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Digital Library for the Decorative Arts and Material Culture

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The mirror of the graces; or, the English lady's costume: combining and harmonizing taste and judgment, elegance and grace, modesty, simplicity and economy, with fashion in dress; and adapting the various articles of female embellishments to different ages, forms, and complexions; to the seasons of the year, rank, and situation in life: with useful advice on female accomplishments, politeness, and manners; the cultivation of the mind and the disposition and carriage of the body: offering also the most efficacious means of preserving beauty, health, and loveliness. The whole according with the general principles of nature and rules of propriety
(1811)

Preliminary observations on the subject,   pp. [9]-19


Page 17


PRELIMINARY OBSERVATIONS.
of his sublunary bliss. To deny this, is to
deny even more than the voice of nature;
therefore, I shall not stop to answer so wil-
fully blind an objection.
  We have all read in a work, before which
kings and sages have bowed, and do now bend
the knee, in due humility and deference-that
"a woman's desire is unto her husband !" and
for that tenderrelation, the first on earth, (for,
before the bonds of relationship, man and
woman became a wedded pair,) woman must
leave father and mother, and cleave unto
him alone. Hence, I shall not longer beg the
question, whether it be not right that a chaste
maid should adorn herself with the graces of
youth and modesty, and, with a sober reference
to the duties of her sex, present herself a can-
didate for the love and protection of inanli-
ness and virtue.
  By making the fairness of the body the sign
of the mind's purity, man is imperceptibly at-
tracted to the object designed for him by hea-
ven as the partner of his life, the future mother
of his children, and the angel which is to ac-
company him into eternity. Hence, insignifi-
17


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