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and introduce all the ancient practices without thought or consideration,
are
but little acquainted with the genius of the people, and consequently unable
to draw a comparison between the state of society in their day and that
which regulates modern usages. To such persons we should address ourselves
in vain.
                                  Plate XIX.
   This is the elevation of a room, showing the fire-plate, in the fashionable
style of Louis Quatorze. The ornaments may be carved in wood, or cast in
some suitable composition, the latter being preferred as a saving of expense.
In finishing rooms of this description, it is of the greatest importance
that
the harmony of colours should be preserved, which can only be done by an
attention to the strength of the tints, for no union can exist when one colour
overpowers the other.
                                   Plate XX.
   This design is the elevation of one side of a room in the Arabesque style.
The centres of the panels are so arranged as to be easy of execution; and
the same design is suitable for all, a variation being made in the centre
vignette. The portraits of celebrated Romans, such as those of C~esar, Cicero,
Seneca, Pliny, and Brutus, might be with propriety introduced.      The whole
of the work must be finished in the positive colours required for this peculiar
style.