Page View
Desgodets, Antoine Babuty, 1653-1728 / Les edifices antiques de Rome
(1771)
Chapitre VII: du temple de la Paix à Rome = Chapter VII: of the Temple of Peace at Rome, pp. 51-54
Page 54
[ 54 1 OF THE TEMPLE OF PEACE AT ROME. front, whereas there is a band' as broad as the rib of the wall, adorned with a foliage bordered by guilloches, as is to be feen at large in the plate following., He makes the height from the area of the temple to the architrave, that is, the height of the column with the bafe and capital; too f all by one foot fix inches ; the bafe of the columns too high by three fourths of an inch, the fhaft of the column too low by one foot five inches and a half; the diameter of the bottom of the column too great by one inch one twelfth; and the entablature too low by nine inches and a half. The height from the area of the temple to the key of the vaults of the chapels is too fmall by feven feet three inches and a half; the arches that communicate between the chapels as well as the under-part of the key in the vault of the porch,. are each too high by one foot five inches; a-d the other arches of the chapels too low by a foot. Serlio puts in his plan niches at the ends of the porch; inflead of the arches there: in the cir- cular part of the middle chapels, he puts only three niches, like Palladio. As for his meafures, I find according to that he gives of half an arm,, with which he fays he meafured every thing, that the porch, as he marks it, between the walls, is too fhort, by eight feet ten inches and a half; and too narrow by four inches two thirds. He makes the walls of this porch, the reverfe of Palladio, too, thick by an inch and a half, and gives but one ,meafure for the width of all the arches' of the porch; which compared with the middle one, proves too great by feven feet fix inches three fourths ; compared with the arches by which we enter the chapels; is too great by five inches three fourths ; and compared with the other arches, is alfo too great by eight feet five inches one fourth. He makes the temple within the walls too fhort by ten feet, and too narrow, by four feet feven inches two thirds; the nave too narrow by two feet one inch two thirds; the diameter of the columns too great by fix inches one twelfth; the outer wall on the flank of the temple too thick by two feet, the chapels too narrow by fix feet; its elevation fill lefs jufi; but he declares indeed that he has drawn it only by the eye. H E fecond phte contains the bafe with part of the fhaft of the column, the entablature, and the compartments of the vaults: the column has twenty-four flutings, which are fix parts broad and three parts three eighths deep; the breadth of the rib is one part five fixths; between the orl at the bottom of the column and the upper torus of the bafe, is an afiragal: the top-fillet of the fcotia has great projecion. In the entablature, it is to be obferved, among other things, that'the two firft faces of the archi- trave are almoft alike; that on the cornice are modilions in place of the corona, which fupport the fillet under the great cymatium; that between the modilions are rofes applied on the plain of the foffit without either cafes or deepeninigs. Palladio makes the fecond face' of the architrave much greater than the firf; on the friezelhe puts a curve at the bottom, which joins it to the lift at the top of the architrave; in the cornice he makes not the dentils as they are; he puts a pine-apple on the returning angle; he omits the fillet between the band of the modilions and the quarter-round; he gives the modilions the ufual volutes, which they have not. On the foffit between the modilions, he puts the rofes in deepenings; he makes the bafe of the column too high by one part three quarters, the plinth by,'one part one twentieth; the torufes and upper orl each alfo by the fixth of a part ; the fcotia too low by the -fifth of a part; the architrave too low by one part five twelfths; the firft band by one part one fixth; the aitragal. over it by one third of a part, the lif at the top alfo by one part nineteen twenty- fourths; the ogee between the bands too high by three eighths of a, part, and the upper band by thir- teen twenty-fourths of a part. He makes the quarter-round and hollow over it each too high by five twelfths of a part; the frieze too low by fourteen parts five fixths, and the cornice'by one part one fixth ; the ogee at the bottom of the cornice too low-by one part: the band of the modi- lions with the fillet which he tranfpofes, are together too low by one part one fixth; and the top- lift by one part one twenty-fourth; he makes the quarter-round under the dentils too high by one par one fourth, and the band, of dentils by one part one twenty-fourth; his cornice projects too much by three parts one eighth : 'neither has each moulding its true proje&ion. CHAPTER
Based on the date of publication, this material is presumed to be in the public domain.| For information on re-use see: http://digital.library.wisc.edu/1711.dl/Copyright




