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Gleadall, Eliza Eve / The beauties of flora : with botanic and poetic illustrations, being a selection of flowers drawn from nature arranged emblematically : with directions for colouring them
(1834)
Lilies of the Valley, Purity and return of happiness; The purple Emperor Butterfly, Immortality of the soul, pp. Plate 15 [i.e. Plate 13]-26 ff.
Page 26
26 THE
" That same dew, which sometimes on the buds
Was wont to swell like round orient pearls,
Stood now within the pretty flowret's eye
Like tears."
SHAKESPEARE.
BEAUTIES OF F
The air
That th
Pull dr,
Their sa
Had no
Caught
IMMORTALITY OF THi
Papilio purpureus Imperator.
WHEN the butterfly departs from the chrysalis which encloses i
unfolds its wings, and wafts its airy flight towards heaven, in be
soul from its earthly envelope. Thus the Greeks considered it ti
the Immortality of the Soul, and in this simple instance stron
observation of the works of Nature. The modems have chosen
it roams from flower to flower.
Gaze on its varied tints and tell me why
There is such beauty in a Butterfly!
Mark then its foim-how delicate! how light!
How gracefully the insect wings its flight !
Come ! let us follow it from spray to spray,
And trace the rover in its airy way;
See from flower to flower it skims along,
Then rests as 'twere to listen to the song
" Shall the poor worm that shocks thy sight,
The humblest form in Nature's train,
Thus rise in new-born lustre bright,
And yet the emblem teach in vain?
" Ah! where were once her golden eyes,
Her glittering wings of purple pride?
Conceal'd beneath a rude disguise !
A shapeless mass to earth allied.
" Like thee, the hapless reptile liv'd;
Like thee she toil'd, like thee she spun;
Like thine her closing hour arriv'd,
Her labours ceas'd, her web was done.
Of s
Vain
It is
Its li
Thei:
And
And
N
And
0:
Is th
To
Or s
1W
Go,
Go!
Fr
INSTRUCTIONS FOR COLOURING.-To give these beautiful bl
which in nature charms the eye of every beholder, a soft but
shading them; a few of the corollas will have greater effect if
The green Ia a mixture of gamboge and Prussian blue; the pi
red compounded. A variety of colours are used for the butterf
diversity of shades; smalt, the sepias, white, and orpiment are
appearance will be attained, by working the parts with a fin4
silver saucer where perceptible.
Based on the date of publication, this material is presumed to be in the public domain.| For information on re-use see: http://digital.library.wisc.edu/1711.dl/Copyright




