Ernest Kinoy Papers, 1948-1987


Summary Information
Title: Ernest Kinoy Papers
Inclusive Dates: 1948-1987

Creator:
  • Kinoy, Ernest
Call Number: U.S. Mss 88AN

Quantity: 32.2 c.f. (81 archives boxes)

Repository:
Wisconsin Historical Society Archives / Wisconsin Center for Film and Theater Research
Contact Information

Archival Locations:
Wisconsin Historical Society (Map)

Abstract:
Papers of Ernest Kinoy, a journalist and writer for radio, television, and theater. The majority of the collection consists of scripts for radio and television. Although most radio files contain only one version of a script, the television materials include progressive drafts, together with correspondence and contracts. Among the best represented radio series are Best Plays, Doctor Six-Gun, Five Star Matinee, Hollywood Love Story, The Marriage, My Secret Story, NBC Theater, NBC University Theater, Nick Carter, Woman in Love, and X Minus One. The television files include good coverage of Kinoy's work for Big Story (NBC), The Defenders (CBS), Goodyear/Philco TV Playhouse, Dr. Kildare (NBC), Naked City (ABC), The Marriage, Our American Heritage (NBC), Roots and Roots: The Next Generations (ABC), Studio One (CBS); the made-for-TV movies Boston, Chaplin, Lincoln, Magnificat, Murrow, and Skokie; and many other series and dramatic anthologies. Also present are general correspondence, stage and screen plays, and material on Kinoy's involvement in the Writers Guild of America.

Language: English

URL to cite for this finding aid: http://digital.library.wisc.edu/1711.dl/wiarchives.uw-whs-us0088an
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Biography/History

Ernest Kinoy's long and productive career began with his writing for radio. Included among his early successes were the scripts for Radio City Playhouse (1948) and The Eternal Light (1949). Kinoy reached the peak of his radio career in the decade of the fifties when he was largely the creative genius behind such memorable productions as Best Plays, Production Time, Weekday Short Story, and the science-fiction series, X Minus One.

As television came to monopolize the field of home entertainment, Kinoy ventured into television writing. He is responsible for scripts for the popular TV shows Dr. Kildare, Suspense, Alcoa Hour, and numerous others. In 1967, Kinoy wrote the pilot script for The Happeners, a rock-satire program similar to that of NBC's The Monkees. Although the pilot program excited favorable comment, the ABC-TV network did not air the show. In 1968, Kinoy adapted Walt Disney's Pinocchio for the Hallmark Hall of Fame.

Among his later television credits were Collision Course, based on the relationship between Harry S Truman and Douglas MacArthur; The Deadliest Season, which starred Meryl Streep; Victory at Entebbe, based on the 1976 Israeli hostage rescue; Roots, a mini-series which had the highest ratings in television history; and Roots: The Next Generations, its critically acclaimed sequel.

Kinoy is also a journalist, and his articles have appeared in various newspapers, including The New York Times. It was in the latter publication in 1964 that he expressed concern about the new television medium. Are reality and social responsibility significantly integrated into television productions, he asked, so as to shatter the “happy” image of “happy plays about happy people with happy problems”?

Not content with success as a radio and television writer and as a journalist, Ernest Kinoy began writing for the stage. In 1961, his play Something about a Soldier, based on a novel by his close business and personal friend, Mark Harris, opened in New York; the play was produced and directed by Dore Schary. In 1968, Golden Rainbow, for which Kinoy wrote the book, opened at the Shubert Theater in New York.

His motion picture credits include Brother John (1971), Buck and the Preacher (1972), and Leadbelly (1976).

Scope and Content Note

The Ernest Kinoy Papers are organized in three main parts, all overlapping in dates and each concerning his work in television, radio, motion pictures, and theater. Part 1 consists of the Original Collection comprising materials received in the Archives in 1969. This part is in Boxes 1-17 and dates 1948-1966. Part 2 is designated the 1979 Additions and consists of materials received in the Archives in that year. These materials date 1948-1979 and fill Boxes 18-57. Part 3, the 1991 Additions, includes materials received between 1980 and 1989. The materials in Part 3 date 1947-1987 and can be found in Boxes 58-81. Each part is described in more detail in the paragraphs that follow.

Part 1, Original Collection, 1948-1966

Part 1 of the Ernest Kinoy Papers includes manuscripts and related materials from Kinoy's career as a writer for both radio and television.

The first eight boxes hold those original and adapted scripts which Kinoy prepared for broadcast on radio. These include such series as The Big Story, Hollywood Love Story, The Marriage, My Secret Story, Woman in Love, NBC University Theater (a series famous for its educational framework), and that always-popular series, Superman. At the end of the radio portion of Part 1 is an accumulation of miscellaneous scripts (see Box 8).

Immediately following the miscellaneous radio scripts are the organized television writings. These are contained in Boxes 8 through 15. Included are scripts for such popular series as Dr. Kildare, The Defenders, and The Untouchables, and for such prestigious series as Playhouse 90, United States Steel Hour, and The Schlitz Playhouse of Stars. In Boxes 14 and 15 are several folders containing works by Kinoy listed under “treatments.” These are all the writings that were unproduced or which, for some other reason, did not warrant inclusion among the other series in the preceding seven boxes. The treatments are arranged alphabetically by title. Box 15 also contains those script fragments that remain unidentifiable.

The last two boxes of Part 1(Boxes 16 and 17) hold the general correspondence, sections of which are contracts, insurance, and the exchange of letters between Ernest Kinoy and Mark Harris, and Kinoy's stage plays, including his book for Golden Rainbow.

Part 2, 1979 Additions, 1947-1979

The majority of the 1979 Additions consist of script materials, such as proposals, outlines, synopses, treatments, and variant scripts. Correspondence, miscellany, and research materials including interview transcripts and clippings complete this part of the collection. The papers focus on Kinoy's writing career, primarily in television, although some of his early radio works and later motion picture and theater efforts are also included. In addition a small file documents Kinoy's involvement in the Writers Guild of America (WGA). Part 2 is organized in five subseries: a small General File with the remainder of the series representing the media for which Kinoy wrote -- Television, Motion Pictures, Radio, and Theater. Arrangement is alphabetical by program or production title. General production information is provided if known. Researchers are cautioned that complete production information was not always available and designations at times were made on the basis of incomplete information and may not be correct. Broadcast dates for individual episodes of a television or radio program are listed, if known, immediately after the title of that episode.

The General File includes correspondence, research material, an agreement and financial statement, and miscellany. Of interest in the general correspondence is a Kinoy critique of a play based on The Prisoner of Zenda.

The research material concerns Wounded Knee; however, no determination could be made as to what, if any, production it pertained. The Writers Guild file is fragmentary. It contains routine correspondence discussing topics such as wage increases, contract negotiations and agreements, and dues. Also included is a brief series of letters (1969) between Kinoy and members and representatives of the Writers Guild of Great Britain and the International Writers Guild. The letters focus on a resolution regarding the suppression of writers caused by the expulsion of Alexander Solzhenitsyn from his Soviet trade union, efforts to obtain support for this resolution, and the Writers Guild response to these efforts. The file also includes a 1963 annual report for the WGA pension trust fund.

Among the programs represented in the Television subseries are The Bill Cosby Show, The Bold Ones (The Senator), The Defenders, Dr. Kildare, Du Pont Show of the Week (“The Last Hangman”), Hallmark Hall of Fame (“The Rivalry”), Naked City, and Route 66. Specials or mini-series include “Collision Course” (ABC Theater), The Deadliest Season, The President's Plane Is Missing, Roots, Roots: The Next Generations, and Victory at Entebbe. Research materials for Bessie! Empress of the Blues!, which is based on the life of Bessie Smith, includes copies of several songs she wrote and transcripts of interviews that provide biographical background information. In addition to variant scripts, the Roots files contain general correspondence in which story ideas and character development were discussed, and correspondence and evidential materials for a lawsuit in which Alex Haley was charged with plagiarism. (The suit was dropped against ABC, and Haley later settled out of court.) Roots: The Next Generations includes transcripts of Alex Haley reminiscences and of meetings during which the story development was discussed.

The Motion Pictures subseries documents the films Brother John, Buck and the Preacher, and Leadbelly. The latter file includes legal and evidential documents used in a lawsuit in which Kinoy was a party.

Among the Radio programs represented are NBC University Theater, Woman in Love, and X Minus One!, while the Theater subseries includes Something about a Soldier.

Part 3, 1991 Additions, 1947-1987

The additions organized in 1991 chiefly document Kinoy's focus on television writing, especially his work in the mini-series genre, although materials for work in radio and theater are also included. While the majority of the addition focuses on his career during the late 1970s and 1980s, some scripts here date to his early work as a writer for radio. The materials consist largely of variant script drafts and treatments, and there is virtually no related correspondence.

Like the early segments of the collection, this addition is arranged by genre, with subseries for Television, Theater, and Radio. Within these categories, the scripts are arranged alphabetically by program title. Both produced and unproduced scripts have been combined, for there is frequently insufficient information either on the document or in external sources to determine the outcome. Among the most extensively documented titles are the television series The Big Story, The Firm, Goodyear/Philco TV Playhouse, and The Marriage; the mini-series Boston, Chaplin, Lincoln, Magnificat, Murrow, and Skokie; and the radio programs The Big Story, The Eternal Light, The Marriage, Nick Carter, and Radio City Playhouse.

Administrative/Restriction Information
Acquisition Information

Presented by Ernest Kinoy, Riverdale and Yonkers, New York, March 24, 1969; 1986; and 1989; and portions placed on deposit, 1979-1980. Accession Number: MCHC69-26, MCHC79-93, MCHC80-51, M86-181, M89-381


Processing Information

Processed by Andre DeShields, August, 1969; Christine Rongone, 1980; and Carolyn J. Mattern, 1991.


Contents List
Series: Part 1, Original Collection, 1948-1966
Subseries: Radio
Alice's Adventures in Wonderland
Box   1
Folder   1
Typed script by Ernest Kinoy, undated
American Inheritage
Box   1
Folder   2
Typed script by Ernest Kinoy, undated
Barrie Crane
Box   1
Folder   3
Mimeo script by Ernest Kinoy, October 24, 1954
Box   1
Folder   3
Typed script by Ernest Kinoy, undated
Beard in Lair
Box   1
Folder   4
Typed script by Ernest Kinoy, undated
Best Plays
“The Hasty Heart”
Box   1
Folder   5
Mimeo script by Ernest Kinoy, June 29, 1952
“She Loves Me Not”
Box   1
Folder   5
Mimeo script by Ernest Kinoy, October 10, 1952
“Missouri Legend”
Box   1
Folder   5
Mimeo script by Ernest Kinoy, October 31, 1952
“Rope”
Box   1
Folder   6
Mimeo script by Ernest Kinoy, November 28, 1952
“A Bell for Adano”
Box   1
Folder   6
Mimeo script by Ernest Kinoy, December 26, 1952
“Men in White”
Box   1
Folder   6
Mimeo script by Ernest Kinoy, January 9, 1953
“John Camp's Story”
Box   1
Folder   7
Mimeo script by Ernest Kinoy, Sept 20, 1950
“Orrie Collin's Story”
Box   1
Folder   7
Typed script by Ernest Kinoy, undated
Box   1
Folder   7
Mimeo script by Ernest Kinoy, January 23, 1952
“Paul McCarthy's Story”
Box   1
Folder   7
Mimeo script by Ernest Kinoy, February 8, 1952
The Big Story
“Clayton Maxwell's Story”
Box   1
Folder   8
Mimeo script by Ernest Kinoy, February 29, 1952
“Jean Barrett's Story”
Box   1
Folder   8
Typed script by Ernest Kinoy, undated
“Roy Jenning's Story”
Box   1
Folder   8
Mimeo script by Ernest Kinoy, March 5, 1952
Box   1
Folder   8
Typed script by Ernest Kinoy, undated
“Wilson McGee's Story”
Box   1
Folder   8
Typed script by Ernest Kinoy, undated
“Martha Strayer's Story”
Box   1
Folder   8
Mimeo script by Ernest Kinoy, undated
Cashel Byron's Profession
Box   1
Folder   9
Typed script by Ernest Kinoy, undated
CBS School of the Air: March of Science
“Class Dismissed”
Box   1
Folder   10
Typed script by Ernest Kinoy, undated
Box   1
Folder   10
Mimeo script by Ernest Kinoy, November 26, 1947
Citizens at Work
“Scranton, PA”
Box   1
Folder   11
Mimeo script by Ernest Kinoy, April 25, 1954
“Greenwich, Conn”
Box   1
Folder   11
Mimeo script by Ernest Kinoy, May 2, 1954
“Daytona Beach, FL”
Box   1
Folder   11
Mimeo script by Ernest Kinoy, May 26, 1954
“Kansas City, MO”
Box   1
Folder   11
Mimeo script by Ernest Kinoy, June 6, 1954
Destination Danger
Box   1
Folder   12
Typed script by Ernest Kinoy, undated
Dimension X
“Shanghaied”
Box   1
Folder   13
Mimeo script by Ernest Kinoy, undated
Doctor Six-Gun
#4 “The Prodigal and the Rope”
Box   1
Folder   14
Mimeo script by Ernest Kinoy, July 22, 1954
#5
Box   1
Folder   14
Mimeo script by Ernest Kinoy, July 29, 1954
#6
Box   1
Folder   14
Mimeo script by Ernest Kinoy, September 9, 1954
#12
Box   2
Folder   1
Mimeo script by Ernest Kinoy, September 16, 1954
#22
Box   2
Folder   1
Mimeo script by Ernest Kinoy, September 30, 1954
#23
Box   2
Folder   1
Mimeo script by Ernest Kinoy, December 5, 1954
#29
Box   2
Folder   2
Mimeo script by Ernest Kinoy, January 23, 1955
#31
Box   2
Folder   2
Mimeo script by Ernest Kinoy, February 20, 1955
#34
Box   2
Folder   2
Mimeo script by Ernest Kinoy, March 13, 1955
#36
Box   2
Folder   2
Mimeo script by Ernest Kinoy, March 27. 1955
#39
Box   2
Folder   3
Mimeo script by Ernest Kinoy, April 14, 1955
#41
Box   2
Folder   3
Mimeo script by Ernest Kinoy, May 5, 1955
#42
Box   2
Folder   3
Mimeo script by Ernest Kinoy, May 12, 1955
#43
Box   2
Folder   3
Mimeo script by Ernest Kinoy, May 26, 1955
#44
Box   2
Folder   4
Mimeo script by Ernest Kinoy, June 2, 1955
#46
Box   2
Folder   4
Mimeo script by Ernest Kinoy, June 23, 1955
#47
Box   2
Folder   4
Mimeo script by Ernest Kinoy, June 30, 1955
#48
Box   2
Folder   4
Mimeo script by Ernest Kinoy, July 7, 1955
#49
Box   2
Folder   5
Mimeo script by Ernest Kinoy, July 14, 1955
#54
Box   2
Folder   5
Mimeo script by Ernest Kinoy, September 15, 1955
#58
Box   2
Folder   5
Mimeo script by Ernest Kinoy, August 18, 1955
#60
Box   2
Folder   5
Mimeo script by Ernest Kinoy, September 29, 1955
“Crisis at Frenchman's Ford”
Box   2
Folder   6
Presentation by Ernest Kinoy and notes, undated
“The Bullet and the Heart”
Box   2
Folder   7
Typed script by Ernest Kinoy, undated
“The Map and the Minstral”
Box   2
Folder   7
Typed script by Ernest Kinoy, undated
Box   2
Folder   8
Seven untitled typed scripts by Ernest Kinoy, undated
Dream into Egypt
Box   2
Folder   9
Mimeo script by Ernest Kinoy, undated
Erie Adventure
I
Box   2
Folder   10
Typed script by Ernest Kinoy, undated
II
Box   2
Folder   10
Typed script by Ernest Kinoy, undated
Eternal Light
#214
Box   2
Folder   11
Mimeo script by Ernest Kinoy, January 9, 1949
Five Star Matinee
“Ground Floor Window”
Box   2
Folder   12
Mimeo script by Ernest Kinoy, October 11, 1956
“I Am Not a Stranger”
Box   2
Folder   12
Mimeo script by Ernest Kinoy, October 16, 1956
“Insult to the Family”
Box   2
Folder   12
Mimeo script by Ernest Kinoy, November 19, 1956
“Cop Without a Badge”
Box   2
Folder   12
Mimeo script by Ernest Kinoy, November 23, 1956
“'Twas the Night before Christmas”
Box   2
Folder   13
Mimeo script by Ernest Kinoy, December 26, 1956
“Total Recall”
Box   2
Folder   13
Mimeo script by Ernest Kinoy, December 28, 1956
“You Can Never Tell about Women”
Box   2
Folder   13
Mimeo script by Ernest Kinoy, January 7, 1957
“The Flood”
Box   3
Folder   1
Mimeo script by Ernest Kinoy, January 9, 1957
“Knock!”
Box   3
Folder   1
Mimeo script by Ernest Kinoy, February 19, 1957
“Strange Illness of George Cossart”
Box   3
Folder   1
Mimeo script by Ernest Kinoy, February 20, 1957
“Love's Detective”
Box   3
Folder   1
Mimeo script by Ernest Kinoy, July 2, 1957
“I Am Not a Stranger”
Box   3
Folder   1
Mimeo script by Ernest Kinoy, July 3, 1957
“Forbidden Ritual”
Box   3
Folder   1
Mimeo script by Ernest Kinoy, October 25, 1957
“Next”
Box   3
Folder   2
Mimeo script by Ernest Kinoy, November 6, 1957
“The Great Marriage”
Box   3
Folder   2
Mimeo script by Ernest Kinoy, November 14, 1957
“Heartbreaker”
Box   3
Folder   2
Mimeo script by Ernest Kinoy, December 17, 1957
“The Wallet”
Box   3
Folder   2
Mimeo script by Ernest Kinoy, January 6, 1958
“The Last Straw”
Box   3
Folder   2
Mimeo script by Ernest Kinoy, March 4, 1958
“The Best Way to Murder Aunt Maudie”
Box   3
Folder   2
Typed script by Ernest Kinoy, undated
Box   3
Folder   2
Correspondence, January 10, 1957
For Grandma
Box   3
Folder   3
Typed script by Ernest Kinoy, undated
Fraternally Yours
“After the Honeymoon”
Box   3
Folder   4
Typed script by Ernest Kinoy, undated
High Adventure
Box   3
Folder   5
Typed script, undated
Hollywood Love Story
#5
Box   3
Folder   6
Mimeo script by Ernest Kinoy, June 16, 1951
#13
Box   3
Folder   6
Mimeo script by Ernest Kinoy, August 11, 1951
#16
Box   3
Folder   6
Mimeo script by Ernest Kinoy, September 1, 1951
#18
Box   3
Folder   6
Mimeo script by Ernest Kinoy, September 15, 1951
#24
Box   3
Folder   6
Mimeo script by Ernest Kinoy, October 27, 1951
#28
Box   3
Folder   6
Mimeo script by Ernest Kinoy, November 24, 1951
#33
Box   3
Folder   7
Mimeo script by Ernest Kinoy, December 29, 1951
#36
Box   3
Folder   7
Typed script by Ernest Kinoy, January 19, 1952
Box   3
Folder   7
Revised mimeo script by Ernest Kinoy, January 19, 1952
#38
Box   3
Folder   7
Mimeo script by Ernest Kinoy, February 2, 1952
#41
Box   3
Folder   7
Mimeo script by Ernest Kinoy, February 23, 1952
#47
Box   3
Folder   7
Mimeo script by Ernest Kinoy, April 5, 1952
#55
Box   3
Folder   8
Mimeo script by Ernest Kinoy, May 31, 1952
#56
Box   3
Folder   8
Mimeo script by Ernest Kinoy, June 7, 1952
#59
Box   3
Folder   8
Mimeo script by Ernest Kinoy, June 29, 1952
#63
Box   3
Folder   9
Mimeo script by Ernest Kinoy, July 26, 1952
#67
Box   3
Folder   9
Mimeo script by Ernest Kinoy, August 23, 1952
#70
Box   3
Folder   9
Mimeo script by Ernest Kinoy, September 13, 1952
#76
Box   3
Folder   10
Typed script by Ernest Kinoy, October, 1952
Box   3
Folder   10
Revised mimeo script by Ernest Kinoy, October 25, 1952
#77
Box   3
Folder   10
Mimeo script by Ernest Kinoy, November 29, 1952
#81
Box   3
Folder   10
Mimeo script by Ernest Kinoy, November 29, 1952
#82
Box   3
Folder   10
Mimeo script by Ernest Kinoy, December 6, 1952
#85
Box   3
Folder   10
Mimeo script by Ernest Kinoy, January 3, 1953
Box   3
Folder   11
Five typed scripts by Ernest Kinoy, undated
Inheritance
“What Is America”
Box   4
Folder   1
Mimeo script by Ernest Kinoy, November 21, 1954
Little Audrey
Box   4
Folder   2
Three typed scripts, undated
Madame Bovary
Box   4
Folder   3
Typed script (annotated) by Ernest Kinoy, undated
My Secret Story
#29
Box   4
Folder   4
Mimeo script by Ernest Kinoy, February 23, 1952
#33
Box   4
Folder   4
Mimeo script by Ernest Kinoy, March 22, 1952
#35
Box   4
Folder   4
Mimeo script by Ernest Kinoy, April 5, 1952
#45
Box   4
Folder   4
Mimeo script by Ernest Kinoy, June 12, 1952
#53
Box   4
Folder   5
Mimeo script by Ernest Kinoy, August 9, 1952
#61
Box   4
Folder   5
Mimeo script by Ernest Kinoy, September 25, 1952
#65
Box   4
Folder   5
Mimeo script by Ernest Kinoy, November 1, 1952
#70
Box   4
Folder   5
Mimeo script by Ernest Kinoy, December 6, 1952
#72
Box   4
Folder   6
Mimeo script by Ernest Kinoy, December 20, 1952
#75
Box   4
Folder   6
Mimeo script by Ernest Kinoy, January 24, 1953
#77
Box   4
Folder   6
Mimeo script by Ernest Kinoy, January 24, 1953
#79
Box   4
Folder   6
Mimeo script by Ernest Kinoy, February 14, 1953
#84
Box   4
Folder   7
Mimeo script by Ernest Kinoy, March 28, 1953
#86
Box   4
Folder   7
Mimeo script by Ernest Kinoy, April 11, 1953
#89
Box   4
Folder   7
Mimeo script by Ernest Kinoy, May 2, 1953
#91
Box   4
Folder   8
Mimeo script by Ernest Kinoy, May 16, 1953
#95
Box   4
Folder   8
Mimeo script by Ernest Kinoy, June 20, 1953
#97
Box   4
Folder   8
Mimeo script by Ernest Kinoy, August 15, 1953
#98
Box   4
Folder   9
Mimeo script by Ernest Kinoy, August 22, 1953
#99
Box   4
Folder   9
Mimeo script by Ernest Kinoy, August 29, 1953
#100
Box   4
Folder   9
Mimeo script by Ernest Kinoy, September 5, 1953
#102
Box   4
Folder   9
Mimeo script by Ernest Kinoy, September 21, 1953
#118
Box   4
Folder   10
Mimeo script by Ernest Kinoy, January 16, 1954
#119
Box   4
Folder   10
Mimeo script by Ernest Kinoy, January 24, 1954
#122
Box   4
Folder   10
Mimeo script by Ernest Kinoy, pre-February 27, 1954
#124
Box   4
Folder   11
Mimeo script by Ernest Kinoy, February 27, 1954
#127
Box   4
Folder   11
Mimeo script by Ernest Kinoy, March 20, 1954
Box   4
Folder   11
Untitled typed script by Ernest Kinoy, undated
“Molly Lawson's Story”
Box   4
Folder   11
Mimeo script by Ernest Kinoy, undated
“The Novel”
Box   4
Folder   12
Mimeo script by Ernest Kinoy, undated
“Dorothy's a Big Girl Now”
Box   4
Folder   13
Mimeo script by Ernest Kinoy, undated
Box   4
Folder   13
2 Untitled Mimeo scripts by Ernest Kinoy, undated
“Witch Girl/The Little Girl Next Door”
Box   4
Folder   13
Typed treatment by Ernest Kinoy, undated
Box   4
Folder   13
Mimeo script by Ernest Kinoy, undated
Box   5
Folder   1
Five typed scripts, undated
A New and Original Play
Box   5
Folder   2
Typed script by Ernest Kinoy, undated
NBC Presents
#3 “A Letter from the Queen”
Box   5
Folder   3
Mimeo script by Ernest Kinoy, December 7, 1951
#7 “The Rocket”
Box   5
Folder   3
Mimeo script by Ernest Kinoy, January 4, 1952
#10 “I Am Not a Stranger,” undated
Box   5
Folder   4
Typed script by D.J. Powers, undated
Box   5
Folder   4
Typed script by Ernest Kinoy, undated
Box   5
Folder   4
Mimeo script by Ernest Kinoy, May 11, 1951
#17 “Scuttlebutt”
Box   5
Folder   4
Mimeo script by Ernest Kinoy, March 21, 1952
NBC Star Playhouse
“A Bell for Adano”
Box   5
Folder   5
Mimeo script by Ernest Kinoy, October 11, 1953
“A Farewell to Arms”
Box   5
Folder   5
Mimeo script by Ernest Kinoy, December 13, 1953
“For Whom the Bell Tolls”
Box   5
Folder   5
Mimeo script by Ernest Kinoy, January 9, 1954
“Sunset Boulevard”
Box   5
Folder   6
Mimeo script by Ernest Kinoy, January 31, 1954
“The Major and the Minor”
Box   5
Folder   6
Mimeo script by Ernest Kinoy, February 21, 1954
“Dream Girl”
Box   5
Folder   6
Mimeo script by Ernest Kinoy, March, 1954
“Great Expectations”
Box   5
Folder   6
Mimeo script by Ernest Kinoy, March 21, 1954
“The Champion”
Box   5
Folder   7
Typed script (annotated) by Ernest Kinoy, undated
NBC University Theater
“The Romantic Comedians”
Box   5
Folder   8
Mimeo script by Ernest Kinoy, August 27, 1948
“The Short Happy Life of Francis Macomber”
Box   5
Folder   8
Mimeo script by Ernest Kinoy, November 21, 1948
“The Ministry of Fear”
Box   5
Folder   8
Mimeo script by Ernest Kinoy, January 23, 1949
“The Marble Faun”
Box   5
Folder   9
Typed script by Ernest Kinoy, March 20, 1949
Box   5
Folder   9
Mimeo script by Ernest Kinoy, March 20, 1949
“Moby Dick”
Box   5
Folder   9
Mimeo script by Ernest Kinoy, April 10, 1949
“Huckleberry Finn”
Box   6
Folder   1
Freelance writer's contract, April 17, 1949
“The Crusaders”
Box   6
Folder   1
Mimeo script by Ernest Kinoy, August 20, 1949
NBC Theater
“Dark Laughter”
Box   6
Folder   2
Mimeo script by Ernest Kinoy, November 20, 1949
“For Whom the Bell Tolls”
Box   6
Folder   2
Mimeo script by Ernest Kinoy, November 20, 1949
“Manhattan Transfer”
Box   6
Folder   2
Mimeo script by Ernest Kinoy, January 8, 1950
“Tono Bungay”
Box   6
Folder   3
Mimeo script by Ernest Kinoy, March 5, 1950
“The Nazarene”
Box   6
Folder   3
Mimeo script by Ernest Kinoy, April 9, 1950
“The Doctor in Spite of Himself”
Box   6
Folder   3
Mimeo script by Ernest Kinoy, June 25, 1950
“The Red and Black”
Folder   4
“6Mimeo script by Ernest Kinoy, November 1950
“Bartleby the Scrivener”
Box   6
Folder   4
Mimeo script by Ernest Kinoy, December 2, 1950
“The Gambler”
Box   6
Folder   4
Mimeo script by Ernest Kinoy, December 20, 1950
“The Withered Arm”
Box   6
Folder   5
Mimeo script by Ernest Kinoy, February 14, 1951
“The Lottery”
Box   6
Folder   5
Mimeo script by Ernest Kinoy, September 16, 1951
“The American”
Box   6
Folder   6
Typed script by Ernest Kinoy, undated
“Farewell to Arms”
Box   6
Folder   6
Typed script by Ernest Kinoy, undated
“The Heart of Midloathian”
Box   6
Folder   6
Mimeo script by Ernest Kinoy, undated
“Victory”
Box   6
Folder   7
Mimeo script by Ernest Kinoy, undated
“After Many a Summer Dies the Swan”
Box   6
Folder   7
Typed script by Ernest Kinoy, undated
“An American Tragedy”
Box   6
Folder   7
Typed script by Ernest Kinoy, undated
New World A'Coming
“Something New Uptown”
Box   6
Folder   8
Mimeo script by Ernest Kinoy, March 2, 1948
Now Hear This
Box   6
Folder   9
Mimeo script (annotated) by Ernest Kinoy, March 19, 1954
The Old Die Rich
Box   6
Folder   10
Typed script by Ernest Kinoy, undated
Operation Automat
Box   6
Folder   11
Typed script by Ernest Kinoy, undated
Police Story
Box   6
Folder   12
Typed script by Irwin Kenny, undated
Production Five
“The Dream”
Box   7
Folder   1
Mimeo script by Ernest Kinoy, October 25, 1955
“Death and the Method”
Box   7
Folder   1
Mimeo script by Ernest Kinoy, March 6, 1956
“Pinch Hitter”
Box   7
Folder   1
Mimeo script by Ernest Kinoy, April 23, 1956
“For the Birds”
Box   7
Folder   1
Mimeo script by Ernest Kinoy, May 15, 1956
Box   7
Folder   1
3 Typed treatments, undated
Radio City Playhouse
#9
Box   7
Folder   2
Mimeo script by Ernest Kinoy, Pre-August 30, 1948
#10
Box   7
Folder   2
Mimeo script by Ernest Kinoy, August 30, 1948
Red Plate
Box   7
Folder   3
Typed script (annotated) by Ernest Kinoy, undated
The Rising of the Moon
Box   7
Folder   4
Typed script by Ernest Kinoy, undated
Rocky Fortune
Box   7
Folder   5
Four typed scripts by Ernest Kinoy, undated
The Scarlet Pimpernel
Box   7
Folder   6
Mimeo script by Ernest Kinoy, undated
Secret Life of Walter Mitty
Box   7
Folder   7
Typed script (annotated) by Ernest Kinoy, 1946
Sound of Horn
Box   7
Folder   8
Typed script by Ernest Kinoy, undated
Springboard
“The Bar at Midnight”
Box   7
Folder   9
Typed script by Ernest Kinoy, undated
“Harbingers”
Box   7
Folder   9
Typed script by Ernest Kinoy, undated
Box   7
Folder   9
Typed Treatment, undated
Student Body
Box   7
Folder   10
Typed script by Ernest Kinoy, undated
Superman
Box   7
Folder   11
Typed outline by Ernest Kinoy, undated
“The Case Of The Poisoned Man”
Box   7
Folder   11
Two typed scripts by Ernest Kinoy, undated
Two Renegades
Box   7
Folder   12
Typed script (annotated) by Ernest Kinoy, undated
Weekday Short Story
“Now That You've Gone”
Box   7
Folder   13
Mimeo script by Ernest Kinoy, November 28, 1955
“The Wonderful World of Women”
Box   7
Folder   13
Mimeo script by Ernest Kinoy, November 30, 1955
“Heartline”
Box   7
Folder   13
Mimeo script by Ernest Kinoy, December 2, 1955
Woman in Love
#2
Box   7
Folder   14
Mimeo script by Ernest Kinoy, September 12, 1953
#31
Box   7
Folder   14
Mimeo script by Ernest Kinoy, April 3, 1954
#35
Box   7
Folder   14
Mimeo script by Ernest Kinoy, May 1, 1954
#7-A
Box   7
Folder   14
Mimeo script (annotated) by Ernest Kinoy, October 5, 1954
#12A
Box   7
Folder   15
Mimeo script by Ernest Kinoy, October 12, 1954
#21A
Box   7
Folder   15
Mimeo script by Ernest Kinoy, October 25, 1954
#22A
Box   7
Folder   15
Mimeo script by Ernest Kinoy, October 26, 1954
#23A
Box   7
Folder   15
Mimeo script by Ernest Kinoy, October 27, 1954
#25A
Box   7
Folder   16
Mimeo script by Ernest Kinoy, October 29, 1954
#28A
Box   7
Folder   16
Mimeo script by Ernest Kinoy, November 3, 1954
#30
Box   7
Folder   16
Mimeo script by Ernest Kinoy, November 5, 1954
#31A
Box   7
Folder   16
Mimeo script by Ernest Kinoy, November 8, 1954
#34A
Mimeo script by Ernest Kinoy, November 12, 1954
#38A
Box   7
Folder   17
Mimeo script by Ernest Kinoy, November 18, 1954
#44A
Box   7
Folder   17
Mimeo script by Ernest Kinoy, November 26, 1954
#46
Box   7
Folder   17
Mimeo script by Ernest Kinoy, November 30, 1954
#51A
Box   7
Folder   18
Mimeo script by Ernest Kinoy, December 7, 1954
#65A
Box   7
Folder   18
Mimeo script by Ernest Kinoy, December 27, 1954
#66A
Box   7
Folder   18
Mimeo script by Ernest Kinoy, December 28, 1954
#69A
Box   7
Folder   18
Mimeo script by Ernest Kinoy, December 31, 1954
#72A
Box   7
Folder   19
Mimeo script by Ernest Kinoy, January 5, 1955
#82A
Box   7
Folder   19
Mimeo script by Ernest Kinoy, January 19, 1955
#84A
Box   7
Folder   19
Mimeo script by Ernest Kinoy, January 21, 1955
#102A
Box   8
Folder   1
Mimeo script by Ernest Kinoy, February 16, 1955
#103A
Box   8
Folder   1
Mimeo script by Ernest Kinoy, February 17, 1955
#109A
Box   8
Folder   1
Mimeo script by Ernest Kinoy, February 28, 1955
#125
Box   8
Folder   1
Mimeo script by Ernest Kinoy, March 22, 1955
#136
Box   8
Folder   1
Mimeo script by Ernest Kinoy, April 6, 1955
Box   8
Folder   2
Untitled typed script (annotated) by Ernest Kinoy, undated
Box   8
Folder   2
Untitled typed script by Ernest Kinoy, undated
X Minus One
“Knock”
Box   8
Folder   3
Mimeo script by Ernest Kinoy, May 22, 1955
“The Veldt”
Box   8
Folder   3
Mimeo script by Ernest Kinoy, August 4, 1955
“Shanghaied”
Box   8
Folder   3
Mimeo script by Ernest Kinoy, September 1, 1955
“The Martian Death March”
Box   8
Folder   3
Mimeo script by Ernest Kinoy, September 8, 1955
“And the Moon Be Still as Bright”
Box   8
Folder   4
Mimeo script by Ernest Kinoy, September 22, 1955
“A Gun for Dinosaur”
Box   8
Folder   4
Mimeo script by Ernest Kinoy, February 29, 1956
“A Pail of Air”
Box   8
Folder   4
Mimeo script by Ernest Kinoy, March 28, 1956
“Hallucination Orbit”
Box   8
Folder   4
Mimeo script by Ernest Kinoy, May 15, 1956
“Project Mastadon”
Box   8
Folder   5
Mimeo script by Ernest Kinoy, June 5, 1956
“If You Was a Moklin”
Box   8
Folder   5
Mimeo script by Ernest Kinoy, June 12, 1956
“Project Trojan”
Box   8
Folder   5
Mimeo script by Ernest Kinoy, June 19, 1956
“Wherever You May Be”
Box   8
Folder   5
Mimeo script by Ernest Kinoy, June 26, 1956
“The Old Die Rich”
Box   8
Folder   5
Mimeo script by Ernest Kinoy, July 17, 1956
“Student Body”
Box   8
Folder   6
Mimeo script by Ernest Kinoy, July 31, 1956
“The Snowball Effect”
Box   8
Folder   6
Mimeo script by Ernest Kinoy, August 14, 1956
“The Lifeboat Mutiny”
Box   8
Folder   6
Mimeo script by Ernest Kinoy, September 11, 1956
“The Map Makers”
Box   8
Folder   6
Mimeo script by Ernest Kinoy, September 26, 1956
“Protective Mimicry”
Box   8
Folder   7
Mimeo script by Ernest Kinoy, October 3. 1956
“Colony”
Box   8
Folder   7
Mimeo script by Ernest Kinoy, October 10, 1956
“The Soldier Boy”
Box   8
Folder   7
Mimeo script by Ernest Kinoy, October 17, 1956
“Pictures Don't Lie”
Box   8
Folder   7
Mimeo script by Ernest Kinoy, October 24, 1956
“Sam This Is You”
Box   8
Folder   8
Mimeo script by Ernest Kinoy, October 31, 1956
“Appointment in Tomorrow”
Box   8
Folder   8
Mimeo script by Ernest Kinoy, November 7, 1956
“The Castaways”
Box   8
Folder   8
Mimeo script by Ernest Kinoy, November 28, 1956
“The Reluctant Heroes”
Box   8
Folder   8
Mimeo script by Ernest Kinoy, December 19, 1956
“Open Warfare”
Box   8
Folder   9
Mimeo script by Ernest Kinoy, January 23, 1957
“The Trap”
Box   8
Folder   9
Mimeo script by Ernest Kinoy, February 13, 1957
“Real Gone”
Box   8
Folder   9
Mimeo script by Ernest Kinoy, February 27, 1957
“The Seventh Victim”
Box   8
Folder   9
Mimeo script by Ernest Kinoy, March 6, 1957
“Protection”
Box   8
Folder   10
Mimeo script by Ernest Kinoy, March 20, 1957
“The Coffin”
Box   8
Folder   10
Mimeo script by Ernest Kinoy, November 7, 1957
“Caretaker”
Box   8
Folder   10
Mimeo script by Ernest Kinoy, undated
“Skulking Permit”
Box   8
Folder   10
Mimeo script by Ernest Kinoy, undated
Box   8
Folder   10
Correspondence, September 18, 1955
Subseries: Television
The Alcoa Hour
“The Confidence Man”
Box   9
Folder   1
Mimeo script (annotated) by Ernest Kinoy, May 27, 1956
The Asphalt Jungle
“The Nine Twenty Hero”
Box   9
Folder   2
Mimeo script by Ernest Kinoy, March 6, 1961
Box   9
Folder   2
Mimeo script by Ernest Kinoy, March 22, 1961
“The Crack-Up”
Box   9
Folder   2
Typed script by Ernest Kinoy, undated
Brigadoon
Box   9
Folder   3
Mimeo script by Ernest Kinoy, undated
Box   9
Folder   3
Mimeo script by Ernest Kinoy, June 16, 1966
Box   9
Folder   4
Mimeo script by Ernest Kinoy, July 6, 1966
Box   9
Folder   4
Mimeo script by Ernest Kinoy, July 15, 1966
Cimarron City
Box   9
Folder   5
Mimeo series treatment, undated
“A Legacy for Ossie Harper”
Box   9
Folder   6
Typed script by Ernest Kinoy, undated
Box   9
Folder   6
Mimeo script by Ernest Kinoy and Jameson Brewer, undated
Box   9
Folder   6
Contract, July 2, 1958
Count Your Chickens
Box   9
Folder   7
Typed series treatment, June 1961
Box   9
Folder   7
Typed story possibilities, undated
Hayride
Box   9
Folder   7
Typed treatment by Ernest Kinoy, undated
Box   9
Folder   7
Typed script by Ernest Kinoy, September 14, 1961
Crime Wave
“The Blue Men”
Box   9
Folder   8
Mimeo script by Ernest Kinoy, May 12, 1959
“Brenner”
Box   9
Folder   8
Mimeo script by Ernest Kinoy, May 21, 1959
Defenders
Box   9
Folder   9
Contract, October 7, 1963
“The Best Defense” (#12)
Box   9
Folder   10
Typed treatment by Ernest Kinoy, December 30, 1961
“Locked Room” (#24)
Box   9
Folder   11
Typed script by Ernest Kinoy, February 10, 1962
“The Non-Violent” (#100)
Box   10
Folder   1
Typed treatment by Ernest Kinoy, June 6, 1964
Box   10
Folder   1
Typed script by Ernest Kinoy, June 6, 1964
“The Man Who” (#113)
Box   10
Folder   2
First mimeo script by Ernest Kinoy, July 29, 1964
Desilu Playhouse
“Symbol of Authority”
Box   10
Folder   3
Mimeo script by Ernest Kinoy, December 6, 1955
“The Untouchables”
Box   10
Folder   4
Pt. I: Mimeo script by Paul Monash, March 13, 1959
Box   10
Folder   4
Pt. II: Mimeo script by Paul Monash, March 17, 1959
Diagnosis: Unknown
“The Case of the Elder”
Box   14
Folder   1
Typed outline (annotated), undated
Box   14
Folder   1
Mimeo script by Ernest Kinoy, June 6, 1960
Box   14
Folder   1
Mimeo script by Ernest Kinoy, July 29, 1960
Box   14
Folder   1
Research, undated
“Diagnosis: Homicide-The Case of the Radiant Wine”
Box   14
Folder   2
Mimeo script by Joel Carpenter, undated
Box   14
Folder   2
Mimeo script by E. Jack Neuman, February, 3, 1961
Doctor Kildare
Box   10
Folder   5
Mimeo series treatment, undated
Box   10
Folder   6
“Twenty Four Hours”
“The Pride of Lions”
Box   10
Folder   7
Typed outline by Ernest Kinoy, undated
Box   10
Folder   7
Typed addenda, undated
Box   10
Folder   7
Mimeo script by Ernest Kinoy, June 26, 1961
“A Million Dollar Property”
Box   10
Folder   8
Mimeo script by Ernest Kinoy, August 8, 1961
“The Cobweb Chain”
Box   10
Folder   9
Typed treatment by Ernest Kinoy, April 3, 1967
Box   10
Folder   9
Typed script by Ernest Kinoy, undated
“The Periwinkle”
Box   10
Folder   9
Typed treatment by Ernest Kinoy, undated
Box   10
Folder   10
Correspondence, 1961
Espionage
“The Frantic Rebel”
Box   10
Folder   11
Typed script by Ernest Kinoy, December 3, 1963
Front Row Center
“The Valley's Own”
Box   10
Folder   12
Four typed treatments by Ernest Kinoy, undated
Box   10
Folder   12
Mimeo script by Ernest Kinoy, undated
G.E. Theatre
“A Letter from the Queen”
Box   10
Folder   13
Typed script (annotated) by D.J. Powers, March 2, 1956
Box   10
Folder   13
Typed script by D.J. Powers, undated
“The Professor's Punch”
Box   10
Folder   14
Mimeo script by D.J. Powers, September 24, 1956
“The Easter Gift”
Box   10
Folder   14
Mimeo script by D.J. Powers, undated
Jamie
“A Couple of Lonely Ones”
Box   11
Folder   1
Typed treatment, undated
Box   11
Folder   1
Mimeo script by Arnold Kenny, October 11, 1954
“The Feet of Clay”
Box   11
Folder   1
Mimeo script by Arnold Kenny, undated
The Janet Blair Show
Box   11
Folder   2
2 Typed treatments, undated
“The Sister Bit”
Box   11
Folder   2
Typed script by Ernest Kinoy, Jerome Cooper Smith, and Roger Hirson, undated
Juvenile Court
Box   11
Folder   3
Two typed scripts by Ernest Kinoy, undated
The Kate Smith Show
“The Quarrel”
Box   11
Folder   4
Mimeo script by Ernest Kinoy, undated
Life of the Party
Box   11
Folder   5
Typed treatment, undated
Box   11
Folder   5
Typed character notes, undated
Serenade for Two Horns of a Dilemma
Box   11
Folder   5
Typed script by Ernest Kinoy, undated
Moment of Fear
“Conjure Wife”
Box   11
Folder   6
Mimeo script by Ernest Kinoy, July 8, 1960
NBC Presents-Short Story
“Fifty Grand”
Box   11
Folder   7
Typed treatment by Ernest Kinoy, undated
Box   11
Folder   7
Mimeo script by Ernest Kinoy, February 21, 1951
The Nurses
Box   11
Folder   8
Mimeo treatment (annotated), April 6, 1962
Our American Heritage
Oliver Wendell Holmes
Box   11
Folder   9
Research correspondence, 1959-1960
Box   11
Folder   10
Typed suggestions, undated
“The Autocrat and Mr. Holmes”
Box   11
Folder   10
Typed treatment by Ernest Kinoy, undated
Box   11
Folder   10
Mimeo script by Ernest Kinoy, December 8, 1959
Ethan Allen
Box   11
Folder   11
Correspondence, January 20, 1960
Andrew Carnegie
“Millionaire's Mite”
Box   11
Folder   12
Mimeo script by Ernest Kinoy, March 3, 1960
Box   11
Folder   12
Mimeo script by Ernest Kinoy, March 23, 1960
Box   11
Folder   13
Research and correspondence, 1960
Alexander Hamilton
“Odd Destiny”/“Not Without Honour”
Box   11
Folder   14
Typed treatment by Ernest Kinoy, undated
Box   11
Folder   14
Mimeo script by Ernest Kinoy, August 10, 1960
Box   11
Folder   14
Mimeo script by Ernest Kinoy, August 16, 1960
Playhouse 90
“Shadows Tremble”
Box   12
Folder   1
Typed script, undated
Box   12
Folder   1
Mimeo script, October 3, 1958
Box   12
Folder   1
Set sketches, undated
Purex Special for Women
“Six at the Alter”
Box   12
Folder   2
Mimeo script by Ernest Kinoy, 1961
Box   12
Folder   2
Correspondence, November 24, 1961
Schlitz Playhouse Of Stars
“Fifty Grand”
Box   12
Folder   3
Mimeo script by Joseph Foster, November 16, 1951
Box   12
Folder   4
Mimeo script by Arnold Kenny, February 15, 1952
Box   12
Folder   5
Mimeo script by Ernest Kinoy, undated
Shane
“Poor Tom's A-Cold”
Box   12
Folder   6
Mimeo treatment by Ernest Kinoy, March 22, 1966
Box   12
Folder   6
Typed script by Ernest Kinoy, undated
“The Great Invasion”
Box   12
Folder   7
Typed treatment by Ernest Kinoy, undated
Box   12
Folder   7
Mimeo script by Ernest Kinoy, September 27, 1966
Box   12
Folder   7
Mimeo script by Ernest Kinoy, October 3, 1966
“The Great Invasion-Part II”
Box   12
Folder   8
Mimeo script by Ernest Kinoy, September 27, 1966
Box   12
Folder   8
Mimeo script by Ernest Kinoy, October 3, 1966
Box   12
Folder   9
Part I, Revisions, October 6, 1966
Box   12
Folder   9
Part II, Revisions, October, 6, 1966
The Hant
Box   12
Folder   10
Typed treatment by Ernest Kinoy, undated
Box   12
Folder   10
Typed script by Ernest Kinoy, undated
Star Stage
“Articles of War”
Box   13
Folder   1
Mimeo script by Ernest Kinoy, January 18, 1956
Studio One
“Dominique”
Box   13
Folder   2
Typed outline, undated
Box   13
Folder   2
Typed script by Ernest Kinoy, undated
Box   13
Folder   2
Typed script by Ernest Kinoy, undated
Box   13
Folder   2
Correspondence, 1955-1961
“I Do”
Box   13
Folder   3
Mimeo script by Ernest Kinoy, April 30, 1956
“Walk on Down the Hill”
Box   13
Folder   4
Five treatments, undated
Box   13
Folder   5
Mimeo script by Ernest Kinoy, March 18, 1957
Box   13
Folder   5
Mimeo script by Ernest Kinoy, Post-March 18, 1957
Box   13
Folder   5
Note, undated
“Death Watch of the Tatooed Coiners”/“Hitler's Counterfeiters”
Box   13
Folder   6
Mimeo outline by Ernest Kinoy, November 12, 1957
Box   13
Folder   6
Mimeo script by Ernest Kinoy, undated
Box   13
Folder   6
Correspondence, 1957-1958
Box   13
Folder   6
Notes and research
Summer Studio One
“Tag-Along”
Box   13
Folder   7
Typed Treatment by Ernest Kinoy, undated
Suspense
“The Long House on Avenue A”
Box   13
Folder   8
Typed treatment by Ernest Kinoy, undated
Box   13
Folder   8
Revised mimeo script by Ernest Kinoy, April 25, 1958
Suspicion
“The Bull Skinner”/“The Gentleman”
Box   13
Folder   9
Typed treatment by Ernest Kinoy, undated
Box   13
Folder   9
Mimeo script by Ernest Kinoy, December 18, 1957
Box   13
Folder   9
Revisions, February 5-18, 1958
“Diagnosis: Death”
Box   13
Folder   10
Mimeo script (annotated) by Ernest Kinoy, February 7-March 25, 1959
The Turning Point
Box   14
Folder   3
Proposal, undated
Box   14
Folder   3
Typed script, undated
Box   14
Folder   3
Mimeo script by Ernest Kinoy, undated
United States Steel Hour
“Symbol of Authority”
Box   14
Folder   4
Mimeo script by Ernest Kinoy, November 5, 1957
“Little Lost Sheep”
Box   14
Folder   5
Typed treatment by Ernest Kinoy, undated
Box   14
Folder   5
Mimeo script by Ernest Kinoy, July 7, 1961
Box   14
Folder   6
Mimeo script by Ernest Kinoy, September 19, 1961
Box   14
Folder   7
Mimeo script by Ernest Kinoy, November 1, 1961
Box   14
Folder   8
Mimeo script by Ernest Kinoy, undated
Box   15
Folder   1
Mimeo script by Ernest Kinoy, November 1, 1961
The Untouchables
Box   15
Folder   2
Mimeo series treatment, undated
“The Empty Chair”
Box   15
Folder   2
Typed treatment by Ernest Kinoy, undated
Wake Up, Stupid
Box   15
Folder   3
Mimeo script by John D. Hess, October 26, 1960
Box   15
Folder   3
Mimeo script, December 5, 1960
Box   15
Folder   3
Mimeo script by Ernest Kinoy, November 16, 1961
Box   15
Folder   3
Mimeo script by Ernest Kinoy, November 22, 1961
Subseries: Theater
Golden Rainbow
Box   15
Folder   4
Correspondence and treatments, 1968; undated
Box   15
Folder   5
Mimeo script (annotated) by Ernest Kinoy, undated
Box   15
Folder   6
Mimeo script by Arnold Schulman, undated
It's about Time
Box   15
Folder   7
Mimeo script by Anthony Gaye and correspondence, circa 1961
Jacob and the Indians
Box   15
Folder   8
Typed libretto by Ernest Kinoy, undated
Box   15
Folder   8
Correspondence, 1987
Subseries: Motion Pictures
Job Hunter
Box   15
Folder   9
Treatment, undated
Shadow of the Bridge
Box   15
Folder   10
“Blood River” Typed treatment (annotated) by Ernest Kinoy, undated
“Drama in Konan”
Box   15
Folder   11
Typed treatment by Ernest Kinoy, undated
Box   16
Folder   1
Mimeo script, June 17, 1965
Box   16
Folder   2
Mimeo script by Howard Koch, January 19, 1966
Subseries: Miscellaneous Writings
Box   16
Folder   3
“Television Dramatic Writing,” undated
Treatments for unspecified media
“Adventure-A Passenger from Socotra”
Box   16
Folder   4
Typed treatment by Arnold Kenny, undated
“Coward with a Kiss”
Box   16
Folder   4
Typed treatment by Ernest Kinoy, undated
“The Crater Incident”
Box   16
Folder   4
Typed treatment by Ernest Kinoy, undated
“Currier and Ives”
Box   16
Folder   5
Four typed treatments, 1956
“Elizabeth and Marlowe”
Box   16
Folder   6
Typed treatment by Ernest Kinoy, undated
“Feathertop”
Box   16
Folder   6
Typed treatment by Ernest Kinoy, undated
“Grand Deception”
Box   16
Folder   6
Two typed treatments, undated
“The Hearing”
Box   16
Folder   7
Typed treatment, undated
Box   16
Folder   7
Preliminary script, undated
“Kemble, Residence on a Georgian Plantation”
Box   16
Folder   8
Typed treatment, undated
“Libido with Lead”
Box   16
Folder   9
Typed treatment by Ernest Kinoy, undated
“The Mad Board Meeting”
Box   16
Folder   9
Typed treatment, undated
“The Nag”/“The Switch Point”
Box   16
Folder   9
Typed treatment by Ernest Kinoy, undated
“The Paid Piper”
Box   16
Folder   9
Typed treatment by Arnold Kenny, undated
“The Periwinkle”
Box   16
Folder   10
Two treatments by Ernest Kinoy, undated
“Shame for the Diamond Wedding”
Box   16
Folder   11
Typed treatment by Ernest Kinoy, undated
“The Sting of Snow”
Box   16
Folder   12
Typed treatment by Ernest Kinoy, undated
“Mr. Tompkins in Wonderland”
Box   16
Folder   12
Typed treatment, undated
“What's the Score”
Box   16
Folder   12
Typed treatment, undated
“Where Is Thy Brother”
Box   16
Folder   12
Typed treatment by Ernest Kinoy, undated
“The Young Ones”
Box   16
Folder   12
Typed treatment by Ernest Kinoy, undated
Box   16
Folder   13
Four untitled treatments, undated
Box   16
Folder   14
Unidentified script fragments, undated
Box   16
Folder   15
Prisoner of war novel, undated
Subseries: Correspondence
Box   17
Folder   1
General, 1950-1968; undated
Box   17
Folder   2
Writers Guild, 1955-1965; undated
Series: Part 2, 1979 Additions, 1947-1979
Subseries: General File
Box   18
Folder   1
Correspondence, Agreement, Miscellany, 1962-1973; undated
Box   18
Folder   2-4
Research Material re Wounded Knee, undated
Writers Guild of America
Box   18
Folder   5
Correspondence, 1962-1963, 1969-1970; undated
Box   18
Folder   6
Reports, Statements, Miscellany, 1962-1964; undated
Subseries: Television
ABC Theater
“Collision Course”
Note: Wolper Productions, January 4, 1976. Original network ABC
Box   18
Folder   7
Correspondence, June-December 1975
Box   18
Folder   8
Research Material and Calendar of Events, undated
Box   18
Folder   9
Reference Material, undated
Box   18
Folder   9
First Draft Treatment, August 19, 1975
Box   18
Folder   10
Script, undated
Box   18
Folder   11
First Draft Script, September 10, 1975
Box   19
Folder   1
Revised Script, September 23, 1975
Box   19
Folder   2
Second Draft Script, October 2, 1975
Box   19
Folder   3
Shooting Draft Script and Revisions, November 5, 1975
Box   19
Folder   4
Revisions, November 11, 1975
Box   19
Folder   4
Shooting Draft Script, November 25, 1975
Alcoa-Goodyear Theater
Note: Production company unknown, 1958-1960. Original network NBC
“The Confidence Man”
Box   19
Folder   5
2 Treatments, undated
Box   19
Folder   5
Correspondence, 1973
Box   19
Folder   6
Script, undated
[American Heritage Series]
Note: NBC. Mildred Freed Alberg, producer
“Autocrat and Son”
Box   19
Folder   7
Script, December 8, 1959
“Odd Destiny”
Box   19
Folder   7
Script, August 10, 1960
Box   20
Folder   1
Folder number not used
Bessie! Empress of the Blues!
Note: Written for Universal; production shelved
Box   20
Folder   2
Music and Lyrics to Songs, by Bessie Smith, 1923-1931
Box   20
Folder   3-4
Transcripts of Interview Tapes, (Jack Gee, Jr., Ernest Kinoy, Danny Dare, Ted Sewell, and Gordon Parks present), February 8, 1974
Box   20
Folder   5
Transcript Summaries, Jack Gee Tapes, undated
Box   20
Folder   6
Treatment, undated
Box   20
Folder   6
Script, undated
Box   20
Folder   7
First Draft Script, May 28, 1974
Box   20
Folder   8
Script, annotated, undated
The Best of Families
Note: Children's Television Workshop, via NEH grant, 1979. Original broadcast on PBS
“The Great Trolley Battle” #7
Box   20
Folder   9
Script, March 31, 1977 [?]
Box   21
Folder   1-2
Revised Second Draft Script, annotated, April 2, 1977
Box   21
Folder   3
Rehearsal Script, April 6, 1977
The Bill Cosby Show
Note: Jemin Company, 1969-1971. Original network NBC
Sample scripts sent to Kinoy by producer”
“The Elevator Doesn't Stop Here Anymore,” #17036
Box   21
Folder   4
Final Draft Script, by Stan Daniels, October 1, 1969
“Let X Equal a Lousy Weekend” #17037
Box   21
Folder   5
Final Draft Script, by Michael Elias and Frank Shaw, June 16, 1969
“The Worst Crook That Ever Lived” #17046
Box   21
Folder   6
First Draft Script, by Steve Pritzker, October 18, 1969
Scripts by Ernest Kinoy
“The Old Man of 4-C”
Box   21
Folder   7
2 Treatments, undated
Box   21
Folder   7
Script, undated
Box   21
Folder   7
Revised Script, May 15, 1970
Box   21
Folder   8
Final Draft Script, annotated, June 15, 1970
The Boat House
Note: Herbert Brodkin-Titus Productions, for ABC. Shelved for censorship reasons
Box   21
Folder   9
Agreement, Treatment, and Script, circa 1972-1973
Box   21
Folder   10
Script, undated
The Bold Ones, See The Senator
The Breaking Point
Note: Bing Crosby Productions, 1963. Original network ABC
“The Bull Roarer”
Box   21
Folder   11
Synopsis, undated
Box   21
Folder   11
Script, undated
Box   22
Folder   1
Rough Draft Script, July 16, 1963
Box   22
Folder   1
Revisions, undated
Calucci's Department
Note: Sullivan Productions, 1973. Original network CBS
Sample scripts sent to Kinoy by producer
“Calucci Goes on a Diet”
Box   22
Folder   2
Script, by Renee Taylor, Joseph Bologna, and Nick Adams, annotated, August 8, 1973
“Calucci's Raison d'Etre”
Box   22
Folder   3
Revised Script, by Renee Taylor and Joseph Bologna, August 9, 1973
Script by Kinoy
“Calucci the Gajo”
Box   22
Folder   4
Treatment, undated
Box   22
Folder   4
Script, undated
[Untitled]
Box   22
Folder   5
Script, fragment, undated
Change at 125th Street
Note: Sullivan Productions, pilot prepared and broadcast on CBS, 197_. Property later proposed as CBS daytime serial but dropped.
Box   22
Folder   6
Correspondence and Miscellany, 1974
Box   22
Folder   7
Proposal, “The Token,” undated
Box   22
Folder   7
2 Proposals, undated
Box   22
Folder   7
Storyline, by Thad Mumford, October 11, 1974
Box   22
Folder   8
Storyline, by Thad Mumford in consultation with Ernest Kinoy and Tom Donavan, October 25, 1974
Box   22
Folder   8
Outline, December 3, 1974
Box   22
Folder   9
2 Scripts, undated
Box   22
Folder   9
Script, October 29, 1973
Box   22
Folder   10
Script, November 6, 1973
Box   22
Folder   10
Script, November 15, 1973
Episode #1
Box   22
Folder   11
Script, by Bill Gunn, annotated, undated
Box   22
Folder   11
2 Scripts, by Bill Gunn, undated
Episode #2
Box   22
Folder   12
Script, annotated, undated
Box   22
Folder   12
Script, undated
Box   22
Folder   12
Script, by Bill Gunn, undated
Episode #3
Box   22
Folder   13
Script, annotated, undated
Box   22
Folder   13
Script, undated
Box   22
Folder   13
Script, by Bill Gunn, undated
Episode #4
Box   23
Folder   1
Script, annotated, undated
Box   23
Folder   1
Script, undated
Box   23
Folder   1
Script, by Bill Gunn, undated
Episode #5
Box   23
Folder   2
Script, annotated, undated
Box   23
Folder   2
Script, undated
Box   23
Folder   2
Script, by Bill Gunn, undated
Episode #6
Box   23
Folder   3
Script, by Bill Gunn, undated
Episode #7
Box   23
Folder   4
Script, by Bill Gunn, undated
Episode #8
Box   23
Folder   5
Script, by Bill Gunn, undated
Episode #9
Box   23
Folder   6
Script, by Bill Gunn, undated
Episode #10, “Way Down Upon the Harlem River...”
Box   23
Folder   7
Outline, undated
Box   23
Folder   7
Script, fragment, November 1973
Box   23
Folder   7
Script, by Bill Gunn, undated
The Chimney
Note: Unproduced
Box   23
Folder   8
2 Story Ideas, undated
The Conquest
Note: Marden Productions. Originally prepared for CBS Playhouse but program was cancelled.
Box   23
Folder   9
Treatment and Cover Letter, October 15, 1973; undated
Box   23
Folder   10
Script, undated
Box   23
Folder   10
Revisions, undated
Box   23
Folder   11
Script, undated
Crisis at Cow Creek
Note: Unproduced
Box   23
Folder   12
Synopsis, undated
The Dead Hand of T. J. Greystone
Note: Prepared for Sullivan Productions and ABC, late night Mystery Theater. Unproduced
Box   23
Folder   13
Script, by Manya Starr and Ernest Kinoy, annotated, undated
Box   23
Folder   13
Script, by Manya Starr and Ernest Kinoy, undated
The Deadliest Season
Note: Titus Productions, Inc., March 16, 1977. Original network CBS
Box   23
Folder   14
First Draft Script, “The Penalty Killer,” undated
Box   24
Folder   1
Revised Script, “The Penalty Killer,” April 27, 1976
Box   24
Folder   2
Revised Script, “The Penalty Killer,” June 23, 1976
Box   24
Folder   3
Script, “Violent Game,” undated
Box   24
Folder   4
Revised Script, “Violent Game,” October 29, 1976
The Defenders
Note: Plautus Productions and Defender Productions, 1961-1965. Original network CBS
“Blacklist”
Box   24
Folder   5
Research Material, undated
Box   24
Folder   6
2 Outlines, “The Intermeddler,” June 6, 1963, undated
Box   24
Folder   6
Script, “The Intermeddler,” undated
Box   24
Folder   6
Script, “What's the Matter with Harry Larch?,” September 27, 1963
Box   24
Folder   6
Miscellaneous Pages, undated
“Blood County”
Box   24
Folder   7
Synopsis, undated
Box   24
Folder   7
Notes, undated
Box   24
Folder   7
2 Scripts, annotated, undated
Box   24
Folder   7
Miscellaneous Pages, undated
“Claire Cheval Died in Boston”
Box   24
Folder   8
2 Synopses, February 16, 1963; undated
Box   24
Folder   8
Script, undated
Box   24
Folder   8
Revisions, undated
“The Heathen”
Box   25
Folder   1
2 Outlines, June 28, 1962; undated
Box   25
Folder   1
Letter, November 15, 1962
Box   25
Folder   2
Script, undated
Box   25
Folder   2
Revised Pages, undated
Box   25
Folder   2
First Draft Script, December 5, 1962
The Different Drum
Note: Production information unknown
Box   25
Folder   3
Story Concept, undated
Box   25
Folder   3
Outline, undated
Box   25
Folder   3
Script, undated
Box   25
Folder   3
Revised Script, undated
Box   25
Folder   3
Revision Notes, undated
Dr. Kildare
Note: Arena Productions in association with MGM-TV, 1961-1965. Original network NBC
“The Cobweb Chain”
Box   25
Folder   4
Script, undated
Box   25
Folder   4
Script, July 3, 1962
Box   25
Folder   4
Revisions, undated
DuPont Show of the Week
Note: Production companies varied, 1962-1964. Original network NBC
“The Last Hangman”
Box   25
Folder   5
Synopsis, “The Wild Harp Broken,” undated
Box   25
Folder   5
Outline, “The Wild Harp Broken,” undated
Box   25
Folder   5
Script, “The Wild Harp Broken,” undated
Box   25
Folder   5
Revisions, undated
Box   25
Folder   5
Revised Script, “The Wild Harp Broken,” July 21, 1963
Dynasty
Note: Unproduced soap opera
Box   25
Folder   6
Story Projection, by Manya Starr and Ernest Kinoy, undated
Box   25
Folder   6
Proposal, undated
Egan
Note: Production information unknown
Sample script sent to Kinoy
“The Glory Trip”
Box   25
Folder   7
Final Draft Pilot Script, created by Abram S. Ginnes, September 28, 1972
Script by Kinoy
“My Prairie Home Is Beautiful But Oh!”
Box   25
Folder   8
Script, undated
The Enchanter
Note: Production information unknown
Box   25
Folder   9
3 Treatments, March 1973; undated
Box   25
Folder   9
Script, undated
Espionage
Note: Herbert Brodkin Ltd., 1963-1964. Original network NBC
“The Frantick Rebel”
Box   25
Folder   10
Script, undated
Box   25
Folder   10
Script, November 20, 1963
Box   25
Folder   10
Revisions, Correspondence, December 17-27, 1963
“The Gentle Spy”
Box   25
Folder   11
Script, undated
Box   25
Folder   11
Revisions, undated
Eternal Light
Note: NBC Television Religious Program Unit, air dates unknown
“Doctor Einstein before Lunch” (May 20, 1973)
Box   26
Folder   1
Script, undated
Box   26
Folder   2
2 Scripts and Rehearsal Schedule, circa March 12, 1973
Fever
Note: Tomorrow Entertainment Inc., dropped by CBS
Box   26
Folder   3
Synopsis, undated
Box   26
Folder   4
Script, based on the book by John G. Fuller, and Revisions, undated
Box   26
Folder   5
Script, based on the book by John G. Fuller, October 12, 1974
Box   26
Folder   6-7
Revised Script, based on the book by John G. Fuller, November 15, 1974
Box   26
Folder   8
Script, based on the book by John G. Fuller, undated
Fiddler's Three
Note: Production information unknown
Box   26
Folder   9
Notes for Projected Series, undated
Box   26
Folder   9
Synopsis, undated
Fifteen Yards for Murder
Note: Titus Productions, Inc., proposed pilot for NBC. Unproduced
Box   27
Folder   1
Treatment, based on a John Putnam Thatcher novel, by Emma Lathen, undated
Box   27
Folder   1
Script, based on characters by Emma Lathen, undated
Box   27
Folder   1
Script, based on a John Putnam Thatcher novel, by Emma Lathen, undated
Florence
Note: John Secondari Productions, Unproduced
Box   27
Folder   3
Treatment and Revised Pages, undated
For the People
Note: Plautus Productions, Inc., 1965. Original network CBS
Box   27
Folder   4
3 Outlines, undated
“...The Killing of One Human Being” #1
Box   27
Folder   5
2 Scripts, “The Connected Kid,” undated
Box   27
Folder   6
First Draft Script, February 17, 1964
Box   27
Folder   6
Revised Draft Script, August 18, 1964
Box   27
Folder   7
Revised Draft Script, November 18, 1964
“The Price of the Big Fish” #4
Box   27
Folder   8
Script, undated
Box   27
Folder   8
Revised Script, by David Davidson, December 14, 1964
[“Episode #10”]
Box   27
Folder   9
First Draft Script, February 17, 1965
“A Question of Price”
Box   27
Folder   10
Synopsis, undated
Box   27
Folder   10
Script, undated
From the Top
Note: Production information unknown
Box   27
Folder   11
Synopsis, undated
Gillis & Kasparzak
Note: Titus Productions, prepared for CBS. Unproduced
Box   27
Folder   12
Research Materials, circa 1971-1972
Box   28
Folder   1
2 Presentations and Cover Letter, 1973; undated
Box   28
Folder   1
3 Story Topics, “We Owe the Gods...” and “Where May I Enter...,” undated
The Green Mountain Boys
Note: Children's Television Workshop; other production information unknown
Sent to Kinoy for his consideration
Box   28
Folder   2
Musical Treatment, “Ethan Allen and the Green Mountain Boys,” by Al Kasha and Joel Hirschhorn, March 4, 1974
Box   28
Folder   2
Outline, undated
The Going Up of David Lev
Note: El Sol Productions, for Mildred Freed Alberg. Produced on ABC. A special film commemorating the 25th anniversary of Israel
Box   28
Folder   3
2 Treatments, undated
Box   28
Folder   3
Letter, undated
Box   28
Folder   4
Script, undated
Box   28
Folder   4
Script, by Ernest Kinoy and Ephriam Kishon, undated
Ground Zero
Note: Production information unknown. Sent to Kinoy for rewrite
Box   25
Folder   4
Script, undated
Box   25
Folder   6
Script, by Peter S. Fischer, undated
Box   25
Folder   6
Script, undated
Hallmark Hall of Fame
Note: Production companies vary, 1952- . Original network NBC
“The Rivalry”
Note: Foote, Cone & Belding Productions, December 12, 1975. Original network NBC
Box   28
Folder   7
Script, based on the play by Norman Corwin, July 15, 1975
Box   28
Folder   8
Script, August 4, 1975
The Happeners
Note: Plautus Productions, other production information unknown
“You Gotta Have Charisma, Baby!” (pilot)
Box   28
Folder   9
Revised Script, including cast list and shooting schedule, November 4, 1965
“Sure, It Wouldn't Keep a Bird Alive!” #2
Box   28
Folder   10
Synopsis, undated
“Bring Up the Fuzz Box, Charley” #3
Box   28
Folder   11
Synopsis, undated
“As Long As You're Ethnic!” #4
Box   28
Folder   12
Story Sketch, undated
“World, Get off My Back!” #5
Box   28
Folder   13
Story Idea, undated
“Twing, It's Spring”
Box   28
Folder   14
Story Idea, undated
Hawaii
Note: Lorimar Productions, other production information unknown
“Whip!”
Box   29
Folder   1
Research Note, undated
Box   29
Folder   1
Script, undated
Box   29
Folder   2
Second Draft Script, April 6, 1977
Box   29
Folder   3
Script, undated
Box   29
Folder   4
Script, undated
Box   29
Folder   5
Script, undated
Box   29
Folder   6
Writer's Work Draft Script, February 3, 1977
Box   29
Folder   7
Revised Pages, 2 script fragments, undated
Box   29
Folder   8
Revised Pages, 1 script fragment, undated
Hey Genius!
Note: Story idea proposal. Unproduced
Box   29
Folder   9
2 Presentations, undated
Hey, Teacher
Note: Sullivan Productions. Story idea for proposed series. Unproduced
Box   30
Folder   1
2 Preliminary Show Concepts, undated
Box   30
Folder   1
Outline, “The Gwen Verdon Show,” undated
Box   30
Folder   1
Script, “The Gwen Verdon Show,” undated
Box   30
Folder   1
Revised Script, January 28, 1969
Box   30
Folder   1
Revised Pages, November 16, 1968-March 18, 1969
Jump, Tom Jump
Note: Unproduced
Box   30
Folder   2
Outline, by Manya Starr and Ernest Kinoy, undated
Lafitte
Note: Proposed CBS special. Unproduced
Box   30
Folder   4
Treatment, undated
Box   30
Folder   3
Script, undated
Lawyer Lincoln
Note: Bob Banner Productions. Pilot for CBS
Box   30
Folder   4
Research Material, undated
Box   30
Folder   5
Presentation for a Bicentennial Movie Special, 1976
“The Body of the Crime”
Box   30
Folder   6
Script, including cover letter, undated
Box   30
Folder   6
Script, undated
Lennox Blue
Note: Sullivan Productions, proposed pilot for series
Box   30
Folder   7
Presentation, undated
Box   30
Folder   7
Script, undated
Look Up and Live
Note: CBS News, April 5, 1959
“The Merry Jests of Hershel Ostropolier”
Box   30
Folder   8
Script, circa April 5, 1959
Man on the Pole
Note: Proposed show. Unproduced
Box   30
Folder   9
Short Story, “Figure over the Town,” by William Goyen, undated
Box   30
Folder   9
Treatment, undated
The Marriage
#1 & 2 “The Fiesta”
Box   30
Folder   10
Typed script #2 by Ernest Kinoy, undated
Box   30
Folder   10
Revised mimeo script #1 (annotated) by Ernest Kinoy, undated
Box   30
Folder   10
Mimeo script, undated
#3 “Fathers and Sons”
Box   30
Folder   11
Typed script (annotated) by Ernest Kinoy, pre July 22, 1954
Box   30
Folder   11
Mimeo script, July 22, 1954
#4 “The Sorority”
Box   30
Folder   12
Typed script by Ernest Kinoy, undated
Box   30
Folder   12
Mimeo script, July 29, 1954
Box   30
Folder   12
Revised mimeo script (annotated), post July 29, 1954
#5 “The Beard on Lincoln's Portrait”
Box   30
Folder   13
Typed script (annotated) by Ernest Kinoy, undated
Box   30
Folder   13
Mimeo script, August 5, 1954
#6 “Inside Bobby Logan”
Box   30
Folder   13
Mimeo script (annotated) by Ernest Kinoy, August 18, 1954
Mudtime
Box   31
Folder   1
Synopsis, undated
Box   31
Folder   1
Preliminary treatment, undated
Box   31
Folder   1
Treatment, undated
Box   31
Folder   2
Draft script and revised pages, undated
Box   31
Folder   3
Script, undated
Box   31
Folder   3
Revised pages, October 30-November 12, 1968
Naked City
“Carrier”
Box   31
Folder   4
2 synopses, 1963; undated
Box   31
Folder   4
Script (annotated), undated
Box   31
Folder   4
Final draft script, March 22, 1963
“Golden Lads and girls...”
Box   31
Folder   5
Revised script, April 23, 1961
Box   31
Folder   5
Final draft script, April 24, 1961
“The Hot Minerva”
Box   31
Folder   6
Shooting schedule, June 1961
Box   31
Folder   6
Script, undated
Box   31
Folder   6
Revised script, May 18, 1961
Box   31
Folder   6
Revised script, June 1, 1961
“Idylls of a Running Back”
Box   31
Folder   7
Outline, undated
Box   31
Folder   7
Script, undated
Box   31
Folder   7
Script (annotated), undated
Box   31
Folder   7
Final draft script, July 31, 1962
“The Last Stand of Arthur Running Bear”
Box   31
Folder   8
Script, undated
Box   31
Folder   8
Second Revised Script, undated
Box   31
Folder   8
Revised Pages, undated
“The Multiplicity of Herbert Konish”
Box   32
Folder   1
Treatment, undated
Box   32
Folder   1
Script, undated
The New Americans
Note: Titus Productions, proposed series
“The American Wake”
Box   32
Folder   2
Research Materials re potato famine, undated
Box   32
Folder   3
2 Treatments, undated
Box   32
Folder   3
Script, undated
No Deadly Medicine
Note: Titus Productions, series pilot. Unproduced
“The Case of Dr. Matushek”
Box   32
Folder   4
First Draft Treatment, undated
Box   32
Folder   4
Revised Treatment, undated
Box   32
Folder   4
Story Ideas and Revised Pages, undated
Box   32
Folder   5
Script, undated
Box   32
Folder   5
Script fragment, undated
Box   32
Folder   6
Script, undated
The Norming of Jack 243
Note: ABC Late Night Drama, 1976 or 1977
Box   32
Folder   7
Treatment, “Tomorrow,” by Manya Starr and Ernest Kinoy, undated
Box   32
Folder   8
Second Draft Script, by Ernest Kinoy and Manya Starr, June 20, 1974
1-2-3 Go!
Note: PBS children's series
“The Founding Boy”
Box   32
Folder   9
Research Notes and Correspondence, March 2, 1962; undated
Box   32
Folder   9
Script, undated
Partners-in-law
Note: Production information unknown
Box   32
Folder   10
Presentation, by Manya Starr and Ernest Kinoy, undated
The Pit
Note: Production information unknown
Box   32
Folder   11
Presentation, undated
Police Force
Note: Herbert Brodkin Productions-Titus Productions, proposed pilot
Box   32
Folder   12
Research Material, including a Ramsey Clark speech, 1969-1970
Box   32
Folder   13
Project Proposal, undated
Box   32
Folder   13
Plot Situation List, undated
Box   32
Folder   13
Stories to be Interwoven, undated
Box   32
Folder   13
Character Development and Treatment, undated
Box   33
Folder   1
Outline, January 18, 1971
The President's Plane Is Missing
Note: Goldwyn Studios [?], air date unknown. Original network ABC [?]
Box   33
Folder   2
Revised Script, November 25, 1970
Box   33
Folder   3
Revised Script, by Ernest Kinoy and Mark Carliner, and Miscellaneous Pages, January 8, 1971
Professor Albert Einstein Fiore
Box   33
Folder   4
Story Idea, by Ben Rubin and Herschel Bernardi, undated
Box   33
Folder   4
Story Idea, undated
Box   33
Folder   4
Letter, undated
Roots
Note: David L. Wolper Productions, 23-30 January 1977, Original network ABC
Box   33
Folder   5
Correspondence and Miscellany, 1975-1976
Law Suit
Box   33
Folder   6
Correspondence, 1975, 1978
Box   33
Folder   7
Living Documents in American History, edited by John A. Scott, (pages flagged), 1963
Writings by Alex Haley, undated
Box   33
Folder   8
Article, “In Search of the African,” undated
Box   33
Folder   9
Reader's Digest reprints, undated
Box   33
Folder   10
Synopsis of Chapter XIV, undated
Part One
Box   33
Folder   11
First Draft Script, by William Blinn, April 18, 1975
Box   33
Folder   12
“The African,” Revised Second Draft Script, by William Blinn, June 13, 1975
Box   34
Folder   1
Final Draft Script, by Ernest Kinoy and William Blinn, October 16, 1975
Box   34
Folder   2
“The African,” First Draft Script, by Ernest Kinoy and William Blinn, November 24, 1975
Part Two
Box   34
Folder   3
Progression, by William Blinn, May 12, 1975
Box   34
Folder   4
“The Middle Passage,” Script, undated
Box   34
Folder   5
“The Slave Ship,” First Draft Script, July 3, 1975
Part Three
Box   34
Folder   6
“The Slave,” First Draft Script, by James Lee, July 23, 1975
Part Four
Box   34
Folder   7
“Uprooted,” First Draft Treatment/Outline, by William Blinn, July 1, 1975
Box   34
Folder   8
“Before I Be a Slave...,” Script, undated
Part Five
Box   34
Folder   9
“Night Riders,” Treatment/Outline, by William Blinn, July 22, 1975
Part Seven
Box   34
Folder   10
“The Blue, the Grey and the Black,” Revised First Draft Script, by M. Charles Cohen, December 29, 1975
Part Eight
Box   35
Folder   1
“The Night Riders,” Revised First Draft Script, by M. Charles Cohen, December 29, 1975
Part Nine
Box   35
Folder   2
“The Exodus,” Script, undated
Box   35
Folder   3
“The Exodus,” Revised Script, March 1, 1976
Box   35
Folder   4
“The Exodus,” Script, March 18, 1976
Roots: The Next Generations
Note: David L. Wolper Productions in association with Warner Brothers, Inc. [?], first night February 18, 1979. Original network ABC
Box   35
Folder   5
Correspondence, including memoranda re script notes, 1977-1979
Box   35
Folder   6-9
Research Materials, including some of Alex Haley's writings, 1974-1977, undated
Tape Transcripts of Alex Haley's reminiscences
Box   36
Folder   1-2
1977, May 6-July 26
Box   36
Folder   3-4
1977, July 28-October 25
Box   36
Folder   5
Transcripts of Meetings with Alex Haley, January 19-February 9, 1978, undated
Box   36
Folder   6
Outline, “Dropped Scripts,” by Edward Anhalt, circa July 28, 1977
Box   36
Folder   7
Step Sheet, “Dropped Scripts,” by Walter Doniger, October 21, 1977
Box   36
Folder   8
Outline Breakdown, undated
Treatments
Box   36
Folder   9-10
Part One, “The Redeemers,” 4 Treatments, October 17, 1977, undated
Box   36
Folder   11
Part Two, “The Brothers,” 2 Treatments, undated
Box   37
Folder   1
Part Two, “The Bloody Shirt,” 2 Treatments, undated
Box   37
Folder   2
Part Three, “The Bloody Shirts,” 2 Treatments, undated
Box   37
Folder   3
Part Three, “If We Must Die...,” 2 Treatments, undated
Box   37
Folder   4
Part Four, “Of the Sons of Master and Man,” 2 Treatments, undated
Box   37
Folder   5
Part Five, “...Over There!,” 2 Treatments, undated
Box   37
Folder   6
Part Four, “Red Summer...Cold Winter,” 2 Treatments, undated
Box   37
Folder   7
Part Six, “Hard Times,” Treatment, undated
Box   37
Folder   8
Part Seven, “The Search,” 3 Treatments, undated
Box   38
Folder   1
Scene Breakdown, Parts One and Two, undated
Part One -- “The Redeemers”
Box   38
Folder   2
Revised Step Outline, undated
Box   38
Folder   3
First Draft Script, January 27, 1978
Box   38
Folder   4
Revised Script, original, March 10, 1978
Box   38
Folder   5
Revised Script, photocopy, March 10, 1978
Box   38
Folder   6
Second Draft Script, March 21, 1978
Box   38
Folder   7
Final Draft Script, April 10, 1978
Box   38
Folder   8
Revised Pages, April 10, 1978
Box   38
Folder   9
Revisions, April 13-26, 1978
Part Two -- “The Bloody Shirt”
Box   39
Folder   1
First Draft Script, original, February 22, 1978
Box   39
Folder   2
First Draft Script, photocopy, February 22, 1978
Box   39
Folder   3
Revised Script, original, March 22, 1978
Box   39
Folder   4
Revised Script, photocopy, March 22, 1978
Box   39
Folder   5
Second Draft Script, March 30, 1978
Box   39
Folder   6
Second Revised Draft Script, April 10, 1978
Box   39
Folder   7-8
Second Draft Script, slightly annotated, April 17, 1978
Box   40
Folder   1
Shooting Draft Script, May 2, 1978
Box   40
Folder   2
Revisions, May 5-15, 1978
Part Three -- “The Sons of Masters and Men”
Box   40
Folder   3
Script, undated
Box   40
Folder   4
Script, original, undated
Box   40
Folder   5
Script, photocopy, undated
Box   40
Folder   6
Revised Script, original, May 12, 1978
Box   40
Folder   7
Revised script, post May 12, 1978
Box   40
Folder   8
Revised script, May 22, 1978
Box   40
Folder   9
Revisions, June 1978
Box   41
Folder   1
Revised script, July 3, 1978
Part Four -- “Over There”
Box   41
Folder   1A
Shooting schedule
Box   41
Folder   2
Discarded script, first draft script by Sydney Glass, treatment by Ernest Kinoy, April 20, 1978
Box   41
Folder   3-4
Script, undated
Box   41
Folder   5
Revised script, June 25, 1978
Box   41
Folder   6
Revised script, post June 25, 1978
Box   41
Folder   7-8
Second draft script by Glass and Ernest Kinoy, July 10, 1978
Box   42
Folder   1
Revisions, July 1978
Box   42
Folder   2
Shooting draft script by Glass and Ernest Kinoy, July 25, 1978
Part Five -- “Hard Times”
Box   42
Folder   3
First draft script by Thad Mumford, April 25, 1978
Box   42
Folder   4
First draft script by Mumford, treatment by Ernest Kinoy, May 3, 1978
Box   42
Folder   5
Second draft script by Mumford, July 17, 1978
Box   42
Folder   6
Second draft script by Mumford(annotated) and letter, July 17, 1978
Box   42
Folder   7
Revised draft by Mumford, August 7, 1978
Box   42
Folder   8
Revisions, August-September 1978
Part Six
Box   43
Folder   1
Second draft script by John McGreevey, treatment by Ernest Kinoy, June 16, 1978
Box   43
Folder   2
Second draft script (annotated), June 16, 1978
Box   43
Folder   3
Second draft script (annotated), August 14, 1978
Box   43
Folder   4
Revisions, September 1978
Part Seven -- “The Search”
Box   43
Folder   5
Script (annotated), ante October 12, 1978
Box   43
Folder   6
Script, October 12, 1978
Box   43
Folder   7
Script, October 27, 1978
Box   43
Folder   8
Script (early?), undated
Route 66
“I Wouldn't Start from Here”
Box   44
Folder   1
Outline, undated
Box   44
Folder   1
Script, undated
Box   44
Folder   1
Script, August 29, 1963
Box   44
Folder   1
Script, September 3, 1963
[The Rover]
Note: Production information unknown
Box   44
Folder   2
Project Proposal, undated
Rx--For the Defense
Note: Titus Productions, proposed pilot, film made and shown on CBS
Box   44
Folder   3
Presentation, undated
“The Prisoner of Plattsville”
Box   44
Folder   4
Pilot Story, “The Prisoner of Castleton,” undated
Box   44
Folder   4
Script, “The Prisoner of Castleton,” undated
Box   44
Folder   5
Script, December 14, 1971
Box   44
Folder   5
Revised Script, December 27, 1971
Saints and Sinners
Note: Four Star TV, 1962-1963. Original network NBC
Box   44
Folder   6
Presentation, by Adrian Spies, undated
Box   44
Folder   6
Fact Sheet, May 22, 1962
“A Shame for a Diamond Wedding”
Box   44
Folder   7
3 Outlines, undated
Box   44
Folder   7
Notes and Letter, March 23, 1961, undated
Box   44
Folder   7
Script, undated
Box   44
Folder   8
Script, undated
Box   44
Folder   9
Script, July 16, 1962
Box   44
Folder   9
Revisions, July 8-August 21, 1962, undated
Box   44
Folder   9
Revised Script, September 24, 1962
Sam Thompson and the Supreme Court
Note: Concepts Unlimited and Patterton Productions, other production information unknown
Box   44
Folder   10
Revised Treatment, by Coleman Jacoby, undated
Sea to Shining Sea
Note: John H. Secondari Productions, Ltd., premiered September 1974. Syndicated
“Give Me Liberty” #1
Box   44
Folder   11
Script, undated
Box   44
Folder   11
Script, October 28, 1973
[“Episode #2”]
Box   44
Folder   12
Script, undated
Box   44
Folder   12
First Draft Script, April 18, 1974
Box   44
Folder   12
Revisions, April 26, 1974
The Senator
Note: Universal TV, 1970-1971. Original network NBC. Working Title: Man of Destiny. Aired as part of The Bold Ones
“George Washington Is a Liar!”
Box   45
Folder   1
Treatment, undated
“The Hundred Dollar a Plate Dinner”
Box   45
Folder   2
Treatment, “Good Fences...,” undated
Box   45
Folder   2
Treatment, May 15, 19[70]
Box   45
Folder   3
Script, undated
Box   45
Folder   3
Script, June 28, 1970
The Sisters
Note: Proposed comedy series for ABC, unproduced
Box   45
Folder   4
2 Ideas, “Kill the Baby Pink,” by Manya Starr and Ernest Kinoy, undated
Box   45
Folder   4
Notes, undated
Box   45
Folder   4
2 Synopses, undated
Box   45
Folder   4
Synopsis, fragment, annotated, undated
Box   45
Folder   5
Script, fragment, by Manya Starr and Ernest Kinoy, undated
Box   45
Folder   5
2 Scripts, undated
Box   45
Folder   5
Revisions, annotated, undated
The Story of David
Note: Mildred Freed Alberg Productions in association with Columbia Pictures Television, April 9 and 11, 1976. Original network ABC
Box   45
Folder   6
Correspondence, February-March 1975
“David and King Saul” (Part I)
Box   45
Folder   7
Script, “David and Saul,” undated
Box   45
Folder   8
Script, original, “David and Saul,” undated
Box   45
Folder   9
Script, photocopy, “David and Saul,” undated
Box   45
Folder   10
Script, annotated, undated
Box   45
Folder   11
Script, including a cover letter, June 19, 1975
“David the King” (Part II)
Box   46
Folder   1
Treatment, slightly annotated, undated
Box   46
Folder   1
Treatment, fragment, undated
Box   46
Folder   2
Script, undated
Box   46
Folder   2
Script, June 15, 1975
The Story of Jacob and Joseph
Note: Milberg Theatrical Productions in association with Screen Gems, April 7, 1974. Original network ABC. Premiered on ABC Sunday Night Movie
Box   46
Folder   3
Notes, undated
Box   46
Folder   3
Revised Script, by David Davidson, December 11, 1972
Box   46
Folder   4
Script, “Jacob,” undated
Box   46
Folder   4
Revisions, December 15, 1972-June 27, 1973; undated
Box   46
Folder   5
Script, fragment, “Joseph and His Brothers,” undated
Box   46
Folder   5
New and Revised Script, “Joseph and His Brothers,” June 30, 1973
Tell It to the Judge
Note: Production information unknown
Box   46
Folder   6
Proposal, by Manya Starr and Ernest Kinoy, undated
Theodore! or: Young Mr. Roosevelt Before the Charge!
Note: Wolper Productions, other production information unknown
Box   46
Folder   7
Research Material and Correspondence, 1974-1975
Box   46
Folder   7
Outline, undated
Box   46
Folder   7
Script, undated
Box   46
Folder   8
Script, November 15, 1974
Box   46
Folder   8
Revised Script, January 10, 1975
Box   46
Folder   8
Revisions, November 4, 1974-January 19, 1975
Tiger Ride
Note: Production information unknown
Box   46
Folder   9
Synopsis, “The Doctors of Two Tiger Hill,” undated
Box   46
Folder   9
Synopsis, undated
Box   46
Folder   9
2 Scripts, undated
Under the Sun
Note: Proposed series for CBS
Box   46
Folder   10
2 Synopses, including a cover letter, undated
An Unreasonable Man
Note: Production information unknown
Box   46
Folder   11
Project Proposal, undated
Box   46
Folder   11
Revised Project Proposal, February 16, 1970
Box   47
Folder   1
Unidentified Scene Outline and Script Fragment, undated
Untitled Screenplay
Box   47
Folder   2
Script, by Ernest Kinoy and Ronald Milner, original story by Sidney Poitier, January 30, 1969
Victory at Entebbe
Note: David L. Wolper Productions, December 13, 1976. Original network ABC
Box   47
Folder   3
Research Material, 1976
Box   47
Folder   4-5
Script, original, ”Ordeal at Entebbe,” including a cover letter, undated
Box   47
Folder   6-7
Script, photocopy, “Ordeal at Entebbe,” undated
Box   47
Folder   8
Final Script, “Ordeal at Entebbe,” October 22, 1976
Box   48
Folder   1
Script, “Ordeal at Entebbe,” undated
Box   48
Folder   2
Script, “Ordeal at Entebbe,” undated
Box   48
Folder   3
Final Draft Script, “Ordeal at Entebbe,” October 23, 1976
Box   48
Folder   4
Final Draft Script, November 6, 1976
Well? -- Well, What?
Note: Production information unknown
Box   48
Folder   5
Script, undated
What I Did Last Summer
Note: Production information unknown
Box   48
Folder   6
Outline, by Manya Starr and Ernest Kinoy, undated
Box   48
Folder   6
Revised Script, fragment, November 22, 1971
The World of If
Note: Series prepared for CBS
Box   49
Folder   1
Treatment, undated
Box   49
Folder   1
Budget, undated
Box   49
Folder   1
2 Scripts, undated
The Xerxes Head
Note: Proposal. Unproduced
Box   49
Folder   2
Outline, by Manya Starr and Ernest Kinoy, undated
Ye Gods!
Note: Pilot prepared for CBS, bought but unproduced, 1960s
“Uncle B Is Back”
Box   49
Folder   3
2 Synopses, undated
Box   49
Folder   3
Script, undated
Box   49
Folder   3
Revised Script, October 26 [?]
Box   49
Folder   4
Script, undated
The Young Ones
Note: Production information unknown
Box   49
Folder   5
Proposal, undated
Your Living Minute
Note: Unproduced
“What, For Heaven Sake, Is Capital?”
Box   49
Folder   6
Script, undated
Subseries: Motion Pictures
Brother John
Note: E & R Productions, 1971. Columbia
Box   49
Folder   7
2 Outlines, undated
Box   49
Folder   7
Outline, “The Judge,” undated
Box   9
Folder   7
Scene Breakdown, undated
Box   49
Folder   8
Script, fragment, undated
Box   49
Folder   8
Script, undated
Box   49
Folder   9
Script and Letter, circa October 1969
Box   49
Folder   10
Script, “Kane,” December 6, 1969
Box   49
Folder   11
Discarded Pages and Revisions, January 30-March 3, 1970
Box   50
Folder   1
Revised Script, “Kane,” annotated, February 19, 1970
Buck and the Preacher
Note: E & R Productions-Belafonte Enterprises Co., 1972. Columbia
Box   50
Folder   2
Script, undated
Box   50
Folder   3
Revised Script, November 4, 1970
Box   50
Folder   3
Final Draft Script, November 23, 1970
Come Back Charleston Blues
Note: Formosa Productions, other production information unknown. Appeared under Kinoy's pseudonymn “Bontehe Schweig”
Box   50
Folder   4
4 Step Outlines, “The Heat's On,” by Ossie Davis, August 25, 1970-January 20, 1971
Box   50
Folder   5
Script, “Hot Turkey Comes to Harlem,” undated
Box   50
Folder   6
Notes on Second Draft Script, “The Heat's On,” undated
Box   50
Folder   7
Script, incomplete, undated
Box   50
Folder   7
Script, undated
Box   50
Folder   8
Script, October 19, 1971
Box   51
Folder   1
Script, undated
Box   51
Folder   2
Fourth Draft Script, undated
Box   51
Folder   3
Fifth Draft Script, annotated, November 5, 1971
Box   51
Folder   4
Fifth Draft Script, November 5, 1971
Box   51
Folder   5
Script, by Bernice Williams, March 27, 1972
Box   51
Folder   6
Miscellaneous Script Pages, undated
If I Had a Hammer
Note: E & R Productions. Prepared for Sydney Poitier Productions under Columbia Pictures. Dropped for political considerations
Box   51
Folder   7
Script, June 23, 1969
Leadbelly
Note: Paramount, 1976
Box   52
Folder   1
2 Film Treatments, undated
Box   52
Folder   2
Script, undated
Box   52
Folder   3
Script, March 24, 1973
Box   52
Folder   4
Script, annotated, March 24, 1973
Box   52
Folder   5
Script, undated
Box   52
Folder   6
Replaced Pages and Revisions, January-February 1973
Box   52
Folder   7
Revisions, March 1973
Box   53
Folder   1
Revised Pages, February 1973
Box   53
Folder   2
Revised Pages, including a cover letter, March 19-24, 1973
Box   53
Folder   3
Replaced [?] Pages, undated
Law Suit
Box   53
Folder   4
Interrogatories and Miscellaneous Evidential Documents, 1976, undated
Box   53
Folder   5
Evidential Documents: The Leadbelly Songbook (NY: Oak Publications, 1962) and The Leadbelly Legend (NY: Folkways Music, 1965)
Box   53
Folder   6
Correspondence, June 1976-May 1977
Box   53
Folder   7
Letter and Enclosures, including a photocopy of the John and Alan Lomax book Negro Folk Song as Sung by Leadbelly, 1936, 1977
Box   53
Folder   8
Letter and Enclosures, including Marc Merson depositions, 1976-1977
Box   53
Folder   8A
Promotional booklet
Shadow of the Bridge
Note: Universal City Studios, production dropped
Box   53
Folder   9
First Draft Script, October 21, 1966
Subseries: Radio
Hell Was My Destiny
Note: NBC, other production information unknown
Box   53
Folder   10
Script, annotated, undated
Modern Romances
Note: WNBC and NET, 11-11:30 a.m., Saturdays
[“Horse Race”] #2 (March 14, 1953)
Box   53
Folder   11
Script, March 11, 1953
“Badger Game” #13 (May 23, 1953)
Box   54
Folder   1
Script, by Ernest Kinoy, May 20, 1953
NBC Theater
Note: NBC, 1948-1950 on Sunday nights; 1950-1951 on Wednesday nights. Formerly NBC University Theater)
“The Short Happy Life of Francis Macomber” (June 10, 1951)
Box   54
Folder   2
Script, by Ernest Hemingway, adapted by Ernest Kinoy, June 7, 1951
NBC University Theater
Note: NBC, 1948-1950 on Sunday nights; 1950-1951 on Wednesday nights. Name changed to NBC Theater in 1949.
“The Adventures of Huckleberry Finn” #37 (April 17, 1949)
Box   54
Folder   3
2 Scripts, fragments, adapted by Ernest Kinoy, undated
Box   54
Folder   3
Script, by Mark Twain, adapted by Ernest Kinoy, April 17, 1949
Box   54
Folder   3
Revised Script, by Mark Twain, adapted by Ernest Kinoy, April 17, 1949
“Gulliver's Travels” (February 6, 1949)
Box   54
Folder   4
2 Scripts, by Jonathan Swift, adapted by Frank and Virginia Wells, revised by Ernest Kinoy, undated
Box   54
Folder   4
Revised Script, by Jonathan Swift, adapted by Frank and Virginia Wells, revised by Ernest Kinoy, undated
“Of Human Bondage” (November 14, 1948)
Box   54
Folder   5
Script, by Somerset Maugham, adapted by Ernest Kinoy, undated
Box   54
Folder   5
Script, by Somerset Maugham, adapted by Ernest Kinoy, annotated, undated
Box   54
Folder   5
Revised Script, by Somerset Maugham, adapted by Ernest Kinoy, November 14, 1948
“The Short Happy Life of Francis Macomber” (November 21, 1948)
Box   54
Folder   6
Script, by Ernest Hemingway, adapted by Ernest Kinoy, undated
Box   54
Folder   6
Script, by Ernest Hemingway, adapted by Ernest Kinoy, annotated, undated
Box   54
Folder   7
Revised Script, by Ernest Hemingway, adapted by Ernest Kinoy, undated
Woman in Love
Note: NBC, weekday afternoons, other productions information unknown
“Call Girl” #4
Box   54
Folder   8
Script, September 26, 1953
Box   54
Folder   8
Script, April 3, 1954
[“Episode #37A”] (November 17, 1954)
Box   54
Folder   9
Script, January 10, 1953
[“Episode #112A”] (March 3, 1955)
Box   54
Folder   10
Script, May 12, 1951
[“Episode #115A”] (March 8, 1955)
Box   54
Folder   11
Script, January 24, 1954
[“Episode #121A”] (March 16, 1955)
Box   54
Folder   12
Script, December 20, 1952
“The American”
Box   54
Folder   13
Script, undated
X Minus One!
Note: NBC in cooperation with Galaxy Science Fiction Magazine, other production information unknown
“Volpla” #108 (August 29, 1957)
Box   54
Folder   14
2 Scripts, by Wyman Guin, adapted by Ernest Kinoy, ante August 26, 1957
Box   54
Folder   14
Revised Script, by Wyman Guin, adapted by Ernest Kinoy, August 26, 1957
“Saucer of Loneliness” (September 5, 1957)
Box   55
Folder   1
2 Scripts, by George Voutsas, adapted by George Lefferts, September 3, 1957
“The Old Die Rich” (September 12, 1957)
Box   55
Folder   2
2 Scripts, by H. L. Gold, adapted by Ernest Kinoy, September 10, 1957
“Tsylana” #111 (September 19, 1957)
Box   55
Folder   3
Script, by James E. Gunn, adapted by George Lefferts, September 17, 1957
“The Native Problem” (September 26, 1957)
Box   55
Folder   4
2 Scripts, by Robert Sheckley, adapted by William Welch, September 24, 1957
“A Wind Is Rising” (October 3, 1957)
Box   55
Folder   5
2 Scripts, by Finn O'Donnevan, adapted by George Lefferts, October 1, 1957
“Death Wish” #114 (October 10, 1957)
Box   55
Folder   6
2 Scripts, by Ned Lang, adapted by William Welch, October 8, 1957
“Point of Departure” #115 (October 17, 1957)
Box   55
Folder   7
2 Scripts, by Vaughan Sheldon, adapted by Ernest Kinoy, October 15, 1957
“The Light” #116 (October 24, 1957)
Box   55
Folder   8
2 Scripts, by Paul Anderson, adapted by William Welch, October 22, 1957
“Lulu” #117 (October 31, 1957)
Box   55
Folder   9
2 Scripts, by Clifford D. Simak, adapted by George Lefferts, October 15, 1957
“The Coffin Cure” #118 (November 7, 1957)
Box   55
Folder   10
2 Scripts, by Alan Nourse, adapted by Ernest Kinoy, October 1957
“The Shock Troop” #119 (November 28, 1957)
Box   55
Folder   11
2 Scripts, by Daniel Galouye, adapted by George Lefferts, November 14, 1957
“The Haunted Corpse” #120
Box   55
Folder   12
2 Scripts, by Frederik Pohl, adapted by William Welch, November 18, 1957
“Double Dare” #121
Box   55
Folder   13
Script, by Robert Silverberg, adapted by William Welch, November 26, 1957
“Target One” #122
Box   55
Folder   14
2 Scripts, by Frederik Pohl, adapted by George Lefferts, December 3, 1957
“Prime Difference” (January 2, 1957)
Box   55
Folder   15
2 Scripts, by Alan E. Nourse, adapted by George Lefferts, January 2, 1957
“Gray Flannel Armor” (January 9, 1958)
Box   55
Folder   16
2 Scripts, by Finn O'Dannovan, adapted by William Welch, December 17, 1957
Subseries: Theater
Bajour
Note: Production information unknown
Box   55
Folder   17
5 Synopses, Letter, and Miscellany, 1962, undated
Box   55
Folder   18
Miscellaneous Pages, circa 1963-1966
Box   56
Folder   1
2 Scripts, fragments, undated
Box   56
Folder   2
Script, fragment, January 7, 1963
Box   56
Folder   3
2 Scripts, fragments, undated
Box   56
Folder   4
Script, undated
Box   56
Folder   5
Production Script, book by Ernest Kinoy, music and lyrics by Walter Marks, November 23, 1964
The Devil to Dicker
Note: Play version of a Playhouse 90 script titled “Shadows Tremble”
Box   56
Folder   6
Script, undated
Ethical Culture: The First Hundred Years
Note: Production information unknown
Box   56
Folder   7
Research Material, circa 1876-1975, undated
Box   56
Folder   8
Script, fragment, undated
Box   56
Folder   8
Script, by Ernest Kinoy and Daniel Powers Kinoy, undated
The Ghost Goes West
Note: Production information unknown
Box   57
Folder   1
Character and Scene Outline, undated
Box   57
Folder   1
Scene Outline, November 21, 1966
Box   57
Folder   1
Miscellany, June 29, 1967, undated
Box   57
Folder   1
Script, undated
Box   57
Folder   2
Revised Pages, undated
Something About a Soldier (1962)
Box   57
Folder   3
Typed script by Ernest Kinoy, pre September 15, 1961
Box   57
Folder   4
Mimeo script, September 15, 1961
Box   57
Folder   5
Mimeo script (annotated), post September 15, 1961
Box   57
Folder   6
Mimeo script, January 24, 1962
Box   57
Folder   7
Revisions, October-December 1961
Box   57
Folder   8
Watercolor set designs and story, undated
Series: Part 3, 1991 Additions, 1947-1987
Subseries: Television
American Playhouse
Box   58
Folder   1
“The Cafeteria”
Box   58
Folder   1
Typed script (annotated) by Ernest Kinoy, undated
Box   58
Folder   2
Typed script (annotated) by Ernest Kinoy, April 30, 1983
“A Day in Coney Island”
Box   58
Folder   3
Proposal and outline by Ernest Pendrell
Box   58
Folder   4
Publicity, 1984
Barney Blake: Police Reporter
“Case of the Blackmailing Ghost”
Box   58
Folder   5
Treatment by Ernest Kinoy, undated
Barnum
Box   58
Folder   6
Treatment by Ernest Kinoy, undated
Benny's Place
Box   58
Folder   7
Mimeo script, by J.R. Caleb, January 6, 1982
The Big Story
Ernie Hood, #157
Box   58
Folder   8
Typed script by Ernest Kinoy, undated
Box   58
Folder   8
Typed script (annotated), undated
Box   58
Folder   8
Typed script (annotated), undated
Box   58
Folder   8
Mimeo script (annotated), circa August 31, 1951
John Kamps, #162
Box   58
Folder   9
Mimeo script (annotated) by Ernest Kinoy, circa October 5, 1951
Carl de Bloom, #166
Box   58
Folder   10
Typed script by Ernest Kinoy, undated
Box   58
Folder   10
Typed script by Ernest Kinoy, circa November 2, 1951
Box   58
Folder   10
Revised mimeo script, circa November 2, 1951
William A. White, #168
Box   58
Folder   11
Typed script, undated
Box   58
Folder   11
Revised mimeo script, circa November 16, 1951
Marshall Morgan, #173
Box   58
Folder   12
Typed script, undated
Box   58
Folder   12
Mimeo script by Ernest Kinoy, circa December 21, 1951
Box   58
Folder   12
Mimeo script (annotated), undated December 21, 1951
Martha Strayer, #177
Box   58
Folder   13
Mimeo script by Ernest Kinoy, circa January 18, 1951
Paul McCarthy, #180
Box   59
Folder   14
Typed script, undated
Box   58
Folder   14
Mimeo script by Ernest Kinoy, circa February 8, 1952
Theodore MacFarlane
Box   59
Folder   1
Typed script (annotated), undated
Box   59
Folder   1
Typed script fragment, undated
Clayton Maxwell
Box   59
Folder   2
Typed script, undated
Arville Schalebin
Box   59
Folder   3
Typed script by Ernest Kinoy, undated
Bill of Rights
Correspondence, 1986-1988
Bodyguard of Lies
Box   59
Folder   5
Treatments, undated
Box   59
Folder   6-7
Mimeo series treatment by Ernest Kinoy, undated
Boston
Box   59
Folder   8
Treatment by Ernest Kinoy, undated
Box   59
Folder   9
Treatment by Ernest Kinoy, undated
Box   59
Folder   10
Treatment by Ernest Kinoy, January 10, 1983
Box   59
Folder   11
Treatment, undated
Box   60
Folder   1
Mimeo treatment, undated
Box   60
Folder   2
Unidentified interview transcript and James Wiley interview transcript, July 11, 1980
Break a Leg
Box   60
Folder   3
Treatment by Manya Starr and Ernest Kinoy, undated
Change at 125th Street
Box   60
Folder   4
Revised mimeo script (annotated) February 14-19, 1974
Box   60
Folder   5
Mimeo script, February 20, 1974
Chaplin
Box   60
Folder   6
Treatment by Ernest Kinoy, pre October, 1979
Box   60
Folder   7
Treatment, October, 1979
Box   60
Folder   8
“Charlie” typed script (annotated) by Ernest Kinoy, undated
Box   60
Folder   9
Typed script, September 1, 1980
Box   60
Folder   10
“Chaplin” typed script, September 30, 1980
Box   60
Folder   11
Typed script, December 16, 1980
Box   60
Folder   12
Typed script, November 10, 1981
Box   61
Folder   1
Rehearsal script, January 25, 1982
Box   61
Folder   2
Revised typescript, February 22, 1982
Box   61
Folder   3
Contracts and related correspondence, 1981-1983
Box   61
Folder   4
Lyrics, undated
Clock
“The Narrow Edge”
Box   61
Folder   5
Treatment, undated
Box   61
Folder   5
Three typed scripts by Ernest Kinoy, circa November 20, 1950
“The Hideout”
Box   61
Folder   6
Mimeo script by Ernest Kinoy, April 5, 1950
“Confidence Man”
Box   61
Folder   7
Typed script by Ernest Kinoy, undated
Crawl Space
Box   61
Folder   8
Revised mimeo script by Ernest Kinoy, November 12, 1971
Cry Out the Early Spring
Box   61
Folder   9
Typed script by Ernest Kinoy, undated
The Dreyfuss Affair
Box   61
Folder   10
“Affair” typed script by Ernest Kinoy, pre March 12, 1974
Box   61
Folder   11
Mimeo script by Ernest Kinoy, March 19, 1974
Empire
Box   62
Folder   1
Treatment by Ernest Kinoy and Manya Starr, September 16, 1980
The Firm
Box   62
Folder   2
Treatment, undated
“Oliphant, Babcock, Boyle, Cohen, and Holland”
Box   62
Folder   3
Typed script by Ernest Kinoy, undated
“Some You Can't Get Tickets To”
Box   62
Folder   4
Mimeo script by Ernest Kinoy, December 9, 1981
“The Trial of Zoe Simpson”
Box   62
Folder   5
Treatment by Louisa Bisogno, April 21, 1982 and notes
“The Whistle Blower”
Box   62
Folder   6
Treatment by Ernest Kinoy, undated
Box   62
Folder   6
Typed script by Ernest Kinoy, undated
Box   62
Folder   7
Mimeo script, undated
“Against Her Will”
Box   62
Folder   8
“This Is My Weapon, This Is My Gun.” Typed script by Louisa Burns-Bisogno, undated
Box   62
Folder   9
Typed script (annotated), undated
Box   62
Folder   9
Correspondence, notes, clippings, undated
From the Top
Box   62
Folder   10
Treatment by Ernest Kinoy, undated
Box   62
Folder   10
Typed script, undated
Good-Bye to the Clown
Box   62
Folder   11
Treatment by Ernest Kinoy, undated
Box   62
Folder   11
Treatment, undated
Box   62
Folder   11
Typed script by Ernest Kinoy, undated
Good Fences
Box   62
Folder   12
Treatment by Ernest Kinoy, undated
Goodyear/Philco TV Playhouse
“Christmas 'Til Closing”
Box   62
Folder   13
Mimeo script by Ernest Kinoy, December 18, 1956
“Confidence Man”
Box   61
Folder   7
Typed script (annotated) by Ernest Kinoy, undated
“The Gene Austin Story”
Box   62
Folder   14
Mimeo script by Ernest Kinoy, April 21, 1957
“Missouri Legend”
Box   62
Folder   15
Typed script by Ernest Kinoy, undated
Box   63
Folder   1
Mimeo script (annotated), pre October 7, 1956
Box   63
Folder   2
Mimeo script, pre October 7, 1956
“Parking Ticket”
Box   63
Folder   3
Treatments by Ernest Kinoy, undated
Box   63
Folder   3
Typed script by Ernest Kinoy, undated
Box   63
Folder   3
Correspondence, 1959
“Weekend in Vermont”
Box   63
Folder   4
Treatment by Ernest Kinoy, and notes, undated
Box   63
Folder   5
Typed script (annotated) by Ernest Kinoy, January 6, 1957
Box   63
Folder   6
Watercolor set design, undated
The Great Freeman Field Mutiny
Box   63
Folder   7
Revised mimeo script by Ernest Kinoy, April 10, 1981
Box   63
Folder   8
Research
Green Thumb in the City
Box   63
Folder   9
Typed script by Ernest Kinoy, undated
Harvard Crime Lab
Box   63
Folder   10
Notes and research material, undated
Heartbeat
Box   63
Folder   11
Typed script by Ernest Kinoy, undated
Box   63
Folder   11
Typed script, undated
Box   63
Folder   11
Mimeo script, undated
Hemingway Triangle
Box   63
Folder   12
“Hemingway Triad,” treatment by Ernest Kinoy, undated
Box   63
Folder   13
“Hemingway on the Horns” typed script by Ernest Kinoy, undated
Box   63
Folder   14
Research, Transcript of interview With Allen Tate, undated
Henderson's Monster
Box   63
Folder   15
“Henderson's Monster,” treatment by Ernest Kinoy, undated
Box   63
Folder   16
“Henderson Monster,” typed script by Ernest Kinoy, April 22, 1979
Box   64
Folder   1
Revised mimeo script, May 24, 1979
Box   64
Folder   2
Revised mimeo script, post May 24, 1979
Box   64
Folder   3
Research, undated
Hollywood Ten
Box   64
Folder   4
Treatment by Ernest Kinoy, May 16. 1986
Box   64
Folder   5
“Trumbo: The Hollywood Ten,” typed script by Ernest Kinoy, undated
Box   64
Folder   6
Correspondence, 1987
Homer Bell
Box   64
Folder   7
Treatment by Ernest Kinoy, undated
Box   64
Folder   7
Typed script by Ernest Kinoy, undated
Box   64
Folder   7
“The Dress,” mimeo script by Ernest Kinoy, undated
Humbug
Box   64
Folder   8
Treatment by Ernest Kinoy, undated
The Imogene Coca Show
Box   64
Folder   9
Three treatments and character treatment by Ernest Kinoy, undated
Box   64
Folder   10
Program #1, “Face to Face,” mimeo script by Ernest Kinoy, Lucille Kallen, and Max Wilk, undated
Box   64
Folder   10
Program #18, Mimeo script, circa March 5, 1955
Jack and Rachel
Box   64
Folder   11
Treatment by Ernest Kinoy, undated
Box   65
Folder   1
Part II
Box   65
Folder   2-3
Typed script by Ernest Kinoy, February 2, 1980
Jane
Box   65
Folder   4
Character treatment, undated
Box   65
Folder   5
Treatment by Ernest Kinoy, January 30, 1985
Box   65
Folder   6
“Death at Thirteen Point Seven,” typed script by Ernest Kinoy, undated
Box   65
Folder   7
Correspondence, research, and notes, 1984-1985
Johnny Staccato
Box   65
Folder   8
Treatments by Ernest Kinoy, 1959
Keogh and Golem
Box   65
Folder   9
Treatment by Ernest Kinoy, undated
King of the Bayous
Box   65
Folder   10
2 typed scripts by Ernest Kinoy, undated
Box   65
Folder   10
Notes, undated
Law and Mr. Jones
“Fool for a Client”
Box   65
Folder   11
Typed script by Ernest Kinoy, undated
Leave It to Liz
Box   65
Folder   12
Three treatments by Ernest Kinoy, undated
“The Sitter”
Box   65
Folder   13
Typed scripts by Ernest Kinoy, undated, and two incomplete scripts
Lights Out
“The Strange Case of John Kingman,” #18
Box   65
Folder   14
Mimeo script adapted by Ernest Kinoy, March 6, 1950
“The Gloves of Gino,” #26
Box   65
Folder   15
Mimeo script adapted by Ernest Kinoy, May 1, 1960
“The Man with the Astrakhan Hat,” #67
Box   65
Folder   15
Mimeo script by Ernest Kinoy, March 5, 1951
“The Witness,” #73
Box   66
Folder   1
Treatment by Ernest Kinoy, undated
Box   66
Folder   1
Typed script by Ernest Kinoy, undated
Box   66
Folder   1
Mimeo script by Ernest Kinoy, April 16, 1951
“The Projective Mr. Drogan”
Box   66
Folder   2
Typed script adapted by Ernest Kinoy, undated
Lincoln
Box   66
Folder   3
Treatment by Ernest Kinoy, circa December 1984
Box   66
Folder   4
Typed script (first un-cut draft) by Ernest Kinoy, undated
Box   66
Folder   5
Script (first cut draft), undated
Box   66
Folder   6
Typed script (second draft), September 3, 1985
Box   66
Folder   7
Typed script (third draft), undated
Box   66
Folder   8
Typed script (fourth draft), undated and notes
Box   67
Folder   1
Mimeo script (fifth draft), January 14, 1987
Box   67
Folder   2
Mimeo script (final draft), September 14, 1987
Box   67
Folder   3
Theatrical mimeo script by Gore Vidal, undated
Box   67
Folder   4
Notes and correspondence, undated
The Lord's Dollar
Box   67
Folder   5
Typed script by D.J. Powers, undated
Magnificat
Box   67
Folder   6
“Bach and the Heavenly Choir,” treatment by Ernest Kinoy, undated, and correspondence
Box   67
Folder   7
Mimeo script (first draft) by Ernest Kinoy, December, 1971-January, 1972
Box   67
Folder   8
Typed script, circa February 13, 1972
Box   67
Folder   9
Mimeo script, pre August 1, 1972
Box   68
Folder   1
Mimeo script, August-November, 1972
Box   68
Folder   2
Mimeo script, post November, 1972
Box   68
Folder   3
Mimeo script, November 9, 1976
Box   68
Folder   4
Revised mimeo script, April 1, 1980
Box   68
Folder   5