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ORN AMENTIAL GARDIENING.
view at once opened comulpletely with bold and striking magni-
ficence. The wild as well as the polished characters of scenery
were cultivated as varieties in the arrangements; and decorative
edifices and ornamental works were distributed over the whole
as objects of embellishment and pleasure.
To the advantages afforded him by the labours of this in-
genious improver, Mr. Repton, who may be said to have
succeeded to his attainments, was qualified to superadd those of
highly cultivated taste; he possessed also a quick perception of
the defects presented to his view in spots requiring his aid, and
in an eminent degree, an aptitude of appropriating the beauties
of nature in substitution for them.-He readily perceived the
necessity of connecting the works of art with nature, by gentle
and almost insensible degrees, thus harmonizing the landscape
with the buildings-for without such care the one appears to be
a trespasser on the property of the other, and in the conflict the
mind is offended or perhaps disgusted.
To harmonize these operations of art and nature, the landscape
with the building, orthe buildingwith landscape, as the case may
be, requires considerable skill; and on this important subject
Mr. Repton's works cannot be consulted without benefit; and
they are highly valuable as means of teaching how to look at
nature and to comprehend its beauties, for there are many persons
who never having directed their attention to such observances
are in effect, suffering a species of blindness: for as its beauty
conveys no kind of intellectual gratification to them, they are
incapable of appreciating and of enjoying its charms.
When however the mind becomes familiar with the sources that
produce these delights, and make the observer no longer indiffer-
cut to the perfections of natural and ornamental scenery, every
truth that tends to establish pmimiciples in the art, is received
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