THE GOLDFINCH.
THIS Plate represents the Goldfinch, whose plumage gives it a
place among the most beautiful of the British singing birds.
    In copying this bird, the student is recommended to observe
a particular correctness in the outline, so that the attitude and
character may be perfectly preserved: when this is ascertained
by a careful comparison with the copy, the colouring may be
commenced by putting in the ring of the eye, which must be
kept perfectly round, then the black tint, leaving the white speck
distinct ; this requires some pains and practice, but when done,
you may proceed with more freedom to put in the beak, and the
strong orange tint on the front of the head, which must be
darkened with vermillion and thin lake: next, the shadow under
the beak, the dark side of the breast, the lower part of the belly,
the tail and wings; in doing the wings, the strong lines must be
drawn between the light ones. Now begin to lay in the very
lightest tint on the upper part of the breast; also lay a straw
colour tint all under the red parts, as a ground, which is to be
strengthened with a little vermillion and burnt terra de siena; at
the same time, put the red tint all round the throat, then the black
at the back of the head and the wings ; after which, you may put in
the yellow on the wings, and the light tint on the upper part of the
back, and the tip of the wing; then strengthen the back
downwards. The whole will now be completely put in, and holding
it at a little distance, observe where it wants effect, which you may
give by little strengthening touches. The flower and leaves require
no particular instructions.