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Gleadall, Eliza Eve / The beauties of flora : with botanic and poetic illustrations, being a selection of flowers drawn from nature arranged emblematically : with directions for colouring them
(1834)
The racemose Passionflower, Religious superstition, pp. Plate 1-2 ff.
Page 2
BEAUTIES OF FLORA.
lightly Truth her flight-; ni,,y pr'ize
Id vagary driven,
their blameless exercise
purely be forgiven.
We roam the seas-give new-found isles
Some king's or conqueror's name;
We rear on earth triumphal piles,
As meeds of earthly fame:
" We soar to heaven-and to outlive
Our life's contracted span,
Unto the glorious stars we give
The names of mortal man.
Then may not one poor flow'ret's bloom
The holier memory share
Of Him who, to avert our doom,
Vouchsaf'd our sins to bear ?
God dwelleth not in temples rear'd
By work of human hands:
Yet shrines august, by men rever'd,
Are found in Christian lands.
And may not e'en a simple flower
Proclaim His glorious praise,
Whose Fiat only had the power
Its form from earth to raise ?
Then freely let thy blossom ope
Its beauties-to recall
A scene which bids the humble hope
In Him who died for all I"
B. BARTON.
INSTRUCTIONS FOR COLOURING.-The neutral teint for the shading of the
flowers and leaves is
composed of indigo and venetian red, for the diluting of which I prefer boiled
water. The corolla has
first a wash of Indian yellow, to which, for the second wash, carmine is
added: the darker petals are
afterwards strengthened with a deeper shade of the same colours; for the
more brilliant ones permanent
scarlet is used. The whole is then finely worked with a long sable pencil
and a greater consistency of
colour until the finish is attained. The nectarium, pistillum, and stamina,
are formed with Newman's
constant white, touched with green and chrome yellow, No. 1. The green is
a mixture of gamboge
and Prussian blue, with which, for the floral leaves, carmine is blended:
Cobalt blue and carmine are
used in finishing the stalk.
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