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Kamarck, Edward L. (ed.) / Arts in society: the film issue
(Winter 1966-67)
The early years, pp. 105-[116]
Page 105
The Film Industry: The Early Years The motion picture is perhaps the only art form to be developed within recorded history. The origins of painting, sculpture, music, dance, drama are ancient and uncertain. The origin of the motion picture was carefully and accurately documented in scientific terms. In some ways less is known about the development of the film industry than about the invention of technical devices which appeared a century earlier. The records and correspondence of many of the important early film companies have long been destroyed. Fortunately, some early data has been preserved, and is of great interest to the film historian, the sociologist, and the student of other mass media. The Wisconsin Center for Theatre Research at the University of Wisconsin is a national repository of primary source materials relating to the performing arts in America and to their role in American cultural history. Film materials, including scenarios, shooting scripts, personal and professional correspondence, and production stills, come from such diverse sources as Dalton Trumbo, Walter Wanger, Dore Schary, Frederic March, the Hollywood Democratic Committee, Orson Welles, and Harry and Roy Aitken. The papers of the Aitken brothers are particularly rich with regard to "The Early Years." The Aitken brothers were important figures in the early American film industry. They organized and operated such early companies as Western Import, Triangle, Reliance, Kay Bee, Majestic, and Keystone. They were associated with such luminaries as D. W. Griffith, Thomas Ince, Mack Sennett, Mary Pickford, Douglas Fairbanks, Lillian and Dorothy Gish, Charlie Chaplin, Mae Marsh, Gloria Swanson, and many Co en. Cu 0) 0 0
Copyright, 1966, by the Regents of the University of Wisconsin.| For information on re-use, see http://digital.library.wisc.edu/1711.dl/Copyright




