Melvyn Douglas Papers, 1892-1983

Container Title
U.S. Mss 100AN
Subseries: Theatre
Quality Street (high school performance)
Box   1
Folder   1
Program, photograph, 1914
Stock company work, 1920's
Micro 1181
Reel   1
Segment   1
Theatrical program scrapbook, 1905-1929
U.S. Mss 100AN
Box   1
Folder   2
Miscellaneous loose programs, 1920's
Theatrical photograph scrapbook, 1920's
Box   17
Original copy
Micro 1181
Reel   2
Segment   1
Microfilmed copy
Reel   2
Segment   2
Xeroxed pages from undentified photo album, 1920's
U.S. Mss 100AN
Tonight or Never
Box   1
Folder   3
Clippings, 1930
Micro 1181
Within the Gates
Reel   2
Segment   3
Clipping scrapbook, 1934
No More Ladies
Reel   2
Segment   4
Clipping scrapbook, 1934
U.S. Mss 100AN
Call Me Mister, 1946
Box   1
Folder   4
Correspondence
Box   1
Folder   5
Agreement with Herman Levin, 1945
Box   1
Folder   6
Clippings
Box   1
Folder   7
Programs
Box   1
Folder   8
Sheet music, n.d.
Two Blind Mice
Box   1
Folder   9
Correspondence, 1948-1950
Box   1
Folder   10
Contracts, 1950
Box   1
Folder   11
Box office statements, 1949-1950
The Bird Cage
Box   1
Folder   12
Contracts, 1949
Box   1
Folder   13
Script by Arthur Laurents (annotated), n.d.
Box   1
Folder   14
Box office statements, 1950
Let Me Hear the Melody
Box   1
Folder   15
Script by S.N. Behrman (annotated) and pages, n.d.
Micro 1181
Reel   2
Segment   5
Clipping scrapbook, 1951
Glad Tidings
U.S. Mss 100AN
Box   1
Folder   16
Script by Edward Mabley (annotated), n.d.
Micro 1181
Reel   2
Segment   6
Clipping scrapbook, 1951 (Continuation)
U.S. Mss 100AN
Recurrent Dream
Box   2
Folder   1
Correspondence, 1951
Time Out for Ginger
Box   2
Folder   2
Correspondence, 1952
Box   2
Folder   3
Contracts, 1952
Box   2
Folder   4
Script by Ronald Alexander (annotated), n.d.
Box   2
Folder   5
Script (annotated), n.d.
Box   2
Folder   6
Programs, 1952
Micro 1181
Reel   2
Segment   7
Clipping scrapbook, 1952
U.S. Mss 100AN
Box   2
Folder   7
Australian clippings, 1955
Inherit the Wind
Box   2
Folder   8
Correspondence, 1955
Box   2
Folder   9
Contract, 1955
Box   2
Folder   10
Script by Jerome Lawrence and Robert E. Lee (annotated), n.d.
Box   2
Folder   11
Playbill, 1956
Micro 1181
Reel   2
Segment   8
Clipping scrapbook
Reel   2
Segment   9
Loose clippings
WCFTR C-44
Drawings
WCFTR B55
Two 14×17 charcoal sketches of Douglas by artists LeRoy Neiman and S. Cotsworth
U.S. Mss 100AN
Waltz of the Toreadors
Box   2
Folder   12
Contracts, box office statements, clippings, 1957
Box   2
Folder   13
Playbills, 1957, n.d.
Maiden Voyage
Box   2
Folder   14
Box office statements, 1957
The Man in the Dog Suit
Box   2
Folder   15
Correspondence
Box   2
Folder   16
Contracts, 1957
Box   2
Folder   17
Script by William H. Wright and Albert Beich, [May 10, 1957?]
Box   3
Folder   1
Script (annotated)
Box   3
Folder   2
Clippings
Sweet and Sour
Box   3
Folder   3
Contracts, Box office statements, 1958
Box   3
Folder   4
Script by Florence Lowe and Caroline Francke (annotated), June 28, 1958
Box   3
Folder   5
Playbills, 1958
Box   3
Folder   6
Clippings, 1958
Juno
Box   3
Folder   7
Correspondence, 1959
Box   3
Folder   8
Contracts, 1959
Box   3
Folder   9
Script by Joseph Stein, n.d.
Box   3
Folder   10
Script “Daarlin' Man” (annotated), n.d.
Box   3
Folder   11
Musical score and notes, 1959
Box   3
Folder   12
Playbills and program. , 1959
WCFTR 2.5.0012
Poster
U.S. Mss 100AN
Box   3
Folder   13
Clippings, 1959
The Gang's All Here
Box   3
Folder   14
Correspondence, 1959
Box   3
Folder   15
Contracts, 1959
Box   3
Folder   16
Script by Jerome Lawrence and Robert E. Lee, n.d.
Box   4
Folder   1-2
Script (annotated), September 19, 1959
Box   4
Folder   3
Clippings, 1959
Box   4
Folder   4
Programs and photos, 1959.
The Best Man
Box   4
Folder   5
Correspondence, 1961
Box   4
Folder   6
Contracts, 1961
Box   4
Folder   7
Typescript (annotated), n.d.
Box   4
Folder   8
Script by Gore Vidal (annotated) and pages, n.d.
Box   4
Folder   9
Clippings, 1960
School For Scandal
Box   4
Folder   10
Script (annotated), 1966
Spofford
Box   4
Folder   11
Correspondence, 1967
Box   4
Folder   12
Contract and operating statement, 1967
Box   4
Folder   13
Script “I've Been Thinking” (annotated, with revised pages), November 23, 1967
Box   5
Folder   1
Script by Herman Shumlin, December 14, 1967
Box   5
Folder   2
Playbill, 1967
Box   5
Folder   3
Clippings, 1967
The Great American Fourth of July Parade
Box   5
Folder   4
Published script by Archibald MacLeish (annotated), 1975
First Monday in October
Box   5
Folder   5
Correspondence, 1976-1977, and actor's notes
Box   5
Folder   6
Contracts, 1975
Box   5
Folder   7
Script by Jerome Lawrence and Robert E. Lee annotated , (n.d.)
Box   5
Folder   8
Script (annotated), n.d.
Box   5
Folder   10
Revised script, April 1976
Box   5
Folder   9
Revised script, August, 1977
Box   6
Folder   1
Revised script, October 1978, and clipping
Box   6
Folder   2
Playbill, 1976
Box   6
Folder   3
Clippings, 1975-1977