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Smith, Walter (ed.) / The Masterpieces of the Centennial International Exhibition illustrated: industrial art
([1876-78])
The international exhibition 1876. , pp. 3-497
Page 4
THE INTERNATIONAL EXHIBITION, 1876. the mere mechanical, manual labor, and Art, the expression of something not taught by nature, the presentation of that ideal, the mere conception of which raises man above the level of savagery. In ancient times the Arts comprised two great divisions: the Liberal and the Servile. The latter were about equivalent to what we to-day call mechanical arts, and they received the name of serile because their practice was relegated to the slaves; whereas the Liberal Arts, which included grammar, dialectics, rhetoric, music, arithmetic, geometry and astronomy, were practiced by freemen alone. At the present time, however, the world, while retaining the former term, makes a different division. We speak of the Fine Arts as distinguished from those which are simply useful or mechanical; and by Fine Arts we mean poetry, music, sculpture, painting and architecture. But when we add to an article which, in itself, supplies a mere bodily want, such ornamentation as makes it lovely or pleasing to look upon, attractive to the eye, ministering to the wants of the mind, we at once place it in that great middle ground between Fine Art and mere mechanical execution, which is known as the field of Industrial Art. Thus, only excluding the production of raw material, Industrial Art might be made to include every branch of labor. But, as a matter of fact, the appli- cation of art to industry, while affecting all branches of manufacture, has found its chief expression in a number of special directions; as in the decoration of textile fabrics, whether by stamping a pattern on, or weaving it in to, the material; in the making of tapestry, lace and embroidery; in -ornamental printing and bookbinding; in furniture, upholstery, paper-hangings and papier-mdchS; in the manufacture of iron, steel and copper, and especially in braziery; in working the precious metals and their imitations, as in jewelry; and in the production of glass and pottery. This, then, is the scope of this division of our Catalogue, and it shall be our endeavor to illustrate these pages with examples of the most admirable and artistic specimens of the widely different Art Industries contained in the Exhibition. To point out their particular merits, to give such descriptions of their construc- tion as will be of interest to the unlearned as well as the learned reader, and to give such general information-wherever it is pertinent-on the details of the manufacture as will render the work a valuable book of reference both 4
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