Intersections
Source:
van Dijk, Maarten, Editor
Intersections
ISSN 0734-8665| ISBN: 0-9623206-8-4
(The Brecht Yearbook, 21)
International Brecht Society, University of Waterloo ; Distribution, University of Wisconsin Press, 1996
v. 21 ; x, 333 p. : ill. ; 23 cm.
URL to cite for this work: http://digital.library.wisc.edu/1711.dl/German.BrechtYearbook021
Contents
[Cover] The Brecht Yearbook 21: International Brecht Society: Intersections: Schnittpunkte, pp. [unnumbered]-[i]
[Title page] Schnittpunkte: Das Brecht-Jahrbuch 21, pp. [ii]-[iv]
The International Brecht Society, pp. [v]-[vi]
Contents, pp. vii-viii
Editorial, van Dijk, Maarten pp. ix-[xi]
Collective productivity - Brecht and his collaborators, Lyon, James K. pp. [xii]-19
Brecht, Seghers, and The Trial of Jeanne d'Arc - with a previously unpublished letter of 1952 from Seghers to Brecht, Fehervary, Helen pp. 20-47
"Ja, damals waren wir Dichter": Hanns Otto Münsterer, Bertolt Brecht and the dynamics of literary friendship, Kuhn, Tom pp. 48-67
Bertolt Brecht and Frieda Bloom: loving Brecht?, Mews, Siegfried pp. 68-83
"Dieses Chicago, das haben Männer aufgebaut?" Elisabeth Hauptmanns Kurzprosa der zwanziger Jahre, Führich, Angelika pp. 84-99
Brecht and the Jews, Voigts, Manfred pp. 100-123
The prodigal son and the family In the Jungle: notes on Brecht's early Chicago play and its contemporary American staging, Weber, Carl pp. 124-139
La nuova commedia dell'arte: Ferruccio Busoni als Vorläufer von Brecht und Weill, Stegmann, Vera pp. 140-157
"Words make you think, music makes you feel. And songs make you feel thoughts": the function of song and music in Brecht's and Eisler's The Measures Taken, Highkin, John G. pp. 158-177
Bringing the culinary principle under discussion: John Cage, Bertolt Brecht, and the opera, Rivera, Nelson pp. 178-189
Das Gemeinsame im Trennenden: Brecht und Felsenstein, Hermand, Jost pp. 190-203
Brechts Fischschule - mehr aus dem Wasser geholt, als aus der Luft gegriffen?, Knust, Herbert pp. 204-219
From Shen Te to Shui Ta: gendered reading, utopian communism and stalinism, Thompson, Peter pp. 220-243
Wolf Biermann und Brechts Dialektik, Werres, Peter pp. 244-259
Die kurze Zeit der Brechtschen Kulturrevolution: Fragment einer deutschen Epochentypologie, Mennemeier, Franz Norbert pp. 260-273
Literaturwissenschaft oder Weltveränderung: Bemerkungen zu Reiner Steinwegs Kritik, Krabiel, Klaus-Dieter pp. 274-[288]
Thoughts on a walking corpse: the Berliner Ensemble five years after the "Wende", Linzer, Martin pp. [289]-300
Reply to John Willett and the "Bourges Resolution", Kowalke, Kim K. pp. [301]-306
Book reviews: Das Verhör in der Oper. Die Debatte um die Aufführung "Das Verhör des Lukullus" von Bertolt Brecht und Paul Dessau, Schrader, Bärbel pp. 307-314
After Brecht: British epic theater, Dahl, Mary Karen pp. 314-316
Korrespondenzen. Zeitschrift für Theaterpädagogik 19/20/21 (1994), Freeland. Thomas pp. 317-319
Brecht unbound, Hoefert, Sigfrid pp. 319-321
Exiles, eccentrics, activists: women in contemporary German theater, Rouse, John pp. 322-325
Die Lyrik Brechts von 1914-1956, Soldovieri, Stefan pp. 326-327
Prima inter pares. Elisabeth Hauptmann: Die Mitarbeiterin Bertolt Brechts; Elisabeth Hauptmann: Brecht's silent collaborator, Führich, Angelika pp. 328-330
Books received, pp. 331-333 ff.
Copyright 1996 by the International Brecht Society. All rights reserved.| For information on re-use see: http://digital.library.wisc.edu/1711.dl/Copyright
