University of Wisconsin Digital Collections
Link to University of Wisconsin Digital Collections
Link to University of Wisconsin Digital Collections
Digital Library for the Decorative Arts and Material Culture

Page View

Repton, Humphry, 1752-1818 / Observations on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture, collected from various manuscripts, in the possession of the different noblemen and gentlemen, for whose use they were originally written; the whole tending to establish fixed principles in the respective arts
(1803)

Chapter V: Woods--Whateley's remarks exemplified at Shardeloes--intricacy--variety--a drive at Bulstrode traced, with reasons for its course--further example from Heathfield Park--a belt--on thinning woods--leaving groups--opening a lawn in great woods--example Chashiobury,   pp. 60-64


Page 61

61.
specimen    of   these, rules, which       require   but    little  further
elucidation.
The beech woods in Buckinghamshire derive more beauty
from   the; unequal and varied surface of the ground on which
they are planted, than from the surface of the woods themselves;
because they have generally more the appearance of cop.ses.,
than of woods: and as few of the trees are suffered to arrive to
"The parts must not, however, on that account, be multiplied till they are too
minute to be interesting, and so numerous as to create confusion. A few large parts
should be strongly distinguished in their forms, their directions, and their situations;
each of these .may afterwards be decorated with subordinate varieties, and the mere
growth of the plants will occasion some irregularity, on many occasions more wiU
not be required.
"Every variety in the outline of a wood must be a prominence or a recess; breadth
in either is not so important as length to the one, and depth to the other; if the former
ends in an angle, or the latter diminishes to a point, they have more force than a
shallow dent or a dwarf excrescence, how wide soever: they are greater deviations
from the continued line which they are intended to break, and their effect is to enlarge
the woaod itself.
"An inlet into a wood seems to have been cut, if the opposite points of the entrance
tally, and that shew of art depreciates its merit: but a difference only in the situation
of those points, by bringing one more forward than the other, prevents the appear-
ance, though their forms be similar.
",Other points which distinguish the great parts, should in general be strongly
marked; a short turn has- more spirit in it than a tedious circuity ; and a line broken
by angles has a precision and firmness, which in an undulated line are wanting: the
angles should indeed be a little softened, the rotundity of the plant, which forms
them, is sometimes sufficient for that purpose; but if they are mellowed down too
much they lose all meaning.
"Every variety of outline hitherto mentioned, may be traced by the underwood
alone; but frequently the same effects may be produced with more ease, and much
more beauty, by afew trees standing out from the thicket, and belonging, or seemiig
to belong to the wood, so as to make a part of its figure."


Go up to Top of Page