box   59 Folder   1	Revised, “Info-Three” and “The Dossier,” July 9, 1969
Box   59 Folder   2	Revised, “Info-Center-Geneva,” “The July Watch,” and “Info-Three,” July 23, 1969
Box   59 Folder   3	Revised, “Info-Center-Geneva,” “The July Watch,” and “Info-Three,” August 25, 1969
Box   59 Folder   4-5	Original Shooting, circa 1969
	The Blue Knight Note: Lorimar Productions, 1973, Original telecast on NBC as a 4 hour mini-series
Box   59 Folder   6	Miscellany, September 4, 1972-August 17, 1973, undated
Box   59 Folder   7	Shooting Schedule, Revised, July 16, 1973
Box   59 Folder   7	Crew and Cast Lists, June 29-August 1, 1973
	Scripts, based on a novel by Joseph Wambaugh
Box   59 Folder   8	“Week One,” (Part One), Revised Script, by Rod Serling, May 8, 1973
Box   59 Folder   9	“February,” (Part Two), Script, by Rod Serling, circa 1973
Box   59 Folder   10	“March,” (Part Three), First Draft Script, by Rod Serling, April 15, 1973
Box   59 Folder   11	“April,” (Part Four), First Draft Script, by Rod Serling, April 23, 1973
Box   60 Folder   1	Rough Revised, annotated, by E. Jack Neuman, June 5, 1973
Box   60 Folder   2	Revised, by E. Jack Neuman, June 5, 1973
Box   60 Folder   3	Revised, annotated, by E. Jack Neuman, June 22, 1973
Box   60 Folder   4	Revised, by E. Jack Neuman, June 22, 1973
Box   60 Folder   5	Final Shooting, by E. Jack Neuman, June 22, 1973
Box   61 Folder   1	Revised, annotated, by E. Jack Neuman, July 1, 1973
Box   61 Folder   2	Revised, by E. Jack Neuman, July 1, 1973
Box   61 Folder   3	Revised Fragments, annotated, circa 1972-1973
	The Cable Car Murder Note: Warner Brothers, November 19, 1971, Original telecast on CBS Friday Night Movie as a made-for-TV movie.
Box   87 Folder   2	Breakdown Sheets, circa 1970-1971
Box   62 Folder   1	Staff and Crew Lists, 1970-1971
Box   62 Folder   2	Call Sheets and Shooting Schedules, December 22, 1970-January 25, 1971
Box   62 Folder   3	Poop Sheets, January 6-25, 1971
Box   62 Folder   4	Daily Log, January 6-26, 1971
Box   62 Folder   5	Daily Production and Progress Reports, December 22, 1970-February 11, 1971
	Producer's Notebook
Box   62 Folder   6	Regarding Casting and Budget, 1970-1971
Box   87 Folder   3	Budget, 1970-1971
Box   87 Folder   4	Shooting Schedule and Crew List, 1970-1971
Box   62 Folder   7	Production Correspondence, November 24, 1970-April 14, 1972
Box   62 Folder   8	Telephone Messages, December 9, 1970-January 26, 1971
Box   62 Folder   9	Production File, 1970-1971
Box   62 Folder   10	Production Requisitions, January 8-25, 1971
Box   62 Folder   11	Casting and Billing Credits, December 31, 1970-July, 1971, undated
Box   62 Folder   12	Looping File, January-February, 1971
Box   63 Folder   1	Assistant Director's Report, January 4-25, 1971
	Story Outlines
Box   63 Folder   2	“A Touch of Strange,” by A. E. Houghton, undated
Box   63 Folder   2	“A Very Unusual Love Story,” by A. E. Houghton, undated
Box   63 Folder   2	“The Triangle Killer,” by E. Jack Neuman, undated
Box   63 Folder   3-6	Revisions, November 16, 1970-January 23, 1971
	Script
Box   63 Folder   7	Revised Draft, “Crosscurrent,” by Herman Miller, circa October, 1970
Box   64 Folder   1	Revised Draft, “Crosscurrent,” by Herman Miller, November 23, 1970
Box   64 Folder   2	Final, “Crosscurrent,” author not listed, December 7, 1970
Box   64 Folder   3	Revised Final, “Crosscurrent,” by Herman Miller and E. Jack Neuman, December 18, 1970
	Cain's Hundred Note: MGM-TV, 1961-1962, Original telecast on NBC
Box   64 Folder   4	Miscellany, January 17-September 7, 1961
	Pilot, 1961
Box   64 Folder   5	Final Shooting Script, by Paul Monash, January 12, 1961
Box   64 Folder   5	Revised Final Shooting Script, by Paul Monash, January 16, 1961
	“The Fixer: Ray Riley”
Box   64 Folder   6	Script, August 24, 1961
Box   64 Folder   6	Script, August 31, 1961
	Carter's Eye Note: Filmaster Productions, Inc., other production information unknown
Box   64 Folder   7	Story Outlines and Miscellany, August 17-October 10, 1961, undated
	“The Christides Matter”
Box   64 Folder   8	Revised Script, December 15, 1958
Box   64 Folder   8	Script, January 9, 1959
Box   64 Folder   8	Shooting Script, February 16, 1959
Box   64 Folder   8	Shooting Script, annotated, February 16, 1959
	Dr. Kildare Note: Arena Productions in association with MGM-TV, 1961-1966, Original telecast on NBC
Box   65 Folder   1	Series Proposal, undated
Box   65 Folder   2	Production Notebook, 1961-1962
Box   65 Folder   3	Promotional Material, 1962
Box   65 Folder   4	Reviews, March 2-November 3, 1961
	“Twenty-Four Hours” (pilot)
Box   65 Folder   5	Script, circa February, 1961
	“Admitting Service,” #6504
Box   65 Folder   6	Script, May 25, 1961
	“Gravida One,” #6518
Box   65 Folder   7	Script, Revised, “Miss Primips,” May 7, 1962
Box   65 Folder   7	Script, “Miss Primips,” June 13, 1962
	Jefferson Drum Note: Production company unknown, 1958-1959, Original telecast on NBC
Box   66 Folder   1	Story Presentation, “The Quill and the Pen,” by Walter Newman, undated
	“Simon Pitt”
Box   66 Folder   1	Final Draft Script, October 15, 1958
	Kate McShane Note: P.A. Productions, Inc. in association with Paramount Television, April 11, 1975, Original telecast on CBS Friday Night Movie as a made-for-TV movie
Box   66 Folder   2	Correspondence, November 29, 1974-June 27, 1975, undated
Box   66 Folder   3	Production File, 1968; January 31-April 11, 1975; undated
Box   66 Folder   4	Publicity, Reviews, and Miscellany, 1975
	Script
Box   67 Folder   1	“McShane,” annotated, undated
Box   67 Folder   2	“McShane,” undated
Box   67 Folder   3	Revised, “McShane,” annotated, December 11, 1974
Box   67 Folder   4	Revised, “McShane,” December 11, 1974
Box   67 Folder   5	Revised, annotated, January 24, 1975
Box   67 Folder   6	Revised, January 24, 1975
Box   67 Folder   7	Revised, annotated, February 11, 1975
Box   67 Folder   8	Revised, February 11, 1975
	Kate McShane Note: P.A. Productions, Inc. in association with Paramount Television, 1975, Original telecast on CBS
Box   67 Folder   9	Correspondence, May 6-September 29, 1975
Box   67 Folder   10	Series Proposal, circa 1975
Box   68 Folder   1	Budget, circa 1975
Box   68 Folder   2	Writer Assignments, May 5-October 17, 1975
Box   68 Folder   3	Script Status Reports, May 15-October 8, 1975
Box   68 Folder   4	Shooting Schedules, May 20-September 24, 1975
Box   68 Folder   5	Staff and Crew List, June 17-September 30, 1975
Box   68 Folder   5	Publicity, May 27-September 10, 1975, undated
Box   68 Folder   6	Post-production Schedules, June 18-October 7, 1975
	Miscellaneous Story Outlines, May, 1975
Box   68 Folder   7	“Hippocratic Oath,” by David Friedkin
Box   68 Folder   7	“Mafia Story,” by Michael Butler
Box   68 Folder   7	“Sonny,” by Howard Mowat
Box   68 Folder   7	“Wrong-Door,” by Michael Butler
	Episode Files
	“Terror on Sycamore Street,” #001
Box   68 Folder   8	Production File, including a script, “Eagle in Eclipse” and “Law and Order and Sycamore Street” by Michael Butler, June 22-August 15, 1975
	“The World Versus Ackerman,” #002
Box   68 Folder   9	Production File, including a script by David Karp, June 17-August 18, 1975
	“A Roar of Silence,” #003
Box   68 Folder   10	Production File, including a script by Milt Rosen, July 11-August 11, 1975
	“The Not So Small Claims Court Case,” #004
Box   68 Folder   11	Production-File, including a script by Hindi Brooks, July 20-29, 1975
	“First and Ten,” #005
Box   68 Folder   12	Production File, including a script by Milt Rosen and Bob Foster with the story by Bill Kelley, July 31-August 7, 1975
	“A Little Knowledge Is a Dangerous Thing,” #006
Box   69 Folder   1	Production File, including a script by Peter Lefcourt, August 6-12, 1975
	“Accounts Receivable,” #007
Box   69 Folder   2	Production File, including a script by Michael Butler, August 17-29, 1975
	“God at $15,732 a Year,” #008
Box   69 Folder   3	Production File, including a script by David Friedkin, Milt Rosen, and Robert Foster, September 7-11, 1975
	“Publish and Perish,” #009
Box   69 Folder   4	Production File, including a script by Paul Lichtman and Leon Tokatyan, September 16-19, 1975
	“Midnight Lady, Pretty Lady,” #010
	Production File, including a script by Peter Lefcourt, September 26-30, 1975
	Law and Order Note: P.A. Productions, Inc. in association with Paramount TV and NBC-TV, aired May 6, 1976
Box   69 Folder   6	Research, May 1964-December, 1975, undated
Box   69 Folder   7	Budget, December 1, 1975
Box   69 Folder   8	Broadcast Standards, September 27, 1974-January 20, 1976
Box   69 Folder   9	Production File, January 9-April 14, 1976, undated
Box   69 Folder   10	Correspondence and Miscellany, May 9, 1975-May 21, 1976
	Script, Part I, based on the novel by Dorothy Uhnak
Box   70 Folder   1	1974, August 19
Box   70 Folder   2	1975, December 3
Box   70 Folder   3	Synopsis, Part II, August 19, 1974
Box   70 Folder   4	Script, Part II, based on the novel by Dorothy Uhnak, December 3, 1975
Box   70 Folder   5	Script, Final Shooting, annotated, December 29, 1975
Box   70 Folder   6	Script, Final Shooting, December 29, 1975
	A Man Called Shenandoah, Pilot episode Note: MGM Television in association with ABC aired early 1965
	“Survival”
Box   70 Folder   7	Final Shooting Script, “Shenandoah,” and Revisions, December 22, 1964-January 5, 1965
	The Mayor (Production information unknown)
	Research
Box   71 Folder   1	General, 1954-1964
Box   87 Folder   5	General, 1964-1965, undated
Box   71 Folder   2	Research from Hawaii, 1955-1964
Box   71 Folder   3	Budget, circa 1965
Box   71 Folder   4	Screen Test, October 9-November 13, 1964, undated
Box   71 Folder   5	Casting File and Contracts, September 14, 1964-January 21, 1965, undated
Box   71 Folder   6	Cast, Staff, and Crew Lists, December 4-22, 1964, undated
Box   71 Folder   7	Miscellany, circa 1963-1964
Box   71 Folder   8	Correspondence, January 15, 1961-March 28, 1968, undated
Box   71 Folder   9	Location Correspondence, August 27, 1964-January 28, 1965
Box   71 Folder   10	Music Correspondence, November 27, 1964-January 5, 1965, undated
Box   71 Folder   11	Publicity, July 8-December 17, 1964, undated
Box   72 Folder   1	Main and End Title Credits, July 20, 1964-February 8, 1965
	Story Outlines and Related Correspondence
Box   72 Folder   2	“Disaster!,” by Oliver Crawford, June 11, 1965
Box   72 Folder   2	“Man in Control,” by Theodore Apstein, circa June, 1965
Box   72 Folder   2	“The Freeway Has to Go Somewhere,” by Colin Graham, undated
Box   72 Folder   2	“Who Will Help to Build a House of Hope?,” by Edward J. Lakso, undated
Box   72 Folder   2	“Here, Buy Me a Real Man!,” by John Ryan and Thomas Overton, undated
Box   72 Folder   3	Story, “The Mayor's Man,” by E. Jack Neuman, undated
Box   72 Folder   4	Series Presentation, undated
Box   72 Folder   4	Pilot Script, October 13, 1964
Box   72 Folder   5	Revisions, October 7-December 22, 1964
	Meet McGraw Note: MM Productions, 1957-1958 telecast on NBC, 1958-1959 telecast on ABC
Box   72 Folder   6	Story Outlines, circa April-September, 1957
	“The Big Frameup”
Box   72 Folder   6	First Draft Script, “The Big Frame,” November 7, 1957
	“The Set Up”
Box   72 Folder   6	Final Script, by Lowell Barrington, story by E. Jack Neuman, circa December, 1957
	Mr. Novak Note: MGM-TV in association with Arena Productions, 1963-1965, Original telecast on NBC
Box   72 Folder   7	Casting and Guest Appearances, June, 1963-May, 1964
Box   72 Folder   8	Dean Jagger, December 3, 1962-circa 1965
Box   72 Folder   9	School Research Tour, March 24-June 4, 1963, undated
Box   72 Folder   10	Audience Reaction Test, March 12, 1963
Box   72 Folder   11	Script Submissions, March 9, 1964-January 5, 1965
Box   72 Folder   12	Script Distribution Notebook, circa 1963-1965
Box   72 Folder   13	General Correspondence and Miscellany, January 7, 1963-July 20, 1967, undated
Box   73 Folder   1	Appearances, September 16, 1963-March 25, 1965, undated
Box   73 Folder   2	Cost Reports, 1963-1965
Box   73 Folder   3-6	Credits Notebook, A-Z, circa 1963-1965
Box   73 Folder   7	Release and Re-release Schedules, August 19, 1963-April 17, 1965
	“The Incident,” #7236
Box   74 Folder   1	Final Script, August 27, 1963
	“The Exile,” #7251
Box   74 Folder   2	Correspondence, circa 1963-1967
Box   74 Folder   3	Final Script, November 20, 1963
	The Name of the Game Note: Universal City Studios in association with NBC, 1968-1972
	“The Defector,” #29116
Box   74 Folder   4	Revised Treatments, by Alvin Boretz, March 15, 1968
	“Hide and Seek,” #29134
Box   74 Folder   5	Treatment, by Jack Sher, March 26, 1968
	“Yellow Card,” #29137
Box   74 Folder   6	Script, April 29, 1968
Box   74 Folder   7	Script, May 2, 1968
	Night Games Note: Paramount Television in association with Miller-Milkis Productions, [1974], Original telecast as a made-for-TV movie special on NBC. Pilot for series Petrocelli.
Box   75 Folder   1	Script Research and Revisions, October 11-December 26, 1973, undated
Box   75 Folder   2	Production Notebook, circa 1971-1974
Box   75 Folder   3	Production File, November, 1973-February, 1976, undated
Box   75 Folder   4	Script, “Zar,” annotated, October 11, 1973
Box   76 Folder   1	Script, “Zar,” annotated, undated
Box   76 Folder   2	Script, fragment, “Zar,” annotated, undated
Box   76 Folder   3	Script, “Zar,” October 12, 1973
Box   76 Folder   4	Script, “Petrocelli,” annotated, October 19, 1973
Box   76 Folder   5	First Draft Pilot Script, “Petrocelli,” undated
Box   76 Folder   6	Shooting Script, “Petrocelli,” annotated, undated
Box   76 Folder   7	Shooting Script, “Petrocelli,” undated
Box   76 Folder   8	Revised Shooting Script, “Petrocelli,” annotated, December 6, 1973
Box   76 Folder   9	Revised Shooting Script, December 6, 1973
	Petrocelli Note: Paramount Television in association with Miller-Milkis Productions, 1974-1976, Original telecast on NBC
Box   77 Folder   1	Correspondence, January 15, 1974-March 13, 1975
Box   77 Folder   2	Writers, December 13, 1973-November 4, 1974
Box   77 Folder   3	Publicity, 1974-1975
Box   77 Folder   4	Miscellany, January 21, 1974-May 23, 1975, undated
Box   77 Folder   5	Story Outlines, including “Man on Ice” by Mel Goldberg, and “The Last Cowboy” by Clyde Ware, 1974
	“An Act of Love”
Box   77 Folder   6	First Draft Script, by Leonard Katzman, September 17, 1974
	“Assassination Plot”
Box   77 Folder   7	Correspondence and First Act Script by Rich Chapman, August 2-5, 1974
	“Bang, Bang...You're Dead”
Box   77 Folder   8	Revised Story Outline, by Peter Lefcourt, August 26, 1974
	“Concerto in Death Major”
Box   77 Folder   9	Third Revised Script, “Sonata in Death Major,” by William Kelley, August 20, 1974
	“Counterploy”
Box   77 Folder   10	Outline and Final Draft Script, by Edward J. Lakso, October 14, 1974
	“A Covenant with Evil”
Box   77 Folder   11	Final Draft Script, by Glen Olson and Rod Baker, October 28-31, 1974
	“Death in High Places”
Box   77 Folder   12	Second Draft Script, “Horton's Folly,” by James M. Miller, August 28-September 4, 1974
	“Death in Small Doses”
Box   77 Folder   13	Script, author not listed, July 7, 1974
Box   77 Folder   13	Revised Script, by Al Reynolds and John Dawson, July 19, 1974
	“The Double Negative”
Box   77 Folder   14	Fourth Draft Script, by Robert C. Dennis, September 10, 1974
	“Edge of Evil”
Box   78 Folder   1	Final Draft Script, by Dan Ullman, August 26, 1974
	“The Evil Men Do”
Box   78 Folder   2	First Draft Script, by Mort Fine, and Memorandum, February 11-14, 1974
	“A Fallen Idol”
Box   78 Folder   3	First Draft Script, by Leonard Katzman, November 25, 1974
	“Four the Hard Way”
Box   78 Folder   4	Final Draft Script, by William Kelley, October 1, 1974
	“The Golden Cage”
Box   78 Folder   5	Second Draft Script, by Charles McDaniel and Leonard Bercovici, August 2, 1974
Box   78 Folder   5	Final Draft Script, by Charles McDaniel, Leonard Bercovici, and Dan Ullman, August 5, 1974
Box   78 Folder   5	Revisions and Miscellany, circa August, 1974
	“The Kidnapping”
Box   78 Folder   6	Second Draft Script, by Robert C. Dennis, November 13, 1974
	“A Life for a Life”
Box   78 Folder   7	Outlines, by William D. Gordon and James Doherty, May 20-24, 1974
Box   78 Folder   7	Second Revised Final Script, by William D. Gordon and James Doherty, July 26, 1974
Box   78 Folder   7	Revisions, circa July, 1974
	“A Lonely Victim”
Box   78 Folder   8	First Draft Script, by Leonard Katzman, December 31, 1974
	“Mirror, Mirror on the Wall”
Box   78 Folder   9	First Draft Script, by Leonard Katzman, September 25, 1974
	“Music to Die By”
Box   78 Folder   10	Outline, “The Verdict,” by Oliver Crawford, May 28, 1974
Box   78 Folder   10	Script and Revisions, circa July, 1974
Box   78 Folder   10	Revised Script, by Oliver Crawford, July 23, 1974
	“A Night of Terror”
Box   79 Folder   1	First Draft Script, by William Kelley, December 20, 1974
	“Of Cruel and Unusual Punishment”
Box   79 Folder   2	First Draft Script, by Oliver Crawford, September 13, 1974
	“Once Upon a Victim”
Box   79 Folder   3	Final Draft Script, “Time of Death,” by Stanley Roberts, November 5, 1974
	“The Outsiders”
Box   79 Folder   4	First Draft Script, by Leonard Katzman and Thomas L. Miller, December 5, 1974
	“Simple Simon Met a Dead Girl”
Box   79 Folder   5	Outline, by Glen Olson and Rod Baker, undated
	“The Sleep of Reason”
Box   79 Folder   6	Second Draft Script, by William Kelley, November 21, 1974
	“Time of Death”
Box   79 Folder   7	Outline by Stanley Roberts, August 21, 1974
Box   79 Folder   7	First Draft Script, by Stanley Roberts, October 9, 1974
	“Two Sides to Death”
Box   79 Folder   8	Script, “Man on Ice,” by Mel Goldberg, and Memoranda, June 11, 1974
	“Vengeance in White”
Box   79 Folder   9	First Draft Script, by Robert Stull, January 8, 1975
	Untitled
Box   79 Folder   10	First Draft Script, by David Enton Friedkin, February 18, 1974
	Philip Marlowe Note: Bilmar Productions/Goodson-Todman, 1959-1960, Original telecast on ABC
Box   79 Folder   11	Script, Revisions, and Miscellany, 1957-1958
	Police Story Note: Screen Gems in association with NBC-TV, March 20, 1973, original telecast as a made-for-TV movie special on NBC. Pilot for series of the same name
Box   79 Folder   12	Correspondence and Production Material, January-March, 1973, undated
Box   80 Folder   1-2	Outlines, annotated, circa 1972
Box   80 Folder   2	Outline, by Joseph Wambaugh, undated
Box   80 Folder   3-4	Revisions, annotated, September-December, 1972, undated
Box   80 Folder   5	Script, fragment, annotated, September 29, 1972
Box   80 Folder   6	First Draft Script, October 26, 1972
Box   80 Folder   7	Final Draft Script, annotated, December 8, 1972
Box   81 Folder   1	Script, December 28, 1972
Box   81 Folder   2	Final Draft Script, February 6, 1973
Box   81 Folder   3	Script, annotated, undated
Box   81 Folder   4	Script, undated
Box   81 Folder   5	Script, annotated, undated
	Police Story Note: David Gerber Productions in association with Columbia TV and NBC-TV, 1973-1977, original telecast on NBC
	“Countdown,” #183510
Box   81 Folder   6	Part I, Final Draft Script, by Mark Rodgers, December 7, 1973
Box   81 Folder   7	Part II, Final Draft Script, by Mark Rodgers, December 3, 1973
	“Charge It,” #183513
Box   82 Folder   1	Final Draft Script, by Sy Salkowitz, September 11, 1973
Box   82 Folder   1	Revised Final Draft Script, by Sy Salkowitz, September 27, 1973
	“The Blue Fog,” #181323
Box   82 Folder   2	Final Draft Script, by Sheldon Miles Willens, December 4, 1976
	The Richard Boone Show Note: Classic Films and Goodson-Todman in association with NBC, 1963-1964
Box   82 Folder   3	Correspondence, 1962-1964, undated
Box   82 Folder   4	Reviews, September 3-December 29, 1963
	“The Fling”
Box   82 Folder   5	Script, circa September 17, 1963
	“Statement of Fact”
Box   82 Folder   6	Working Script, annotated, April 19, 1963
Box   82 Folder   6	Revised Script, June 2, 1963
Box   82 Folder   6	Script, annotated, undated
Box   82 Folder   7	Scripts, undated
	“Welcome Home, Dan!”
Box   82 Folder   8	Script, undated
Box   82 Folder   8	Revised Script, October 18, 1963
	Sam Benedict Note: MGM-TV, 1962-1963, original telecast on NBC
Box   82 Folder   9-10	Audience Reactions, May 7, 1962-April 9, 1963, undated
Box   83 Folder   1	Correspondence, July 14, 1961-August 1, 1962
Box   83 Folder   2	Miscellany, July 20, 1967
	Production Material, 1962-1963
Box   83 Folder   3	“Accomplice”
Box   83 Folder   3	“The Bird of Warning”
Box   83 Folder   3	“The Boiling Point”
Box   83 Folder   3	“Everybody's Playing Polo”
Box   83 Folder   3	“Green Room, Grey Morning”
Box   83 Folder   4	“Hear the Mellow Wedding Bells”
Box   83 Folder   4	“The Heart Is a Lonely Hunter”
Box   83 Folder   4	“Image of a Toad”
Box   83 Folder   4	“Life Is a Lie, Love Is a Cheat”
Box   83 Folder   4	“Maddon's Folly”
Box   83 Folder   5	“...Practices Make Perfect”
Box   83 Folder   5	“Not Even the Gulls Shall Weep”
Box   83 Folder   5	“Nothing Equals Nothing”
Box   83 Folder   5	“Of Rusted Cannons and Fallen Sparrows”
Box   83 Folder   6	“Read No Evil”
Box   83 Folder   6	“Run Softly, Oh Softly”
Box   83 Folder   6	“Season for Vengeance”
Box   83 Folder   6	“Seventeen Gypsies and a Sinner Named Charlie”
Box   83 Folder   7	“So Various, So Beautiful”
Box   83 Folder   7	“Some Fires Die Slowly”
Box   83 Folder   7	“A Split Week in San Quentin”
Box   83 Folder   7	“Sugar and Spice, and Everything....”
Box   83 Folder   8	“The Target over the Hill”
Box   83 Folder   8	“Tears for a Nobody Doll”
Box   83 Folder   8	“Too Many Strangers”
Box   83 Folder   8	“Twenty Aching Years”
Box   83 Folder   9	“The View from an Ivory Tower”
Box   83 Folder   9	“Where There's a Will”
Box   83 Folder   10	Story Outline, “Don't Push Me, My Heels are Broken,” April 2, 1962
	“Hannigan,” (pilot)
Box   83 Folder   11	Final Shooting Draft Script, “Pat and Mike,” December 27, 1961
	“Maddon's Folly”
Box   84 Folder   1	Script, August 23, 1962
	“You Scratch My Back, I'll Scratch Yours”
Box   84 Folder   2	Outline, “Plea for a Tormented Foe,” by Ellis Marcus, September 27, 1962
Box   84 Folder   2	Script, by Ellis Marcus, October 23, 1962
Box   84 Folder   2	Script, by Ellis Marcus, October 29, 1962
Box   84 Folder   2	Miscellany, 1962-1963
	STAT Note: Production company unknown, aired once circa June, 1975, original telecast network on CBS
Box   84 Folder   3	Correspondence and Miscellany, October, 1971-September, 1975, undated
Box   84 Folder   4	Production Notebook, September, 1971-February, 1972
Box   87 Folder   6	Production File, 1971-1972
Box   84 Folder   5	Revised Second Draft Script, “Emergency Ward,” October 13, 1971
Box   84 Folder   5	Revised Final Draft Script, “Emergency Ward,” December 1, 1971
Box   84 Folder   6	Script, annotated, undated
Box   84 Folder   6	Scripts, undated
Box   84 Folder   6	Revisions, annotated, September-December, 1971
	The Twilight Zone Note: Cayuga Productions, 1959-1965, original telecast on CBS
	“The Trouble with Templeton”
Box   84 Folder   7	Outline and Partial Script, May, 1960, undated
Box   84 Folder   7	Revised Script, “The Strange Debut,” October 3, 1960
	The Untouchables Note: Desilu, 1959-1963, original telecast on ABC
	“0'Dean”
Box   84 Folder   8	First Draft Script, December 15, 1959
Box   84 Folder   8	Final Shooting Script, December 28, 1959
	West Point Note: ZIV-United Artists, 1957-1958, original telecast on ABC
Box   84 Folder   9	Research and Story Outlines, November, 1956-January, 1957
	“Among the Missing”
Box   84 Folder   10	Revised Script, January 15, 1957
	Untitled
Box   84 Folder   10	First Draft Script, November 8, 1956
	Whistler Note: Production company unknown, 1954, syndicated
	“A Time to Live”
Box   85 Folder   1	Script, co-authored by A. A. Ross, circa 1948
	Subseries: Television-Unproduced	⇧
	“Allison of Africa”
Box   85 Folder   2	Script, March 3, 1961
Box   85 Folder   2	Revised Script, undated
	“The Education of Cecil Binks”
	“Day of Infamy”
Box   85 Folder   3	First Draft Pilot Script, by Joseph Calvelli, December 18, 1964
Box   85 Folder   3	Revised First Draft Pilot Script, by Joseph Calvelli, December 28, 1964
	“The Eyes of March”
Box   85 Folder   4	Pilot Story Outline, April 2, 1965, undated
Box   85 Folder   4	First Draft Pilot Script, undated
	“Heat Wave”
Box   85 Folder   5	Script, May 20, 1965
Box   85 Folder   6	Script, May 21, 1965
Box   85 Folder   7	Script, circa 1968
	Kate McShane
	“The Judge”
Box   85 Folder   8	First Draft Script, by Howard Fast, September 27, 1975
	“The Cowboy and the Computer,” #012
Box   85 Folder   9	Revised First Draft, by Arthur Ross and Leon Tokatyan, October 6-7, 1975
	“Texas Line-Up,” #013
Box   86 Folder   1	First Draft Series, by Del Reisman, October 6, 1975
	“The Principal”
Box   86 Folder   2	Script, October 29, 1969
	Richard Diamond, Private Detective Note: Four Star Television in association with CBS, 1957-1959
	“The Crime Theory”
Box   86 Folder   3	Script, co-authored by John Michael Hayes, undated
	“The Jewelry Job”
Box   86 Folder   3	Script, co-authored by John Michael Hayes, undated
	“The Tiny Tim Story”
Box   86 Folder   3	Script, co-authored by John Michael Hayes, undated
	“The Survival Squad”
Box   86 Folder   4	Proposed Treatments, circa June 1971
	Subseries: Radio	⇧
	Jeff Regan, Investigator Note: CBS, 1948-1950
	“The Story of Cain and Abel and the Santa Maria”
Box   86 Folder   5	Script, September 11, 1948
	“The Story of the Lady with No Name”
Box   86 Folder   5	Script, September 25, 1948
	Series: Part 3, 1982 Additions, 1932-1982	⇧
	Subseries: Research
Box   88 Folder   1	Interrogations, May 19 and 22, 1945
Box   88 Folder   2	Speer Letters, December 1943-September 1946
Box   88 Folder   3	Speer-Neuman Conversations - Transcripts
Box   88 Folder   4	Chronological File re: Nazi Germany, Contemporary Films and Music, 1932-1945
Box   89 Folder   1-3	Articles
Box   89 Folder   4	Maps
Box   89 Folder   5	Notes
Box   89 Folder   6	Contacts
Box   89 Folder   7	Bibliography
Box   89 Folder   8	Miscellany
	Subseries: Production Files	⇧
	Agreements
Box   89 Folder   9	Speer, April 12, 1977-May 9, 1980
Box   89 Folder   10	Karlin Enterprises, January 11, 1982
Box   89 Folder   11	Hungarofilm, undated
	Operations
Box   90 Folder   1	Standards and Practices, Guidelines, Discrepancy Reports and Responses, Script Reviews
Box   90 Folder   2	Locations, December 1977; Script Criticism, , February 1982
Box   90 Folder   3	Revision Dates of Draft Scripts
Box   90 Folder   4	Stock Footage, 1981
Box   90 Folder   5	Shooting Schedules, 1981-1982
Box   90 Folder   6	Cast Lists, Budget, Agreements, Audition Records
Box   90 Folder   7	Location Lists, 1981
Box   90 Folder   8-9	Call Sheets, November 1981-January 1982
Box   91 Folder   1	Cue Sheets, undated
Box   91 Folder   2	Work Orders, 1981
Box   91 Folder   3	Musical Scores
Box   91 Folder   4	Staff and Crew List, Unit List
Box   91 Folder   5	Production Budgets, Set Construction Budgets, 1981
Box   91 Folder   6	Titles and Credits, 1982; Working Format, , 1981; Looping, , 1982
Box   91 Folder   7	Production Reports, Daily, December 1981-February 1982
Box   91 Folder   8	General Correspondence, January 19, 1977-December 21, 1982
	Broadcast Response
Box   91 Folder   9	Reviews
Box   91 Folder   10	Fan Mail, May 9,-June 17, 1982
Box   91 Folder   11	Miscellany
	Subseries: Scripts	⇧
Box   91 Folder   12	Andrew Birkin, 1972
Box   92 Folder   1	Neuman, Part I - Script and Work Draft (Annotated), September 8, 1978
Box   92 Folder   2	Neuman, Part I - Script, February 1980(?)
Box   92 Folder   3	Neuman, Part I - Revised Script, May 21, 1980
Box   92 Folder   4	Neuman, Part I - Script, June 9, 1980
Box   92 Folder   5	Neuman, Part II - Revised Script, July 10, 1980
Box   92 Folder   6-7	Neuman, Parts I and II - Revised Script, December 13, 1980
Box   93 Folder   1	Neuman, Part III - Revised Script, December 13, 1980
Box   93 Folder   2-4	Neuman, Parts I, II, and III - Revised Script (Annotated), March 4, 1981
Box   93 Folder   5	Neuman, Parts I and II - Revised Script (Annotated), April 9, 1981
Box   94 Folder   1	Neuman, Final Draft, August 14, 1981
Box   94 Folder   2	Neuman, Work Draft, September 4, 1981
Box   94 Folder   3	Neuman, Revised Draft, September 4, 1981
Box   94 Folder   4	Neuman, Revised Draft, German Version, September 4, 1981
Box   95 Folder   1-3	Neuman, Parts I, II, and III - Annotated Script, 1981
Box   95 Folder   4-5	Neuman, Final Shooting Scripts, January 30, 1982
Box   96 Folder   1	Neuman, Revised Script, undated
Box   96 Folder   2	Neuman, Parts I and II, undated

Show No.	Airing Date	Title	Writer	Director
l	1962, Sept. 15	“Hannigan”	Neuman	Boris Sagal
4	1962, Sept. 22	“A Split Week in San Quentin”	Calvelli	Lamont Johnson
2	1962, Sept. 29	“Nor Practices Make Perfect”	Froug	Boris Sagal
6	1962, Oct. 6	“Nothing Equals Nothing”	Bloch	Lamont Johnson
3	1962, Oct. 13	“Tears for a Nobody Doll”	Marcus	Roger Kay
7	1962, Oct. 20	“Twenty Aching Years”	Kneubuhl and Marcus	Paul Nickell
11	1962, Oct. 27	“Maddon's Folly”	Neuman	William Graham
12	1962, Nov. 3	“Hear the Mellow Wedding Bells”	Petracca	Don Medford
5	1962, Nov. 10	“Life is a Lie, Love is a Cheat”	Eckstein	Don Medford
13	1962, Nov. 17	“The Bird of Warning”	Trivers	Abner Biberman
10	1962, Nov. 24	“The View from an Ivory Tower”	Houghton	Paul Nickell
15	1962, Dec. 1	“Everybody's Playing Polo”	Calvelli	Ida Lupino
14	1962, Dec. 8	“Too Many Strangers”	Marcus	Larry Dobkin
17	1962, Dec. 15	“So Various, So Beautiful”	Orloff	Abner Biberman
16	1962, Dec. 22	“Where There's a Will”	Wallace	Paul Nickell
18	1962, Dec. 27	“The Target Over the Hill”	Heideman and Neuman	Richard Donner
19	1963, Jan. 5	“Not Even the Gulls Shall Weep”	Marshall and Hawkins	Richard Donner
21	1963, Jan. 12	“The Boiling Point”	Mason and Bar-David	Richard Donner
20	1963, Jan. 19	“Green Room, Grey Morning”	Wilber and Neuman	Abner Biberman
8	1963, Jan. 26	“Run Softly, Oh Softly”	Waters and Heideman	Paul Henreid
22	1963, Feb. 2	“Sugar and Spice and Everything...”	Marshall	Ida Lupino
23	1963, Feb. 16	“Some Fires Die Slowly”	Wallace	Richard Donner
9	1963, Feb. 23	“Image of a Toad”	Marcus	Don Richardson
24	1963, March 2	“Seventeen Gypsies and a Sinner Named Charlie”	Calvelli	Abner Biberman
25	1963, March 9	“Accomplice”	Cohen	Richard Donner
26	1963, March 16	“Read No Evil”	Bloomfield	Abner Biberman
27	1963, March 23	“Of Rusted Canons and Fallen Sparrows”	Dugan	Richard Donner
28	1963, March 30	“Season for Vengeance”	Barton	Abner Biberman

Show No.	Airing Date	Title	Writer	Director
First Run
1	1963, Sept. 24	“First Year, First Day”	Stephano	Boris Sagal
6	1963, Oct. 1	“To Lodge and Dislodge”	Neuman	Boris Sagal
5	1963, Oct. 8	“I Don't Even Live Here”	Rosen	Abner Biberman
9	1963, Oct. 15	“X Is the Unknown Factor”	Glean and Wood	Richard Donner
11	1963, Oct. 22	“A Single Isolated Incident”	Neuman	Abner Biberman
10	1963, Oct. 29	“The Risk”	Apstein and Neuman	Michael O'Herliny
2	1963, Nov. 5	“Hello, Miss Phipps”	Dugan	Don Medford
12	1963, Nov. 12	“To Break a Camel's Back”	Dolinsky and Neuman	Michael O'Herliny
13	1963, Nov. 19	“A Feeling for Friday”	Neuman	Michael O'Herlihy
14	1963, Nov. 26	“Pay the Two Dollars”	Rosen	Walter Doniger
7	1963, Dec. 3	“Love in the Wrong Season”	DeRoy	Ida Lupino
16	1963, Dec. 10	“Boy Without a Country”	DeRoy and Neuman	Michael O'Herlihy
15	1963, Dec. 17	“A Thousand Voices”	Wilson	Richard Donner
3	1963, Dec. 24	“My Name Is Not Legion”	Thompson	Bernard Girard
8	1963, Dec. 31	“He Who Can, Does”	Wolpert	Irving Lerner
17	1964, Jan. 7	“Song of Songs”	Lavery, Neuman and Menzies	David Alexander
18	1964, Jan. 14	“The Exile”	Neuman	Michael O'Herlihy
20	1964, Jan. 21	“Sparrow on the Wire”	Siegal and Neuman	Mark Rydell
4	1964, Jan. 28	“The Private Life of Douglas Morgan, Jr.”	Schneiders	Richard Donner
21	1964, Feb. 4	“The Death of a Teacher”	Neuman	Richard Donner
19	1964, Feb. 11	“I'm on the Outside”	Wood	Abner Biberman
22	1964, Feb. 18	“Chin Up, Mr. Novak”	Calvelli	Michael O'Herlihy
23	1964, Feb. 25	“Fear Is a Handful of Dust”	O'Brien	Abner Biberman
24	1964, March 3	“How Does Your Garden Grow?”	Calvelli	Michael O'Herlihy
26	1964, March 10	“The Tower”	Menzies	Michael O'Herlihy
25	1964, March 17	“One Way to Say Goodbye”	Neuman	Richard Donner
27	1964, March 24	“Day in the Year”	Marshall	Ida Lupino
28	1964, March 31	“Moment Without Armour”	Armen	Michael O'Herlihy
29	1964, April 7	“Fare Thee Well”	O'Brien	Abner Biberman
30	1964, April 14	“The Senior Prom”	Marshall	Michael O'Herlihy
Second Run
3	1964, Sept. 22	“Moonlighting”	Ryan and Dolinsky	Richard Donner
6	1964, Sept. 29	“With a Hammer in His Hand, Lord, Lord”	Black	Allen Reisner
4	1964, Oct. 6	“Visions of Sugar Plums”	Calvelli	Paul Wendkos
7	1964, Oct. 20	“Little Girl Lost”	Ulius	Paul Wendkos
9	1964, Oct. 27	“One Monday Afternoon”	Groves and Goldberg	Paul Wendkos
11	1964, Nov. 10	“Let's Dig a Little Grammar”	Goldberg	Joseph Sargent
1	1964, Nov. 17	“The People Doll: You Wind It Up and It Makes Mistakes	Black	Herschel Daugherty
13	1964, Nov. 24	“Boy Under Glass”	Stambler and Goldberg	Allen Reisner
2	1964, Dec. 1	“Born of Kings and Angels”	Johnson	Paul Wendkos
10	1964, Dec. 8	“'A' As in Anxiety”	O'Brien and Ulius	Allen Reisner
14	1964, Dec. 15	“Johnny Ride the Pony, One, Two Three”	Harmon	Alan Minor
5	1964, Dec. 22	“Beyond a Reasonable Doubt”	Wilkerson	Richard Donner
8	1964, Dec. 29	“Love Among the Grown-ups”	Gast	Abner Biberman
17	1965, Jan. 5	“From the Brow of Zeus”	Goldberg	Ron Winston
16	1965, Jan. 12	“An Elephant Is Like a Tree”	Black	Abner Biberman
18	1965, Jan. 19	“Enter a Strange Animal”	Sargent	Alvin Ganzer
21	1965, Jan. 26	“Beat the Plowshare, Edge the Sword”	Ralston	Alvin Ganzer
19	1965, Feb. 2	“Faculty Follies” - Part One	Dolinsky	Joseph Sargent
20	1965, Feb. 9	“Faculty Follies” - Part Two	Dolinsky	Joseph Sargent
15	1965, Feb. 16	“The Silent Dissuaders”	Ulius	Allen Reisner
12	1965, Feb. 23	“Mountains to Climb”	Wolpert and Black	Paul Wendkos
24	1965, March 2	“May Day, May Day”	Black and Platt	Ida Lupino
22	1965, March 9	“Where Is There to Go, Billie, But Up?”	Goldberg	Abner Biberman
23	1965, March 16	“The Tender Twigs”	Presnell and Goldberg	Joseph Sargent
25	1965, March 23	“Honor - And All That”	McNeely	Paul Wendkos
27	1965, March 30	“The Student Who Never Was”	Dolinsky	Paul Wendkos
28	1965, April 6	“There's a Penguin in My Garden”	Black	Alvin Ganzer
29	1965, April 13	“The Firebrand”	Gast	Michael O'Herlihy
30	1965, April 20	“And Then I Wrote”	Calvelli and Goldberg	Abner Biberman
26	1965, April 27	“Once a Clown”	Goldberg, Ryan, and Overton	Abner Biberman