Title: Reginald Rose Papers
Inclusive Dates: 1952-1979

Creator:

• Rose, Reginald, 1920-

Call Number: U.S. Mss 94AN; Audio 484A; DC 013-DC 210; DC 213-DC 270; FA 001-FA 004

Quantity: 27.2 cubic feet (68 archives boxes), 3 tape recordings, and 260 films

Repository:

Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:

Wisconsin Historical Society (Map)

COLLECTION MAY BE STORED OFF-SITE: see catalog entry to request materials and for additional information.

Abstract:

Papers of Reginald Rose, a noted writer for television, motion pictures, and the stage. Television files containing variant drafts of scripts, correspondence, clippings, and production information comprise the bulk of the collection. Of these, there are extensive files on Alcoa-Goodyear Theatre (NBC), Danger (CBS), Playhouse 90 (CBS), and Studio One (CBS). For The Defenders (CBS), which Rose created and wrote, there are scripts and a film for every episode of the program's five-year history. The remainder of the collection consists of motion picture scripts, including Twelve Angry Men (UA, 1957), which Rose adapted from a Studio One teleplay and then co-produced; unproduced ideas; plays; and sound recordings of eight of his early television plays.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0094an

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Reginald Rose, one of the most successful and prolific writers of television's “Golden Age,” was born December 10, 1920, in New York City. He began to write at the age of ten and was preoccupied with that endeavor throughout his early years, turning out numerous essays and several novels.

After attending City College of New York in 1937 and 1938, Rose became an advertising copywriter and at that same time began to write for the theater. Not until 1951, however, did he publish his first script, and then for a different medium. Entitled “The Bus to Nowhere,” it had a science fiction theme and was a segment of the CBS series Out There.

Following that initial success, Rose extended his writing to movies and the stage. His most well-known film is Twelve Angry Men (1957); Rose adapted the screenplay from his television script of the same name and also served as co-producer of the movie. Awards for Twelve Angry Men were numerous. Rose received three Emmys for his original television script, and for the film he received honors from the Writers' Guild of America, the Mystery Writers of America, and the Berlin Film Festival. To the stage Rose has contributed Black Monday, The Porcelain Year and an adaptation of Twelve Angry Men.

It is in the field of television that Reginald Rose has achieved most fame. He wrote many scripts for Playhouse 90, Studio One and other critically-acclaimed dramatic series during the 1950s. In 1960 he created the series, The Defenders, which ran for five consecutive seasons. Rose is often cited for his ability and willingness to tackle sensitive social issues and to produce commercially successful scripts based upon them. As Robert Reed of The Defenders cast has said, “It's Reggie's mind that dominates the show. . . his concern with ethics, with issues, with right and wrong.”

The Reginald Rose Papers have been organized in two parts. Part 1 is the Original Collection comprised of the materials received in the Archives in 1969. These materials date 1952-1967 and consist of 53 boxes of scripts, correspondence, and other papers, 3 tape recordings, and 260 films. Part 2 consists of additions received in 1980 which date 1970-1979 and consist of 15 boxes of scripts, correspondence, and other papers.

Part 1, Original Collection, 1952-1967

Part 1 of the collection is divided into the three major genres of Rose's work: Motion Pictures, Theater, and Television. The bulk of the collection is in the field of television and this category, in turn, is divided into three sub-categories: television--general, television--series., and unproduced ideas. Within the designation “television--general” (Boxes 7-19) are the individual scripts written by Rose for such programs as Studio One, Playhouse 90 and Alcoa Theatre. “Television--series” (Boxes 20-52) are the series that Rose created: The Carroll Files, Dear Friends, The Defenders, Flanagan, James the Fifth, and The New Yorkers. Finally, “unproduced ideas” (Box 53) are those script ideas which were not produced.

Within each of the categories, materials are arranged alphabetically by title. The one exception to this rule is The Defenders series (Boxes 22-47); within The Defenders, scripts are filed chronologically by date of production (air time). A chronological arrangement presents a clearer picture of the development of this important and long-running series.

Material filed with each script in the collection documents the production, from outline and notes, through several drafts, to the final script. Much of the terminology (such as “original carbon,” “first draft,” etc.) has been retained as Rose used it. There are several holograph scripts in the collection.

The small amount of correspondence in the collection is filed with the particular script to which it pertains. Of particular interest are the letters referring to The Defenders (Box 22) and those referring to The Sacco-Vanzetti Story (Box 16). In order to present the latter historic case objectively, Rose wrote to the jurors and attorneys in the trial; their responses form part of the correspondence.

Perhaps the most valuable part of the collection is The Defenders files, for this series is present in its entirety -- 132 scripts and the film for each script. A synopsis of each program is located in Box 22, and for each episode there are varying amounts of production material, scripts, and revisions. Production information for each script is included on the list below, with the exception of the producer, Herbert Brodkin, and the two male leads, E.G. Marshall and Robert Reed, as they remained in their roles throughout the entire series.

Also included in Part 1 are three tape recordings containing performances of eight of Rose's early television scripts.

Part 2, 1980 Additions, 1970-1979

Part 2, the 1980 additions, consist of scripts, screenplays, correspondence, and miscellany, illustrating Rose's more recent writing projects. The films represented are Baxter! (1973), The Killer Elite (1975, which was completely rewritten by other writers and in its final form no longer lists Rose as a contributor), Somebody Killed Her Husband (1978), and The Wild Geese (1978). Television productions include The Four of Us (ABC, 1976), Studs Lonigan (NBC, 1979), and The Adversaries (unproduced).

The additions are arranged in a single alphabetical order by title of production, and materials for each are in alphabetical order thereunder. Scripts and screenplay materials are arranged chronologically, usually beginning with outlines and treatments and ending with final scripts.

Acquisition Information

Presented by Reginald Rose, Stamford, Connecticut, July 24, 1969. Additions placed on deposit by Reginald Rose, Westport, Connecticut, 1980. Accession Number: MCHC69-60, MCHC80-31

Processing Information

Processed by Julia Minnich, July 1970. Additions processed by Geoff Wexler and Menzi Behrnd-Klodt, July 1983.

	Series: Part 1, Original Collection, 1952-1967
U.S. Mss 94AN	Subseries: Motion Pictures
	Dino(1957) Note Producer: Bernice Black Director: Thomas Carr Screen Play: Reginald Rose Cast: Sal Mineo
Box   1 Folder   1	First draft, script revision
Box   1 Folder   2	Final script
	The Man in the Net(1959) Note Producer: Walter Mirisch Director: Michael Curtiz Screen Play: Reginald Rose Cast: Alan Ladd
Box   1 Folder   3	Novel by Patrick Quentin on which screenplay was based
Box   1 Folder   4	Outline, original carbon
Box   1 Folder   5	First draft
Box   1 Folder   6	Revised first draft
	Man of the West(1958) Note Producer: Walter Mirisch Director: Anthony Mann Screen Play: Reginald Rose Cast: Gary Cooper
Box   2 Folder   1	Correspondence
Box   2 Folder   2	Treatment and notes
Box   2 Folder   3	Original mimeo script
Box   2 Folder   4	Revised mimeo
Box   2 Folder   5	Script revisions
	A Most Private Intrigue
Box   2 Folder   6	Novel by Leo Rosten on which the screenplay was based
Box   2 Folder   7	Notes
Box   2 Folder   8	Script, pp. 1 - 180
Box   3 Folder   1	Script, pp. 181 - 257
Box   3 Folder   2	First draft , (1968 April 9)
Box   3 Folder   3	Screen play
	Twelve Angry Men(1957) Note Producer: Henry Fonda, Reginald Rose Director: Sidney Lumet Screen Play: Reginald Rose Cast: Henry Fonda, Lee J. Cobb, Ed Begley, E.G. Marshall, Jack Warden
Box   3 Folder   4	Correspondence: , 1956 July - 1966 June
Box   3 Folder   5	Business papers: , 1955 August - 1960 October
Box   3 Folder   6	Production budget
Box   3 Folder   7	Promotion material, cast list, award list, photo
Box   3 Folder   8	Script: original carbon
Box   3 Folder   9	Script: first draft
Box   4 Folder   1	First draft with revisions
Box   4 Folder   2	Shooting script
Box   4 Folder   3	Script revisions
	Subseries: Theater	⇧
	Black Monday, See TV Scripts, Box 7, Folders 2-5 Note: Vandam Theater, New York, New York; Opened: 1962 March 6; Staged and presented by: William Hunt.
	The Porcelain Year, 1965 October 9 Note National Theatre, Washington, D.C., Producer: Katzka-Berne in association with Defender Productions Director: Alex Segal Writer: Reginald Rose Cast: Barbara Bel Geddes, Arthur Hill, Martin Balsam
Box   5 Folder   1	Correspondence, 1965 June 9 - 1965 October 29 and undated
Box   5 Folder   2	Business papers, contracts, auditions
Box   5 Folder   3	Clippings, reviews
Box   5 Folder   4	Script
Box   5 Folder   5	First draft
Box   5 Folder   6	Second draft, revised second draft, revision pages
Box   5 Folder   7	Third draft, revised
Box   5 Folder   8	Working script
Box   6 Folder   1	Final draft
Box   6 Folder   2	Final script
Box   6 Folder   3	Playbills, German translation
	Twelve Angry Men
Box   6 Folder   4	Correspondence, 1958 October 31 - 1956 November 22
Box   6 Folder   5	Business papers, 1958 December 31 - 1965 March 31
Box   6 Folder   6	Playbills
Box   6 Folder   7	Original foreign version
Box   6 Folder   8	London version, 1964
Box   6 Folder   9	Dutch version: Twaalf Mannen
Box   6 Folder   10	Foreign translations and limited English editions
Box   6 Folder   11	Clippings, photos
	Subseries: Television	⇧
	Television--General
	“An Almanac of Liberty,” Studio One, 1954 November 8 Note Producer: Felix Jackson Director: Paul Nickell Script: Reginald Rose
Box   7 Folder   1	Original and mimeo script
	“Black Monday,” NTA Play of the Week, 1961 February Note Producer: David Susskind Director: Ralph Nelson Script: Reginald Rose
Box   7 Folder   2	Treatment, notes, original script
Box   7 Folder   3	First draft, 1960 December
Box   7 Folder   4	Script, playbill
Box   7 Folder   5	Swedish translation
	“Broken Spur,” Studio One, 1955 February 14 Note Producer: Felix Jackson Director: Paul Nickell Script: Reginald Rose
Box   8 Folder   1	Outline, script
	“The Bus to Nowhere,” Out There, 1952 February
Box   8 Folder   2	Script, by Reginald Rose
484A/1	Tape recording, 1951 December
U.S. Mss 94AN	“Climax,” 1958 March 18 (unproduced) Note Producer: Gil Fates, Arnold Peyser Director: Frank Bunetta Script: Reginald Rose
Box   8 Folder   3	Teletranscription
Box   8 Folder   4	Outline, sketches
	Conflict, CBS Pilot, 1955
Box   8 Folder   5	Outline, script by Reginald Rose
	“Crime in the Streets,” Elgin Theatre, 1955 March 8 Note Producer: Herbert Brodkin Script: Reginald Rose
Box   8 Folder   6	Two variant drafts
Box   8 Folder   7	Published version: New Directions, Kristen Segal play based on the work of Reginald Rose
	“Cruel Day,” Playhouse 90, 1960 February 24 Note Producer: Herbert Brodkin Director: Franklin Schaffner Script: Reginald Rose
Box   9 Folder   1	Outline, script
Box   9 Folder   2	First draft, 1959 November 16
Box   9 Folder   3	Revised draft, 1960 February 24
Box   9 Folder   4	Final script
	“Dear Friends,” CBS Playhouse, 1967 December 6 Note Producer: Herbert Brodkin Director: Paul Bogart Script: Reginald Rose Cast: Patricia Barry, James Daly, Rosemary Harris, Anne Jackson, Hope Lange, Pernell Roberts, Eli Wallach, David Wayne
Box   9 Folder   5	Correspondence, 1967 January 10 - December 9
Box   9 Folder   6	Clippings
Box   9 Folder   7	Photographs, cast list, shooting schedule
Box   9 Folder   8	Character sketches, outlines
Box   9 Folder   9	Script
Box   9 Folder   10	Original typed script
Box   10 Folder   1	First draft, program
Box   10 Folder   2	Second draft
Box   10 Folder   3	Revised second draft
Box   10 Folder   4	Third revision
Box   10 Folder   5	Final revision
Box   11 Folder   1	Script, play script
Box   11 Folder   2	Revision sheets
	“The Death and Life of Larry Bensen,” Studio One, 1954 September 20 Note Producer: Felix Jackson Director: Paul Nickell Script: Reginald Rose
Box   11 Folder   3	Treatment, script and amateur version
	“The Defender,” Studio One, 1957 February 25 and March 4 Note Producer: Herbert Brodkin Director: Robert Mulligan Script: Reginald Rose
Box   11 Folder   4	Outline, first draft (Part I and Part II)
Box   11 Folder   5	First mimeo (Part I and Part II)
Box   11 Folder   6	Second mimeo
Box   12 Folder   1	Parody for Caesar Hour, amateur play version
Box   12 Folder   2	Revision pages
	“Dino,” Studio One, 1956 January 2 Note Producer: Felix Jackson Director: Paul Nickell Script: Reginald Rose
Box   12 Folder   3	Outline, script
Box   12 Folder   4	Published versions: Maturity, Scope, Best Short Plays
	“The Enormous Radio,” Revlon Theatre, 1955 August Note Producer: Donald Davis Director: Daniel Petrie Script: John Cheever, Reginald Rose
Box   12 Folder   5	Script
484A/3	Tape recording, “Enormous Radio,” Mirror Theatre, 1933 July 21
U.S. Mss 94AN	“The Expendable House,” Goodyear Playhouse, 1955 October 9 Note Producer: Herbert Brodkin Director: Daniel Petrie Script: Reginald Rose
Box   12 Folder   6	First Draft
Box   12 Folder   7	Second Revision
	“The Final Ingredient,” Eternal Light, 1959 April 19
Box   12 Folder   8	Correspondence, 1956 February 14, outline, budget sheets, notes
Box   12 Folder   9	Two variant scripts, published version
Box   12 Folder   10	Passover Opera, based on “The Final Ingredient,” produced on Directions '65, 1965 April 18
	“The Formula,” Studio One, 1952 November 4 Note Producer: John Haggott Director: Franklin Schaffner
Box   13 Folder   1	Novel by Gordon Saegar, on which the script, by Reginald Rose, was based
Box   13 Folder   2	Script
484A/2	Tape recording
U.S. Mss 94AN	“The Incredible World of Horace Ford,” Studio One, 1955 June 13 Note Producer: Felix Jackson Director: Franklin Schaffner Script: Reginald Rose
Box   13 Folder   3	Outline, first draft
Box   13 Folder   4	Two variant scripts
	“The Kill,” Studio One, 1952 September 22 Note Producer: Donald Davis, Dorothy Mathews Director: Franklin Schaffner
Box   13 Folder   5	Script
484A/1 (continued)	Tape recording
U.S. Mss 94AN	“Letter from Cairo,” Westinghouse Summer Theatre, 1953 August 31 Note Producer: John Haggott Director: Matt Harlib Script: Reginald Rose
Box   13 Folder   6	Script
	“Little Man, Big World,” Studio One, 1952 October 13 Note Producer: Donald Davis, Dorothy Mathews Director: Paul Nickell Script: Reginald Rose
Box   13 Folder   7	Novel written by W.R. Burnett on which script was based
Box   14 Folder   1	Script
484A/2 (continued)	Tape recording
U.S. Mss 94AN	Love That Guy, CBS Pilot, 1953 April 23 Note Producer: Ezra Stone Director: John Wray Script: Reginald Rose Cast: Jack Carter, Paul Lynde, Pat Barry
Box   14 Folder   2	Script
	“Marriage of Strangers,” Playhouse 90, 1959 May 14
Box   14 Folder   3	Correspondence, 1959 April 27 - 1965 August 30 Note: Also includes rehearsal schedule and censor's notes.
Box   14 Folder   4	Unproduced screenplay, Three Empty Rooms, on which script was based
Box   14 Folder   5	Script
Box   14 Folder   6	London script
	“The Missing Night,” Danger, 1953 July Note Producer: Franklin Heller Director: John Peyser Script: Reginald Rose
Box   14 Folder   7	Script
484A/3 (continued)	Tape recording
U.S. Mss 94AN	“A Name for Baby,” Danger, 1953 September 22 Note Producer: Franklin Heller Director: John Peyser Script: Reginald Rose
Box   14 Folder   8	Script
	“A Night of Reckoning,” Danger, 1954 January 5 Note Producer: Charles Russell Script: Reginald Rose
Box   15 Folder   1	Original typed script, broadcast script
	“Operation Nightmare,” Danger, 1953 June 23
Box   15 Folder   2	Script
484A/3 (continued)	Tape recording
U.S. Mss 94AN	“A Quiet Game of Cards,” Playhouse 90, 1959 January 29 Note Producer: Herbert Brodkin Director: Alex Segal Script: Reginald Rose
Box   15 Folder   3	Outline, first draft
Box   15 Folder   4	First mimeo script
Box   15 Folder   5	Final revision
	“The Remarkable Incident at Carson Corners,” Studio One, 1954 February
Box   15 Folder   6	Outline, original typed script by Reginald Rose
Box   15 Folder   7	Japanese TV version, amateur stage version
	“The Roman Kid,” Westinghouse Summer Theatre, 1953 August 3 Note Producer: John Haggott Director: Judson Whiting Script: Reginald Rose
Box   15 Folder   8	Script
	“The Sacco-Vanzetti Story,” Sunday Playhouse, 1960 June 3 and June 10 Note Producer: Alex March Director: Sidney Lumet Script: Reginald Rose Cast: Martin Balsam, Steven Hill, Frank Campanella, Peter Falk
Box   16 Folder   1	Correspondence, 1959 September 8 - 1960 June, undated
Box   16 Folder   2	Research material
Box   16 Folder   3	Cast list, rehearsal schedule, original typed script
Box   16 Folder   4	First draft (Part I)
Box   16 Folder   5	First revisions (Part I and Part II)
Box   16 Folder   6	Second revision (Part I and Part II)
Box   16 Folder   7	Third revision (Part I and Part II)
Box   17 Folder   1	Fourth revision (Part I and Part II)
Box   17 Folder   2	Fifth revision (Part I and Part II)
Box   17 Folder   3	Unproduced theater version titled, This Agony, This Triumph
	The Smallest Revolution, CBS Pilot Script, 1955
Box   17 Folder   4	Correspondence, 1959 March 6 Note: Also includes outline, reference material.
Box   17 Folder   5	Three variant scripts
	Something Special, NBC Special, 1960 December 4 Note Producer: Michael Abbott Director: Dick Schneider Script: Reginald Rose
Box   17 Folder   6	Three variant scripts
	“Three Empty Rooms,” Studio One, 1955 September 26 Note Producer: Felix Jackson Director: Franklin Schaffner Script: Reginald Rose
Box   17 Folder   7	Original outline and script
Box   17 Folder   8	Mimeo script, revision sheets
	“Thunder on Sycamore Street,” Studio One, 1954 April
Box   17 Folder   9	Correspondence, 1959 May 8, outline, script by Reginald Rose
Box   18 Folder   1	British TV version
Box   18 Folder   2	Published version
	“Tragedy in a Temporary Town,” Alcoa Theatre, 1956 February 19 Note Producer: Herbert Brodkin Director: Sidney Lumet Script: Reginald Rose
Box   18 Folder   3	Outline, typed script
Box   18 Folder   4	First mimeo, published version in Scholastic Teacher
	A Tribute to Eleanor Roosevelt on Her Diamond Jubilee, 1959 October 25 Note Producer: David Susskind Director: Dick Schneider Script: Reginald Rose
Box   18 Folder   5	Correspondence, 1960 June 21, notes
Box   18 Folder   6	Script
	“12:32 A.M.,” Studio One, 1954 December 13 Note Producer: Felix Jackson Director: Franklin Schaffner Script: Reginald Rose
Box   19 Folder   1	Outline, notes, script
Box   19 Folder   2	Two variant scripts
	“Twelve Angry Men,” Studio One, 1954 September 20
Box   19 Folder   3	Synopsis, script
	“You're Wanted on the Phone, Al,” Danger, 1952 April
Box   19 Folder   4	Script
484A/1 (continued)	Tape recording
U.S. Mss 94AN	Television--Series
	The Carroll Files
Box   20 Folder   1	Story ideas, cast notes, summary sheets
Box   20 Folder   2	Script for pilot entitled, “Scavenger Hunt”
Box   20 Folder   3	“Scavenger Hunt,” first and second draft
	Dear Friends
Box   20 Folder   4	Series projection
	“Cross Right and Smile, Honey”
Box   20 Folder   5	Outline
Box   20 Folder   6	Script revision
Box   20 Folder   7	Final Draft
	“Generation Gap”
Box   20 Folder   8	Outline, two scripts, revisions
	“New Blood for a Grand Old Party”
Box   21 Folder   1	Outline
Box   21 Folder   2	First draft
Box   21 Folder   3	Second draft
Box   21 Folder   4	Mimeo
	“Spring Lightning”
Box   21 Folder   5	Two variant scripts
Box   21 Folder   6	First draft
Box   21 Folder   7	Second draft
Box   21 Folder   8	Final draft
Box   21 Folder   9	First mimeo, revision pages
	The Defenders Note Producer: Herbert Brodkin Cast: E.G. Marshall, Robert Reed
Box   22 Folder   1	Correspondence, 1960 November 22 - 1965 July 22
Box   22 Folder   2	Fan mail, unanswered
Box   22 Folder   3	Budget sheets: , 1960 November 7 - 1962 December 6
Box   22 Folder   4	Series projection, character description, list of district attorneys
Box   22 Folder   5	Synopses of scripts, shows 1 - 132
Box   22 Folder   6	Article on The Defenders, Television Quarterly, 1964 Fall
Box   22 Folder   7	Publicity material
DC 013-DC 210, DC 213-DC 270, FA 001-FA 004	Films of each episode, 1961-1965 Note: To see the list of The Defenders films held in the Archives with their call numbers, click here. Credits for each episode are included in the film list.
	“Quality of Mercy,” 1961 September 16 Note: Synopsis number 14. See Box 22, Folder 5.
Box   23 Folder   1	Cast list, two variant scripts, revision sheets
	“Killer Instinct,” 1961 September 23 Note: Synopsis number 9. See Box 22, Folder 5.
Box   23 Folder   2	Cast list, script, revision sheets
	“Death Across the Counter,” 1961 September 30 Note: Synopsis number 1. See Box 22, Folder 5.
Box   23 Folder   3	Cast list, outline, script
	“The Riot;” , 1961 October 7 Note: Synopsis number 4. See Box 22, Folder 5.
Box   23 Folder   4	Cast list, two variant scripts
	“The Young Lovers,” 1961 October 14 Note: Synopsis number 13. See Box 22, Folder 5.
Box   23 Folder   5	Cast list, two variant scripts
	“The Boy Between,” 1961 October 21 Note: Synopsis number 7. See Box 22, Folder 5.
Box   23 Folder   6	Cast list, two variant scripts
	“The Hundred Lives of Harry Simms,” 1961 October 28 Note: Synopsis number 8. See Box 22, Folder 5.
Box   23 Folder   7	Cast list, two variant scripts, revision pages
	“The Accident,” 1961 November 4 Note: Synopsis number 2. See Box 22, Folder 5.
Box   24 Folder   1	Cast list, three variant scripts
	“The Trial of Jenny Scott,” 1961 November 11 Note: Synopsis number 6. See Box 22, Folder 5.
Box   24 Folder   2	Cast list, outline, two variant scripts
	“The Man with the Concrete Thumb,” 1961 November 18 Note: Synopsis number 5. See Box 22, Folder 5.
Box   24 Folder   3	Cast list, two variant scripts
	“The Treadmill,” 1961 November 25 Note: Synopsis number 15. See Box 22, Folder 5.
Box   24 Folder   4	Cast list, two variant scripts
	“Perjury,” 1961 December 2 Note: Synopsis number 10. See Box 22, Folder 5.
Box   24 Folder   5	Cast list, two variant scripts
	“The Attack,” 1961 December 9 Note: Synopsis number 23. See Box 22, Folder 5.
Box   24 Folder   6	Cast list, script
	“The Prowler,” 1961 December 16 Note: Synopsis number 18. See Box 22, Folder 5.
Box   25 Folder   1	Cast list, script
	“Gideon's Follies,” 1961 December 23 Note: Synopsis number 25. See Box 22, Folder 5.
Box   25 Folder   2	Cast list, two variant scripts
	“The Best Defense,” 1961 December 30 Note: Synopsis number 12. See Box 22, Folder 5.
Box   25 Folder   3	Cast list, script
	“The Bedside Murder,” 1962 January 6 Note: Synopsis number 11. See Box 22, Folder 5.
Box   25 Folder   4	Cast list, two variant scripts
	“The Search,” 1962 January 20 Note: Synopsis number 20. See Box 22, Folder 5.
Box   25 Folder   5	Cast list, three variant scripts
	“Storm at Birch Glen,” 1962 January 27 Note: Synopsis number 17. See Box 22, Folder 5.
Box   25 Folder   6	Cast list, two variant scripts
	“The Point Shaver,” 1962 February 3 Note: Synopsis number 22. See Box 22, Folder 5.
Box   25 Folder   7	Cast list, outline, two variant scripts
Box   26 Folder   1	1st, 2nd and 3rd Mimeos
	“The Locked Room,” 1962 February 10 Note: Synopsis number 24. See Box 22, Folder 5.
Box   26 Folder   2	Cast list, three variant scripts
	“The Empty Chute,” 1962 February 17 Note: Synopsis number 16. See Box 22, Folder 5.
Box   26 Folder   3	Cast list, script, revision pages
	“The Crusader,” 1962 February 25 Note: Synopsis number 3. See Box 22, Folder 5.
Box   26 Folder   4	Cast list, two variant scripts
	“The Hickory Indian,” 1962 March 3 Note: Synopsis number 26. See Box 22, Folder 5.
Box   26 Folder   5	Cast list, two variant scripts
	“The Iron Man,” 1962 March 10 Note: Synopsis number 21. See Box 22, Folder 5.
Box   27 Folder   1	Cast list, two outlines, two variant scripts
	“The Tarnished Cross,” 1962 March 17 Note: Synopsis number 27. See Box 22, Folder 5.
Box   27 Folder   2	Cast list, holograph script, two typed scripts
	“The Last Six Months,” 1962 March 31 Note: Synopsis number 28. See Box 22, Folder 5.
Box   27 Folder   3	Cast list, two variant scripts
	“The Naked Heiress,” 1962 April 7 Note: Synopsis number 29. See Box 22, Folder 5.
Box   27 Folder   4	Cast list, three variant scripts
	“Reunion With Death” , 1962 April 21 Note: Synopsis number 30. See Box 22, Folder 5.
Box   28 Folder   1	Cast list, outline, script
	“The Benefactor,” 1962 April 28 Note: Synopsis number 19. See Box 22, Folder 5.
Box   28 Folder   2	Cast list, two variant scripts
	“Along Came a Spider,” 1962 May 5 Note: Synopsis number 31. See Box 22, Folder 5.
Box   28 Folder   3	Cast list, script
	“The Broken Barrelhead,” 1962 May 26 Note: Synopsis number 32. See Box 22, Folder 5.
Box   28 Folder   4	Cast list, two variant scripts, revision sheets
	“The Voices of Death,” 1962 September 15 Note: Synopsis number 35. See Box 22, Folder 5.
Box   28 Folder   5	Cast list, outline, holograph script, typewritten script
	“Blood County,” 1962 September 22 Note: Synopsis number 33. See Box 22, Folder 5.
Box   28 Folder   6	Cast list, revision sheets
	“The Indelible Silence,” 1962 September 29 Note: Synopsis number 36. See Box 22, Folder 5.
Box   28 Folder   7	Cast list, script
	“Seven Ghosts of Simon Gray,” 1962 October 6 Note: Synopsis number 34. See Box 22, Folder 5.
Box   28 Folder   8	Cast list, outline, two variant scripts
	“The Unwanted,” 1962 October 13 Note: Synopsis number 39. See Box 22, Folder 5.
Box   29 Folder   1	Cast list, outline, three variant scripts
	“The Madman,” (Part I), 1962 October 20 Note: Synopsis number 41. See Box 22, Folder 5.
Box   29 Folder   2	Cast list, outline, holograph script, three mimeo scripts
	“The Madman,” (Part II), 1962 October 27 Note: Synopsis number 46. See Box 22, Folder 5.
Box   29 Folder   3	Cast list, script, revision sheets
	“The Bigamist,” 1962 November 3 Note: Synopsis number 43. See Box 22, Folder 5.
Box   29 Folder   4	Cast list, outline, script
	“The Avenger,” 1962 November 17 Note: Synopsis number 37. See Box 22, Folder 5.
Box   30 Folder   1	Cast list, outline, notes, two variant scripts
	“The Invisible Badge,” 1962 November 24 Note: Synopsis number 44. See Box 22, Folder 5.
Box   30 Folder   2	Cast list, outline, notes, three variant scripts
	“The Hidden Jungle,” 1962 December 1 Note: Synopsis number 40. See Box 22, Folder 5.
Box   30 Folder   3	Cast list, outline, script
	“The Savage Infant,” 1962 December 8 Note: Synopsis number 49. See Box 22, Folder 5.
Box   30 Folder   4	Cast list, outline, script
	“The Apostle,” 1962 December 15 Note: Synopsis number 45. See Box 22, Folder 5.
Box   30 Folder   5	Cast list, outline, script
	“Grandma TNT,” 1962 December 22 Note: Synopsis number 38. See Box 22, Folder 5.
Box   30 Folder   6	Cast list, outline, two variant scripts
	“Death Takes the Stand,” 1962 December 29 Note: Synopsis number 42. See Box 22, Folder 5.
Box   31 Folder   1	Cast list, four variant scripts
	“Kill or Be Killed,” 1963 January 5 Note: Synopsis number 47. See Box 22, Folder 5.
Box   31 Folder   2	Cast list, script
	“A Man Against Himself,” 1963 January 12 Note: Synopsis number 48. See Box 22, Folder 5.
Box   31 Folder   3	Cast list, script
	“The Poisoned Fruit Doctrine,” 1963 January 19 Note: Synopsis number 50. See Box 22, Folder 5.
Box   31 Folder   4	Cast list, outline, script
	“The Poltergeist,” 1963 January 26 Note: Synopsis number 51. See Box 22, Folder 5.
Box   31 Folder   5	Cast list, four variant scripts
	“Ordeal,” 1963 February 2 Note: Synopsis number 52. See Box 22, Folder 5.
Box   32 Folder   1	Cast list, outline, script
	“The Hour Before Doomsday,” 1963 February 9 Note: Synopsis number 56. See Box 22, Folder 5.
Box   32 Folder   2	Cast list, outline, script
	“The Traitor,” 1963 February 16 Note: Synopsis number 53. See Box 22, Folder 5.
Box   32 Folder   3	Cast list, outline, script
	“The Eye of Fear,” 1963 February 23 Note: Synopsis number 54. See Box 22, Folder 5.
Box   32 Folder   4	Cast list, outline, script
	“Metamorphosis,” 1963 March 2 Note: Synopsis number 55. See Box 22, Folder 5.
Box   32 Folder   5	Cast list, outline, script
	“The Last Illusion,” 1963 March 9 Note: Synopsis number 57. See Box 22, Folder 5.
Box   32 Folder   6	Cast list, outline, script
	“The Heathen,” 1963 March 23 Note: Synopsis number 58. See Box 22, Folder 5.
Box   32 Folder   7	Cast list, outline, script
	“A Book for Burning,” 1963 March 30 Note: Synopsis number 60. See Box 22, Folder 5.
Box   33 Folder   1	Cast list, outline, script
	“The Taste of Vengeance,” 1963 April 6 Note: Synopsis number 59. See Box 22, Folder 5.
Box   33 Folder   2	Cast list, outline, two variant scripts
	“The Colossus,” 1963 April 13 Note: Synopsis number 61. See Box 22, Folder 5.
Box   33 Folder   3	Cast list, outline, two variant scripts
	“Judgment Eve,” 1963 April 20 Note: Synopsis number 62. See Box 22, Folder 5.
Box   33 Folder   4	Cast list, outline, two variant scripts
	“The Brother Killers,” 1963 April 27 Note: Synopsis number 63. See Box 22, Folder 5.
Box   33 Folder   5	Cast list, outline, script
	“The Noose,” 1963 May 11 Note: Synopsis number 64. See Box 22, Folder 5.
Box   33 Folder   6	Cast list, outline, script
	“The Trial of Twenty-Two,” 1963 May 18 Note: Synopsis number 66. See Box 22, Folder 5.
Box   34 Folder   1	Cast list, outline, script
	“Everybody Else is Dead,” 1963 May 25 Note: Synopsis number 65. See Box 22, Folder 5.
Box   34 Folder   2	Cast list, outline, script
	“The Weeping Baboon,” 1963 September 28 Note: Synopsis number 73. See Box 22, Folder 5.
Box   34 Folder   3	Cast list, outline, holograph script, two typed scripts
	“The Empty Heart,” 1963 October 5 Note: Synopsis number 71. See Box 22, Folder 5.
Box   34 Folder   4	Cast list, outline, two variant scripts
	“The Captives” , 1963 October 12 Note: Synopsis number 74. See Box 22, Folder 5.
Box   34 Folder   5	Cast list, outline, script, shooting schedule
	“The Bagman,” 1963 October 19 Note: Synopsis number 75. See Box 22, Folder 5.
Box   34 Folder   6	Cast list, outline, script, shooting schedule
	“Conspiracy of Silence,” 1963 October 26 Note: Synopsis number 68. See Box 22, Folder 5.
Box   34 Folder   7	Cast list, outline, script
	“The Cruel Hook,” 1963 November 2 Note: Synopsis number 69. See Box 22, Folder 5.
Box   35 Folder   1	Cast list, outline, three variant scripts, revision pages
	“The Star Spangled Ghetto,” 1963 November 9 Note: Synopsis number 76. See Box 22, Folder 5.
Box   35 Folder   2	Cast list, outline, script, three variant typed scripts
	“Loophole,” 1963 November 16 Note: Synopsis number 67. See Box 22, Folder 5.
Box   35 Folder   3	Cast list, outline, two variant scripts
	“Seal of Confession,” 1963 November 30 Note: Synopsis number 78. See Box 22, Folder 5.
Box   35 Folder   4	Cast list, outline, two variant scripts, censor notes
	“The Gentle Assassin,” 1963 December 7 Note: Synopsis number 80. See Box 22, Folder 5.
Box   36 Folder   1	Cast list, outline, two variant scripts
	“The Crowd Pleaser,” 1963 December 14 Note: Synopsis number 70. See Box 22, Folder 5.
Box   36 Folder   2	Cast list, outline, script
	“Old Lady Ironsides,” 1963 December 21 Note: Synopsis number 82. See Box 22, Folder 5.
Box   36 Folder   3	Cast list, outline, script
	“Fugue For Trumpet and Small Boy,” 1963 December 28 Note: Synopsis number 77. See Box 22, Folder 5.
Box   36 Folder   4	Cast list, outline, two variant scripts
	“Claire Cheval Died in Boston,” 1964 January 4 Note: Synopsis number 72. See Box 22, Folder 5.
Box   36 Folder   5	Cast list, outline, two variant scripts
	“Death Watch,” 1964 January 11 Note: Synopsis number 83. See Box 22, Folder 5.
Box   36 Folder   6	Cast list, outline, four variant scripts
	“The Blacklist,” 1964 January 18 Note: Synopsis number 84. See Box 22, Folder 5.
Box   37 Folder   1	Cast list, outline, two variant scripts, revision sheets
	“Who'll Dig His Grave?” , 1964 January 25 Note: Synopsis number 79. See Box 22, Folder 5.
Box   37 Folder   2	Cast list, outline, script
	“All the Silent Voices,” 1964 February 1 Note: Synopsis number 85. See Box 22, Folder 5.
Box   37 Folder   3	Cast list, outline, script, revision sheets
	“The Secret,” 1964 February 8 Note: Synopsis number 86. See Box 22, Folder 5.
Box   37 Folder   4	Cast list, outline, script
	“The Pill Man,” 1964 February 22 Note: Synopsis number 83. See Box 22, Folder 5.
Box   37 Folder   5	Cast list, outline, 1st and 2nd draft
Box   37 Folder   6	Ruben rewrite, Shaw rewrite, final script
	“Drink Like a Lady,” 1964 February 29 Note: Synopsis number 90. See Box 22, Folder 5.
Box   38 Folder   1	Cast list, outline, two variant scripts
	“Survival,” 1964 March 13 Note: Synopsis number 91. See Box 22, Folder 5.
Box   38 Folder   2	Cast list, outline, script, revision sheets
	“Moment of Truth,” 1964 March 21 Note: Synopsis number 92. See Box 22, Folder 5.
Box   38 Folder   3	Cast list, outline, script, revision sheets
	“The Hidden Fury,” 1964 March 28 Note: Synopsis number 93. See Box 22, Folder 5.
Box   38 Folder   4	Cast list, outline, three variant scripts
	“Die Laughing,” 1964 April 11 Note: Synopsis number 89. See Box 22, Folder 5.
Box   38 Folder   5	Cast list, outline, two variant scripts
	“Fade Away (Mayday! Mayday!),” 1964 April 18 Note: Synopsis number 94. See Box 22, Folder 5.
Box   38 Folder   6	Cast list, outline, two variant scripts, revision sheets
	“The Thief,” 1964 April 25 Note: Synopsis number 95. See Box 22, Folder 5.
Box   39 Folder   1	Cast list, outline, two variant scripts
	“Yankee Come Home,” 1964 May 2 Note: Synopsis number 96. See Box 22, Folder 5.
Box   39 Folder   2	Cast list, outline, script
	“The Man Who Saved His Country,” 1964 May 9 Note: Synopsis number 81. See Box 22, Folder 5.
Box   39 Folder   3	Cast list, outline, script
	“Mind Over Murder,” 1964 May 16 Note: Synopsis number 97. See Box 22, Folder 5.
Box   39 Folder   4	Cast list, outline, two variant scripts, revision sheets
	“The Sixth Alarm,” 1964 May 23 Note: Synopsis number 98. See Box 22, Folder 5.
Box   39 Folder   5	Cast list, outline, two variant scripts, revision sheets
	“The Fine Line,” 1964 May 30 Note: Synopsis number 99. See Box 22, Folder 5.
Box   39 Folder   6	Cast list, outline, script, revision sheets
	“The Non-Violent,” 1964 June 6 Note: Synopsis number 100. See Box 22, Folder 5.
Box   40 Folder   1	Cast list, outline, two variant scripts, revision sheets
	“Stowaway,” 1964 June 13 Note: Synopsis number 101. See Box 22, Folder 5.
Box   40 Folder   2	Cast list, outline, four variant scripts, revision sheets
	“Hollow Triumph,” 1964 June 20 Note: Synopsis number 102. See Box 22, Folder 5.
Box   40 Folder   3	Cast list, outline, three variant scripts, revision sheets
	“The Uncivil War,” 1964 June 27 Note: Synopsis number 103. See Box 22, Folder 5.
Box   40 Folder   4	Cast list, outline, script
	“The 700-Year Old Gang,” (Part I), 1964 September 24 Note: Synopsis number 104. See Box 22, Folder 5.
Box   41 Folder   1	Cast list, outline, three variant scripts, revision sheets
	“The 700-Year Old Gang,” (Part II), 1964 October 1 Note: Synopsis number 105. See Box 22, Folder 5.
Box   41 Folder   2	Cast list, two variant scripts, revision sheets
	“Hero of the People,” 1964 October 8 Note: Synopsis number 106. See Box 22, Folder 5.
Box   41 Folder   3	Cast list, outline, first draft, third draft
Box   41 Folder   4	Mimeo (first), Shaw rewrite, second mimeo
	“Go-Between,” 1964 October 15 Note: Synopsis number 111. See Box 22, Folder 5.
Box   42 Folder   1	Cast list, outline, three variant scripts, revision sheets
	“Conflict of Interests” , 1964 October 22 Note: Synopsis number 108. See Box 22, Folder 5.
Box   42 Folder   2	Cast list, outline, three variant scripts, revision sheets
	“The Man Who,” 1964 October 29 Note: Synopsis number 113. See Box 22, Folder 5.
Box   42 Folder   3	Cast list, outline, three variant scripts
	“The Turning Point,” 1964 November 5 Note: Synopsis number 109. See Box 22, Folder 5.
Box   42 Folder   4	Cast list, outline, three variant scripts
	“A Taste of Ashes,” 1964 November 12 Note: Synopsis number 87. See Box 22, Folder 5.
Box   43 Folder   1	Cast list, outline, three variant scripts
	“Comeback,” 1964 November 26 Note: Synopsis number 107. See Box 22, Folder 5.
Box   43 Folder   2	Cast list, outline, three variant scripts, revision sheets
	“The Seige,” 1964 December 3 Note: Synopsis number 112. See Box 22, Folder 5.
Box   43 Folder   3	Cast list, outline, four variant scripts, revision sheets
	“Whitewash,” 1964 December 10 Note: Synopsis number 114. See Box 22, Folder 5.
Box   44 Folder   1	Cast list, outline, three variant scripts, script revisions
	“A Voice Loud and Clear,” 1964 December 24 Note: Synopsis number 115. See Box 22, Folder 5.
Box   44 Folder   2	Cast list, outline, four variant scripts
	“King of the Hill,” 1964 December 31 Note: Synopsis number 110. See Box 22, Folder 5.
Box   44 Folder   3	Cast list, outline, four variant scripts, revision sheets
	“Whipping Boy,” 1965 January 7 Note: Synopsis number 117. See Box 22, Folder 5.
Box   44 Folder   4	Cast list, outline, four variant scripts, notes
	“Eyewitness,” 1965 January 14 Note: Synopsis number 116. See Box 22, Folder 5.
Box   45 Folder   1	Cast list, four variant scripts, script revision
	“Silent Killer,” 1965 January 21 Note: Synopsis number 118. See Box 22, Folder 5.
Box   45 Folder   2	Cast list, outline, three variant scripts, script revisions
	“Death on Wheels,” 1965 January 28 Note: Synopsis number 119. See Box 22, Folder 5.
Box   45 Folder   3	Cast list, outline, three variant scripts
	“The Unwritten Law,” 1965 February 4 Note: Synopsis number 120. See Box 22, Folder 5.
Box   46 Folder   1	Cast list, outline, three variant scripts
	“The Objector,” 1965 February 11 Note: Synopsis number 121. See Box 22, Folder 5.
Box   46 Folder   2	Cast list, outline, three variant scripts
	“Fires of the Mind,” 1965 February 18 Note: Synopsis number 122. See Box 22, Folder 5.
Box   46 Folder   3	Cast list, outline, three variant scripts, script revisions
	“No-Knock,” 1965 February 25 Note: Synopsis number 123. See Box 22, Folder 5.
Box   46 Folder   4	Cast list, outline, four variant scripts
	“Merry-Go-Round Mender,” 1965 March 4 Note: Synopsis number 124. See Box 22, Folder 5.
Box   47 Folder   1	Cast list, outline, three variant scripts, script revisions
	“Nobody Asks What Side You're On,” 1965 March 11 Note: Synopsis number 125. See Box 22, Folder 5.
Box   47 Folder   2	Cast list, outline, three variant scripts, script revisions
	“Impeachment,” 1965 March 18 Note: Synopsis number 126. See Box 22, Folder 5.
Box   47 Folder   3	Cast list, outline, three variant scripts, script revisions
	“The Sworn Twelve,” 1965 March 25 Note: Synopsis number 127. See Box 22, Folder 5.
Box   47 Folder   4	Cast list, outline, three variant scripts, script revisions
	“Law and Disorder,” 1965, April 8 Note: Synopsis number 128. See Box 22, Folder 5.
Box   48 Folder   1	Cast list, outline, three variant scripts, script revisions
	“Youths and Maidens on an Evening Walk,” 1965 April 15 Note: Synopsis number 129. See Box 22, Folder 5.
Box   48 Folder   2	Cast list, outline, three variant scripts, script revisions
	“The Prosecutor,” 1965 April 29 Note: Synopsis number 130. See Box 22, Folder 5.
Box   48 Folder   3	Cast list, outline, three variant scripts
	“The Bum's Rush,” 1965 May 6 Note: Synopsis number 131. See Box 22, Folder 5.
Box   48 Folder   4	Cast list, outline, two variant scripts, script revisions
	“Only a Child,” 1965 May 13 Note: Synopsis number 132. See Box 22, Folder 5.
Box   48 Folder   5	Cast list, outline, three variant scripts, script revisions
Box   49 Folder   1	Unused outlines
	Outlines: cancelled, rejected, or cut off
Box   49 Folder   2	A - De
Box   49 Folder   3	Di - J
Box   49 Folder   4	K - Sp
Box   49 Folder   5	St - Untitled
	Rejected Scripts
Box   50 Folder   1	“Black Fury,” “Blind Fury,” “Breaking Point”
Box   50 Folder   2	“The Bunglers,” “By Silence or Deceit,” “Child from Nowhere”
Box   50 Folder   3	“Duel of Hate,” “A Game in No-Trump,” “The Unvanquished”
Box   50 Folder   4	“Woman in the Case”
	Flanagan, CBS Pilot, 1960
Box   51 Folder   1	Synopsis, character sketches, outline, two drafts
	James the Fifth, TV Pilot
Box   51 Folder   2	Idea, projection-changes, step outline
Box   51 Folder   3	Script
Box   52 Folder   1	Typed pilot script, revised pilot script, mimeo pilot script
	The New Yorkers, TV Pilot
Box   52 Folder   2	Holograph idea, typed idea
Box   52 Folder   3	Pilot script
Box   52 Folder   4	Typed pilot script
	“A Hill of Beans,” by Robert Crean
Box   52 Folder   5	General notes, 1st draft
Box   52 Folder   6	Second revised script
Box   52 Folder   7	Mimeo Script
	Unproduced Ideas
Box   53 Folder   1	“And on the Seventh Day We Hate,” Studio One idea
Box   53 Folder   2	“The Courtroom,” Studio One idea, outline, treatment, rejection letter
Box   53 Folder   3	“Day of Glory,” Studio One idea
Box   53 Folder   4	“The Endless Night,” outline, 1st draft, final script, rejection notice
Box   53 Folder   5	“The Family Tree,” script
Box   53 Folder   6	“The Gathering,” Studio One idea, outline, two various treatments
Box   53 Folder   7	“The Genteel Assassins,” play idea
Box   53 Folder   8	“Half of Forty-Four is Twenty-Two,” idea
Box   53 Folder   9	Horror tale, untitled, idea
Box   53 Folder   10	“The Hunt,” movie idea
Box   53 Folder   11	“The Indestructible Man,” Studio One idea
Box   53 Folder   12	“The Joiner,” outline, treatment, letter
Box   53 Folder   13	“Journey With a Lady,” treatment
Box   53 Folder   14	“The Mouthpiece” idea
Box   53 Folder   15	“Premonition,” Studio One idea
Box   53 Folder   16	“The Pug,” idea
Box   53 Folder   17	“The Risk,” Studio One idea, outline, rejection letter
Box   53 Folder   18	“Savage in the Purple Trunks,” outline
Box   53 Folder   19	“The Silent City,” outline, notes
Box   53 Folder   20	“The Son of a Respectable Man,” Studio One idea, outline
Box   53 Folder   21	“The Unborn,” Studio One synopsis
Box   53 Folder   22	“Wait for a Killer,” script
Box   53 Folder   23	“The Watch,” treatment
Box   53 Folder   24	“What D'ya Read,” outlines
Box   53 Folder   25	“The Wonderful Whatchamacallit,” Studio One idea
	Series: Part 2, 1980 Additions, 1970-1979	⇧
	The Adversaries (Television, 1976. Unproduced?)
	Scripts
Box   54 Folder   1	A Concept for a One-Hour Television Series by Rose - Holograph, Typescript, photocopy, 1976 July 23
	Pilot Script by Rose
Box   54 Folder   2	Outline - Holograph, Typescript, photocopy, 1976 July 29
Box   54 Folder   3	Script - Holograph, 1976 August 14-19
Box   54 Folder   4	Script - Typescript, 1976 August 19
Box   54 Folder   5	First Mimeo, undated
Box   54 Folder   6	Second Draft - Typescript, 1976 September 6
Box   54 Folder   7	Second Draft Rewrite - Mimeo with Holograph Changes, 1976 September 6
Box   54 Folder   8	Third Draft - Typescript with Revisions, circa 1976 September
	Baxter! (Film. Anglo-EMI/Group W, 1973. National General)
Box   54 Folder   9	Breakdown, undated
Box   54 Folder   10	Correspondence, Miscellaneous, 1970 January 28-1972 November 1
Box   54 Folder   11	Miscellany - Call Sheets, Synopsis, Notes, Cast List, 1971 November 28-1972 June 21
Box   54 Folder   12	Newspaper and Magazine Coverage, 1973 January 25-March 28
Box   54 Folder   13	Publicity, 1973 March 4, 9, undated
	Screenplays, by Rose
Box   54 Folder   14	“The Boy Who Could Make Himself Disappear,” Step Outlines by Rose and Robert Parrish - Holograph and Typescript, 1970 January 19, 28; 1971 May 18
Box   54 Folder   15	First Draft - Holograph, Started 1970 January 29
Box   55 Folder   1	“The Boy Who Could Make Himself Disappear,” First Draft (Typescript), with Cuts, 1970 January 30
Box   55 Folder   2	“The Boy Who Could Make Himself Disappear,” First Draft (Mimeo), 1970 April 24
Box   55 Folder   3	“The Boy Who Could Make Himself Disappear,” Second Draft (Typescript), 1970 May 4
Box   55 Folder   4	“The Boy Who Could Make Himself Disappear,” Second Draft (Mimeo with Holograph Additions), 1971 April 14
Box   55 Folder   5	“The Boy Who Could Make Himself Disappear,” Third Draft, 1971 April 19
Box   55 Folder   6	Shooting Script, 1971 October 12
Box   55 Folder   7	Unit List, 1971 November 25
	The Four of Us (Television. Titus Productions, 1976. ABC)
Box   55 Folder   8	Personnel - Cast, Crew and Staff, circa 1976 February-March 2
Box   55 Folder   9	Rehearsal Schedules, 1976 February 20-26, undated
	Scripts by Rose
Box   55 Folder   10	ABC Series Outline - Holograph, Finished 1975 September 30
Box   55 Folder   10A	Untitled Treatment for a One-Hour Television Series, Finished 1975 September 30
Box   55 Folder   11	Pilot Script and Character Sketches - First Draft, Holograph, 1975 November 1
Box   55 Folder   12	Pilot Script and Character Sketches - First Draft, Typescript, 1975 November 1
Box   56 Folder   1	“Family Series” - Pilot Script and Character Sketches, Second Draft, 1975 November 23
Box   56 Folder   2	“Untitled Family Series” - Pilot Script and Character Sketches, Second Draft (Typescript with Holograph Changes), 1975 November 23, 1976 January 7
Box   56 Folder   3	Pilot Script - First Mimeo, circa 1976 February
Box   56 Folder   4	Pilot Script - First Mimeo, Revised, 1976 February 20
Box   56 Folder   5	Pilot Script - Revised Final as Edited for Air, Revised 1976 February 20, March 1, 15, 16
Box   56 Folder   6	Future Story Lines, 1976 March 25
Box   56 Folder   7	Episode #2 - Script, First Draft Holograph, Finished 1976 February 6
Box   56 Folder   8	Episode #2 - First Draft, Typescript with Revisions, 1976 February 6
Box   56 Folder   9	Episode #3 - Script, First Draft, Holograph, Started 1976 February 23
Box   56 Folder   10	Episode #3 - Script, First Draft, Typescript, 1976 March 19
Box   56 Folder   11	Taping Schedule, 1976 March 3
	The Killer Elite (Film. Exeter/Persky-Bright, 1975. United Artists, Warner Brothers)
Box   56 Folder   12	Correspondence and Script Notes, 1973 August 6; 1974 June 12, July 17
	Screenplay by Rose
Box   56 Folder   13	First Draft - Holograph, Started 1973 March 13
Box   56 Folder   14	First Draft - Typescript, 1973 April 12
Box   57 Folder   1	First Draft, Revised, 1973 May 5
Box   57 Folder   2	First Draft, Revised, 1973 May 8
Box   57 Folder   3	First Mimeo, undated
Box   57 Folder   4	First Mimeo, Revised, with Holograph and Typescript Changes, 1973 July 15
Box   57 Folder   5	Second Mimeo, 1973 July
Box   57 Folder   6	Third Mimeo, Revised, 1973 August-September, 1974 January
Box   57 Folder   7	Rewrite, Holograph and photocopy, Written After Conference with Marty Blum, 1974 Spring
Box   58 Folder   1	Third Mimeo Rewritten as Fourth Draft, Mimeo with Pencil Revisions, 1974 June 1
Box   58 Folder   2	Third Mimeo Rewritten as Fourth Draft, Typescript, 1974 June 1
Box   58 Folder   3	Version Rewritten by Sam Peckinpah, 1974 July
Box   58 Folder   4	Fifth Draft, 1974 August 8
	Somebody Killed Her Husband (Film. Melvin Simon, 1978. Columbia Pictures)
Box   58 Folder   5	Correspondence, Miscellaneous, 1977 May 13-1979 April 6
Box   58 Folder   6	Correspondence re: Woody Allen, August 12, 1973-January 16, 1974, undated
Box   58 Folder   7	Crew List, November 25, December 21, 1977
Box   58 Folder   8	Miscellaneous Production Records - Call Sheets, One Liners, 1977 October 17-1978 February 14, 1979 May 30, undated
Box   58 Folder   9	Newspaper and Magazine Coverage, 1977 December 23-1978 October 6, undated
Box   58 Folder   10	Notes on Suggested Changes for Rough Cut, Holograph and Typescript Changes, 1978 February 14
Box   58 Folder   11-12	Novelization by Clyde B. Phillips, 1978 February 27
Box   58 Folder   13	Novelization (Published Paperback) by Clyde B. Phillips, Copyright 1978
Box   58 Folder   14	Publicity, 1978 March 6-June 21
	Screenplay by Rose
Box   58 Folder   15	Outlines for Woody Allen Mystery, Holograph, 1973 July 23-25
Box   58 Folder   16	Step Outline and Scene Breakdown, Holograph, 1973 August 10-November 5, undated
Box   59 Folder   1	First Draft, Holograph, Started 1973 August 15
Box   59 Folder   2	“Untitled Screenplay for Woody Allen,” First Draft, Mimeo, 1973 October 19
Box   59 Folder   3	“Screenplay for Woody Allen Film,” Second Draft, Holograph, 1973 November 9
Box   59 Folder   4	“Screenplay for Woody Allen Film,” Second Draft, Holograph, 1973 December 4
Box   59 Folder   5	“Screenplay for Woody Allen Film,” Second Draft, Mimeo, 1973 December 4
Box   59 Folder   6	“True Lies,” Screenplay, Second Draft plus Polish, with Additions and Annotations, 1972 December 4-1973 May 11
Box   59 Folder   7	Second Draft with Cuts, 1977 July
Box   59 Folder   8	Third Draft, 1977 October 3
Box   60 Folder   1	Third Draft, Rewritten to Conform to Location, with Annotations, 1977 October 3
Box   60 Folder   2	Master Script, 1977 November 3, 29
Box   60 Folder   3	Final Shooting Script, Revised 1977 November 3
Box   60 Folder   4	Final Shooting Script, Rose's Personal Copy, with Revisions, 1977 November 3-December 2
Box   60 Folder   5	Final Shooting Script with Revisions, 1977 November 22-December 6
Box   60 Folder   6	Shooting Schedules, 1977 November 18
	Studs Lonigan (Television. Lorimar Productions, 1979. NBC)
Box   60 Folder   7	Broadcast Standards Acceptability Report, 1978 April 5, 13, 14
Box   60 Folder   8	Cast List with Addresses, 1978 May 25
Box   60 Folder   9	Correspondence, Miscellaneous; Memos; Character Age-Change Chart, 1976 August 2-1978 June 20, undated
Box   60 Folder   10	Director to Staff Notes, 1978 February 13-May 21
Box   60 Folder   11	Newspaper Coverage and Reviews, 1979 January-August, undated
Box   61 Folder   1	“On Adapting Studs Lonigan for Television,” by Reginald Rose, for New York Times (Unused), 1979 January 31
	Scripts by Rose
Box   61 Folder   2	Outline for an Eight-Hour Miniseries for Television, Holograph, 1976 December 16
Box   61 Folder   3	Outline for an Eight-Hour Miniseries for Television, photocopy, 1977 January 18
Box   61 Folder   4	Mixed Outline, circa 1977 January
Box   61 Folder   5-11	First Draft, Holograph, Parts I-VIII, 1977 February 3-July 25
Box   62 Folder   1-5	First Draft, Typescript, 1977 March 8-July 26
Box   62 Folder   6-8	First Mimeo, Parts I-VIII, undated
Box   63 Folder   1-3	First Mimeo with Holograph Changes to Cut Series to Six Hours, undated
Box   63 Folder   4-6	First Mimeo (Orange) of Six Hour Series Before Cuts Made After Phone Call with Lorimar, Parts I-III, undated
	Second Mimeo (Green) of Six-Hour Series, 1978 January 30
Box   63 Folder   7	Part I
Box   64 Folder   1-2	Parts II-III
Box   64 Folder   3-5	Third Mimeo of Six-Hour Series with Holograph Changes after Meeting of 1978 March 11-12; January 30-March 12, Parts I-III
Box   64 Folder   6-8	Third Mimeo (Red), March 27, 1978
Box   65 Folder   1-3	Third Mimeo with Additions, 1978 March 27-June 13
Box   65 Folder   4-6	Third Mimeo, Revised with Holograph Changes and Notes, Parts I-III, 1978 March 27-May 29
Box   65 Folder   7	Script Changes, 1978 March 15-May 22
Box   65 Folder   8	Shooting Schedules, Shot Lists, Sets, Action, 1978 July 3, 13, undated
Box   65 Folder   9	Sound - Wild Track List, 1978 May 21
Box   65 Folder   10	Timing, 1978 February 15, May 15
	The Wild Geese (Film. Allied Artists, 1978. Allied Artists)
Box   66 Folder   1	Correspondence, Miscellaneous, 1976 January 4-1978 November 10, undated
Box   66 Folder   2	Newspaper Coverage, 1978 January 13-1979 February 11, undated
Box   66 Folder   3	Publicity, 1977 October 7-1978 November 10, undated
	Screenplay by Rose
Box   66 Folder   4-5	First Draft, Holograph, Started 1976 May 7
Box   66 Folder   6	First Draft, Holograph with Notations, Received by Euan Floyd on 1976 June 13
Box   66 Folder   7	First Draft, Typescript, Completed 1976 June 26
Box   66 Folder   8	First Draft, Revised, with Notations, 1976 June 26-July 12
Box   67 Folder   1	Second Draft, with Revisions, 1976 September 20-November 20
Box   67 Folder   2	Second Draft with Second Set of Revisions, 1976 December 2
Box   67 Folder   3	Second Draft with Further Revisions, Received from Euan Lloyd December 21, 1976, Cuts and Changes Sent to Lloyd on , 1976 December 24
Box   67 Folder   4	First Mimeo with Additions, Copyright 1977
Box   67 Folder   5	Second Mimeo, Copyright 1977
Box   67 Folder   6	Final Shooting Script, undated
Box   68 Folder   1	Television Version, Copyright 1977
Box   68 Folder   2-3	The Thin White Line, Novel by Daniel Carney (Unpublished), 1976 May