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Digital Library for the Decorative Arts and Material Culture

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The mirror of the graces; or, the English lady's costume: combining and harmonizing taste and judgment, elegance and grace, modesty, simplicity and economy, with fashion in dress; and adapting the various articles of female embellishments to different ages, forms, and complexions; to the seasons of the year, rank, and situation in life: with useful advice on female accomplishments, politeness, and manners; the cultivation of the mind and the disposition and carriage of the body: offering also the most efficacious means of preserving beauty, health, and loveliness. The whole according with the general principles of nature and rules of propriety
(1811)

[On the detail of dress cont'd],   pp. 125-137


Page 134


MIRROR OF THE GRACE,.
  The open-wove clock and instep, instead
of displaying fine proportion, confuse the
contour; and may produce an impression of
gaiety; but exclude that of beauty, whose rays
always strike singly. But if the clock be a
coloured or a gold one, as I have sometimes
seen, how glaring is the exhibition! how
coarse the association of ideas it produces in
the fancy! Instead of a woman of refined
manners and polished habits, your imagination
reverts to the gross and repelling females of
Portsmouth-point, or Plymouth-dock; or at
least to the hired opera-dancer, whose busi.
ness it is to make her foot and ancle the prin.
cipal object which characterizes her charms,
and attracts the coup d'ceil of the whole as.
pembly.
  If I may give my fair friends a hint on this
delicate subject, it would be that the finest
rounded ancles are most effectually shown by
wearing a silk stocking Witkout any clock. The
eye then slides easily over the unbroken line,
and takes in all its beauties. But when the
ancle is rather large, or square, then a pretty
134


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