Where extremes meet : rereading Brecht and Beckett = Begegnung der Extreme : Brecht und Beckett : eine Re-interpretation
Source:
Brockmann, Stephen, Editor
Where extremes meet : rereading Brecht and Beckett = Begegnung der Extreme : Brecht und Beckett : eine Re-interpretation
ISSN 0734-8665| ISBN: 0-9718963-0-5
(The Brecht Yearbook, 27)
International Brecht Society ; Distribution, University of Wisconsin Press, 2002
v. 27 ; x, 232 p. : ill., facsims. ; 23 cm.
URL to cite for this work: http://digital.library.wisc.edu/1711.dl/German.BrechtYearbook027
Contents
[Cover] Where extremes meet: rereading Brecht and Beckett: begegnung der extreme. Brecht und Beckett: eine re-interpretation: the Brecht Yearbook 27, pp. [unnumbered]-[i]
[Title page] Begnung [Begegnung] der Extreme: Brecht und Beckett: Eine Re-interpretation: Das Brecht-Jahrbuch 27, pp. [ii]-[iv]
The International Brecht Society, pp. [v]-[vi]
Contents, pp. vii-viii
Editorial, pp. ix-x
Introduction, Tatlow, Antony pp. [1]-7
Saying yes and saying no: Schopenhauer and Nietzsche as educators, Tatlow, Antony pp. 8-42
Brecht and Beckett in the theater I, Lehmann, Hans-Thies, et al. pp. [43]-63
Among the deepening shades: the Beckettian moment(um) and the Brechtian arrest, Blau, Herbert pp. 64-81
Discussion of Herbert Blau's "Among the deepening shades", Blau, Herbert pp. 82-93
Through the lens of Heiner Müller: Brecht and Beckett--three points of plausible convergence for the future, Kalb, Jonathan pp. 94-120
Brecht and Beckett in the theater II, Frost, Everett, et al. pp. [121]-161
Time and time again: playing Brecht and Beckett's real time in the digital age, Case, Sue-Ellen pp. 162-177
Feminst theater and the Brechtian tradition: a retrospect and a prospect, Sakellaridou, Elizabeth pp. 178-198
Book reviews: Spartakus: Simbologia della rivolta, Greaney, Patrick pp. [199]-200
Schräge Töne. Jazz und Unterhaltungsmusik in der Kultur der Weimarer Republik; The Soviet proletarian music movement, Rippey, Theodore pp. 200-205
Das Lehrstück Bertolt Brechts: Untersuchungen zur Theorie und Praxis einer zweckbestimmten Musik am Beispiel von Paul Hindemith, Kurt Weill, und Hanns Eisler, Roessler, Norman pp. 205-207
Brecht's poetry of political exile, Soldovieri, Stefan pp. 207-209
Brecht und seine Komponisten, Stegmann, Vera pp. 209-214
Space and time in epic theater: the Brechtian legacy; Play is play: theatrical illusion in Chinese Wall by Frisch and other "epic" plays by Brecht, Wilder, Hazelton, and Li, van den Berg, Klaus pp. 215-219
"Erinnern ist Leben": Eine Dramatische Autobiographie, Weber, Carl pp. 219-223
Shakespeare, Brecht, and the intercultural sign, Kintz, Linda pp. 223-227
The theater of Tony Kushner: living past hope, Roessler, Norman pp. 228-230
Books received, pp. [231]-232 ff.
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