Page View
The craftsman
(March 1914)
Book reviews, pp. 627-628 ff.
Page 627
ART NOTES: BOOK REVIEWS
for us to make. No more interesting
modern exhibition has been given in New
York this winter than the work of Leon
Bakst, the Russian painter, stage director
and designer. Leon Bakst has presented in
London and Paris the most remarkable
stage setting of the century, not accepting
Gordon Craig or Reinhardt. It possibly
would be more just to link him with those
two men as brilliant innovators in the art
of bringing drama into the setting which
surrounds it. In a matter of color no one
had done more splendid work in the theater
mise en scene. The collection of work
shown at the Berlin Gallery gave one a
very vivid impression of the power ana
beauty and audacity of this man's imagina-
tion. It seems impossible for him to make
the smallest sketch without imbuing it with
a vigor and a dramatic quality that is rare
in even this day of melodrama in art.
The second exhibition which was most
noteworthy consisted of Contemporary
Graphic Art from Hungary, Bohemia and
Austria. It is impossible to realize what
is going on in these countries in the
way of artistic endeavor without having
seen this collection; indeed it presented the
history, political and social conditions as
well, because these artists are essentially
modernists and are telling you the story of
their own national life in their national
art. Mr. Birnbaum certainly is to be con-
gratulated on this season's work at the Ber-
lin Gallery. There seems to be no limit
to his interest in art matters or his capacity
to present the work of significant men
from all over the world to his interested
audiences in New York.
BOOK REVIEWS
THE BACKYARD FARMER: BY J.
WILLARD BOLTE
HE Backyard Farmer" strikes
as its high notes practicability
"Tand harmony in the treatment
of all out-of-door problems,
especially those which focus on the back-
yard. In nearly all large cities there is an
immense amount of waste ground, a state-
ment which holds even in those that have
reached the high water mark of property
values. The backyards of such places are
frequently given over to the drying of
clothes, the storage of somewhat useless
objects, and -the midnight prowling of cats,
even though the time is one of very high
cost of living.
Taking these conditions into account the
author has endeavored to accumulate im-
portant facts concerning the possibilities of
backyard gardens that the amateur farmer
in such regions may be spared the study
and research work necessary to crown his
efforts with success.
There is no ground that cannot be util-
ized for some form of growth. Grass is
not the best crop for the backyard be-
cause it pays no dividend. The better in-
vestment in almost every case is to use the
borders and shady places for perennials
and other flowering plants and to plant the
rest of the ground to vegetables, those se-
lected with the idea of producing plentiful
and healthful crops.
The hotbed or cold frame set up closely
to the house in a sunny place is recom-
mended as greatly helping the city farmer
to get his vegetables and flowers started
early.
This book is made up of 75 short and
suggestive chapters. One entitled "Back-
Yard Dividends," which arouses the en-
thusiasm and teaches -that such small places
can be made to give a yearly return: "A
Succession of Garden Crops"; "Why Gar-
dens Fail"; "A Cold Frame for Fall";
"Vegetables in Flower Boxes"; "Gardens
and Plant Pests"; "Better Lawns"; "Mak-
ing the City Flock Pay"; "Laying Out
Flower Beds"; and many others of like
purpose giving an idea of the value of this
book.
The author himself, a practical gardener,
is an authority on the subject of agricul-
tu~re and has written in a clear and lucid
style entirely free from technicalities. (Pub-
lished by Forbes & Company, Chicago.
238 pages. Price $I.oo.)
BENDISH: A STUDY IN PRODIGAL-
ITY: BY MAURICE HEWLETT
"661 ENDISH," the book of Mr. Hewlett
1J that follows "Lady Lancelot" in the
romance period of the early nine-
teenth century, holds the interest inspired
by the former book and opens the mind of
the reader to an expectation of the one
that is to follow, completing the trilogy.
Perhaps for the very reason that "Bendish"
is a middle link, a calm after the climax of
"Lady Lancelot" and a forerunner of the
events which must necessarily occur in the
third volume, the story fails somewhat of
the high water mark set by many of this
author's romances. It does not entirely
satisfy, except in that it is written in Mr.
627
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