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Arrowsmith, Henry William / The house decorator and painter's guide; containing a series of designs for decorating apartments, suited to the various styles of architecture
(1840)
[Interior decoration, continued], pp. 117-120
Page 117
117
Having explained the several styles of decoration, and pointed out the
most important characteristics of each, it only remains to introduce a few
general remarks in conclusion.
In every style of art, the ornaments which may appear to be most
characteristic must be carefully studied, and no alteration should be allowed
which does not accord with the general feature of the order. Upon
the
forms and finishing of these ornaments, the styles themselves in a
great
measure depend, though not entirely, as some persons would insinuate; for
there are many species of decoration in which ornaments, in the common
acceptation of the term, may be altogether omitted, without in any degree
lessening the prominent features of the styles. Nothing, however, can
be
more offensive to the educated and critical eye than the blending of the
ornaments of one mode with the outline of another, or the intermixture of
decorations, which although equally calculated to please, affect the mind
differently; some producing the idea of grandeur and magnificence; some of
lightness and elegance; while others call to our imagination the days of
chivalry and romance, and stir in us the desire for the tournament and the
chase, the hawking and the banquet, with all the rural and proud magni-
ficence of ancient baronial authority. The decorator should, therefore,
for
his own instruction, examine the ornaments which belong to the several
styles, distinguishing those which have been introduced in the most admired
specimens of the mode, and the variety of form or finish which they
have
from time to time received.
In the internal decoration of some edifices, it may be necessary to intro-
duce the classical styles. Under such circumstances, it is well to remember
that it is important to retain the spirit, but not to adopt a servile imitation
of
original works. The wants and convenience of those who are to inhabit a
building, or the purposes for which it is to be used, must be first considered;
then the style of decoration most suitable under such conditions. If we trace
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